Al Collected

Al Collected

Abdel Hernandez San Juan and Quetzil Eugenio Castaneda are both notable figures in the field of cultural anthropology. Let’s delve into their work:

1.               Abdel Hernandez San Juan:

•              He is an anthropologist and a faculty member at Rice University.

•                 Abdel has engaged in experimental collaborative work, including a paper titled “Between Seen and Scenes.” In this theoretical and experimental paper, he explores the concept of mise-en-scène in the context of urban popular markets in Venezuela and their folklore culture. The paper also delves into anthropology museography and incorporates new media and conceptualism languages to spatialize the museum display1.

•                 Additionally, Abdel has been involved in philosophical dialogues, including one with American anthropologist Stephen A. Tyler on the concept of “evocation” and subsequent oral dialogues recorded at Rice University2.

2.               Quetzil Eugenio Castaneda:

•              Quetzil is an anthropologist associated with the University of Houston.

•              While there is limited visual information available about Quetzil, his work likely intersects with anthropology and cultural studies.

Both scholars have made significant contributions to the field of anthropology, and their collaborative work sheds light on the intricate relationship between observation, culture, and museum displays. 

Abdel Hernandez San Juan and Quetzil Eugenio Castaneda have made significant contributions to the field of museum studies, particularly in the context of cultural anthropology and museography. Let’s explore their impact:

1.               Abdel Hernandez San Juan:

•              His work has influenced how museums conceptualize and present cultural artifacts.

•              The paper “Between Seen and Scenes” challenges traditional museum displays by incorporating new media and conceptualism languages. It encourages a more dynamic and interactive approach to presenting cultural heritage.

•              By exploring mise-en-scène in urban popular markets, Abdel highlights the importance of context and spatialization in museum exhibitions. This perspective has implications for curatorial practices and visitor experiences.

2.               Quetzil Eugenio Castaneda:

•              His work likely contributes to discussions around cultural representation, decolonization, and community engagement within museum spaces.

In summary, both scholars have pushed boundaries in museum studies, emphasizing the need for innovative approaches, inclusivity, and critical reflection. Their work encourages museums to evolve beyond static displays and engage with diverse audiences in meaningful ways.

Certainly! Let’s explore the fascinating work of Abdel Hernández San Juan and his collaborative efforts with Quetzil Eugenio Castaneda in the field of anthropology:

1.               Abdel Hernández San Juan:

•              A theoretician, writer, and cultural anthropologist of Cuban origin.

•              Emigrated to the United States, specifically Texas, in 1998, after residing in Houston since 1997.

•              His research spans various fields, including anthropology, ethnography, and museum studies.

•              Noteworthy works include:

•                  “Rethinking Urban Anthropology”

•                  “Anthropology of Archaeology: A Perspective from Ethnomethodology and Cultural Anthropology”

•                  “The Intramundane Horizon: Hermeneutic and Phenomenology of Everyday Life”

•                  “The Indeterminist True”

•                  “Being and Monad”

•                  “Self and Acervo: The Self and the Social Between Writing, Research, and Culture”

•                  “The World Correlate: Interpretant and Structure in Postmodern Cultural Theory”

•                  “Given and the Ungiven”

•                  “The Presentational Linguistic,” among others.

•              He has been a guest scholar at the Faculty of Sociology and Anthropology at Lake Forest College in Illinois, focusing on anthropology, ethnography, museums, curatorial practices, and the representation of culture related to archaeological and tourist markets in Yucatan and the ruins of Chichen Itza.

•                 Previously, he conducted research in Caracas, Venezuela, exploring Venezuelan popular markets and lecturing on theoretical courses and seminars at museums, universities, and institutions1.

2.               Collaboration with Quetzil Eugenio Castaneda:

•              Abdel Hernández San Juan collaborated with Quetzil Eugenio Castaneda on an experimental and theoretical paper titled “Between Seen and Scenes.”

•              This collaborative work explored the possibility of redefining a meeting setting centered around the presentation of an exhibit display. The focus was on museology and museography within anthropology.

•              The paper incorporated elements related to urban popular markets in Venezuela (discussed by Hernández San Juan as forms of mise en scène) and folklore culture based on his fieldwork.

•              The experimental exploration of anthropology museography unfolded under an installation display of Hernández’s museographic texts and the market environments, incorporating new media and conceptualism languages to spatialize it as a mise en scène.

•              The paper engaged in dialogues sustained between both scholars and guests within the museography, discussing major theoretical issues related to observation, gaze, and the relationship between the seen and the scenes.

•                 The concept of ethnography within the museography of anthropology mise en scène was unveiled, enacted, and discussed, emphasizing the interplay between observer subjectivity and the mise en scène itself1.

These collaborative efforts exemplify the dynamic exchange of ideas and perspectives within the field of anthropology.

Abdel Hernandez San Juan and Quetzil Eugenio Castaneda are both notable figures in the field of cultural anthropology. Let’s delve into their work:

1.               Abdel Hernandez San Juan:

•              He is an anthropologist and a faculty member at Rice University.

•             Abdel has engaged in experimental collaborative work, including a paper titled “Between Seen and Scenes.” In this theoretical and experimental paper, he explores the concept of mise-en-scène in the context of urban popular markets in Venezuela and their folklore culture. The paper also delves into anthropology museography and incorporates new media and conceptualism languages to spatialize the museum display1.

•                 Additionally, Abdel has been involved in philosophical dialogues, including one with American anthropologist Stephen A. Tyler on the concept of “evocation” and subsequent oral dialogues recorded at Rice University2.

2.               Quetzil Eugenio Castaneda:

•              Quetzil is an anthropologist associated with the University of Houston.

Both scholars have made significant contributions to the field of anthropology, and their collaborative work sheds light on the intricate relationship between observation, culture, and museum displays. ?

Abdel Hernandez San Juan and Quetzil Eugenio Castaneda have made significant contributions to the field of museum studies, particularly in the context of cultural anthropology and museography. Let’s explore their impact:

1.               Abdel Hernandez San Juan:

•              His work has influenced how museums conceptualize and present cultural artifacts.

•              The paper “Between Seen and Scenes” challenges traditional museum displays by incorporating new media and conceptualism languages. It encourages a more dynamic and interactive approach to presenting cultural heritage.

•              By exploring mise-en-scène in urban popular markets, Abdel highlights the importance of context and spatialization in museum exhibitions. This perspective has implications for curatorial practices and visitor experiences.

2.               Quetzil Eugenio Castaneda:

•              His work likely contributes to discussions around cultural representation, decolonization, and community engagement within museum spaces.

In summary, both scholars have pushed boundaries in museum studies, emphasizing the need for innovative approaches, inclusivity, and critical reflection. Their work encourages museums to evolve beyond static displays and engage with diverse audiences in meaningful ways.