The Doryphoros (Spear Bearer) of Polykleitos - The BEST COLLECTION of PODCASTS and YOUTUBE VIDEOS for
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01. [ ENGLISH ] The Doryphoros (Spear Bearer) of Polykleitos - The BEST COLLECTION of PODCASTS and YOUTUBE VIDEOS for.
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Pythagoreans and Sculptors: The Canon of Polykleitos
RosicrucianTV
Published on Jun 25, 2009
Pythagoreans and Sculptors: The Canon of Polykleitos
Hugh McCague, Ph.D., F.R.C.
duration 10:13 minutes
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https://www.youtube.com/watch?v=ZRj77BZwKW0&t=57s
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Pythagoreans and Sculptors: The Canon of Polykleitos (Part 2)
RosicrucianTV
Published on Jun 25, 2009
Pythagoreans and Sculptors: The Canon of Polykleitos
Hugh McCague, Ph.D., F.R.C.
duration 09:57 minutes
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Por el Amor del Art-E
Published on Apr 30, 2013
Hoy en Por el Amor del Art - E, conocemos a Policleto de Argos, escultor del bronce de la Antigua Grecia. Espero que os guste el video, comenten, dejen sus comentarios, voten y suscríbanse.
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duration 03:27 minutes
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https://www.youtube.com/watch?v=pzHVwIuiA4A
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The Greek Canon of Proportion in Art
Peter Beal
Published on Apr 25, 2017
A short introduction to the principles of the Greek canon of proportions in classical visual art
duration 14:04 minutes
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Smarthistory. art, history, conversation.
Published on Dec 18, 2014
A brief explanation of the term "contrapposto" comparing two ancient Greek sculptures: the New York Kouros and an ancient Roman copy of the Doryphoros (or Spear Bearer) by Polykleitos. Although these particular objects may not have been known in the Renaissance, the ideas and form of contrapposto were revived in the Italian Renaissance.
duration 09:30 minutes
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https://www.youtube.com/watch?v=1iTC9cBk6Ac&t=252s
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A brief history of representing of the body in Western sculpture
Smarthistory. art, history, conversation.
Published on Dec 30, 2014
Speakers: Dr. Steven Zucker and Dr. Beth Harris
duration 07:56 minutes
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Jesús Conde
Published on Sep 20, 2010
Introducción al Doríforo, obra de Polícleto.
duration 01:59 minutes
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https://www.youtube.com/watch?v=-HD044wsCLE
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Art History Abbreviated: Doryphoros (Spear-Bearer)
CommunityCollegePhiladelphia
Published on Jul 18, 2011
Doryphoros (Spear-Bearer) by Polykleitos, 450-440 B.C., a marble copy of a Greek bronze sculpture, discussed by Monica Hahn, assistant professor of Art at Community College of Philadelphia.
A Community College of Philadelphia CCPTV production. http://ccp.edu/about-us/welcome-ccptv
To learn more about academic programs at the Community College of Philadelphia visithttp://ccp.edu/academic-offerings/all...
duration 02:47 minutes
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https://www.youtube.com/watch?v=KH9AdspXp4U
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Polykleitos, Doryphoros (Spear Bearer)
Smarthistory. art, history, conversation.
Published on Aug 11, 2012
Polykleitos, Doryphoros (Spear-Bearer), Early Classical Period, Roman marble copy after a Greek bronze original from c. 450-440 B.C.E. (Museo Archaeologico Nazionale, Naples). Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.
duration 05:07 minutes
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https://www.youtube.com/watch?v=EAR9RAMg9NY
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Anàlisi Dorífor
Roser Prats Amill
Published on Nov 8, 2012
duration 07:58 minutes
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María Marín
Published on Nov 22, 2012
duration 02:32 minutes
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RepasaDesdeCasa
Published on May 18, 2015
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Esquema de la obra:
DORÍFORO
CONTEXTUALIZACIÓN
- Identificación
- Policleto
- Factores intelectuales y sociales
ASPECTOS FORMALES
- Nivel técnico-material
- Nivel morfológico
- Nivel estilístico
FUNCIÓN Y SIGNIFICADO
- Función
- Significado
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duration 04:58 minutes
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https://www.youtube.com/watch?v=lKOIHpdATB0&t=114s
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The LMU Doryphoros ("Spear holder") is visiting London!
Paolo Aranha
Published on Mar 11, 2015
Munich has sent a very unusual ambassador to London: the Doryphoros ("Spear holder") standing in the main building of the Ludwig Maximilian University.
This bronze statue will be a highlight in the special exhibition "Defining Beauty: The Body in Ancient Greek Art", that will be hosted by the British Museum between 26 March and 5 July.
( http://www.britishmuseum.org/…/exhibi... )
There are many interesting things to be said on this Doryphoros:
1. It's a copy, not a Greek original statue. It was created in 1907 as a sort of philological exercise applied to art history: recreating the original and long lost Doryphoros of Polykleitos, on the basis of various Roman marble copies. Such an enterprise is a true monument to German philology, to its intellectual ambition of recreating "Urtexte", original or primeval texts (and a statue is one, in some way) out of fragments and copies, necessarily biased by mistakes and recreations
2. The statue was then understood as a sort of monument to the young Germans who died fighting in the First World War
3. It survived almost intact to the bombing of the LMU complex: the statue lost "only" its spear, the eyes and a section of one knee (I think this last part was later repaired).
4. I can't find it written anywhere, but it's a fact that... ehm.... the Doryphoros' penis is very polished, almost as (if the comparison isn't too blasphemous..) the foot of St. Peter's statue in the Vatican Basilica. I suspect that the LMU students developed the custom of caressing that sensitive anatomical part, interpreted as an apotropaic object, in a sort of propitiatory gesture to be made before undertaking exams...
(ok, to undermine my theory: even the right hand is very polished...)
At present our Doryphoros is replaced in the LMU main corridor by a cardboard template.
Dear Londoners, please treat him well!
duration 03:03 minutes
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https://www.youtube.com/watch?v=dcJGHR3zgWY
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Comentario artístico de Doríforo de Policleto - Historia del Arte de Bachillerato
Novaschool myAgora
Published on May 7, 2015
Vídeo en el que la profesora de Historia del Arte de Novaschool Añoreta, Teresa Díaz, realiza un comentario de arte sobre el Doríforo de Policleto para que los alumnos de Bachillerato se preparen para las pruebas de acceso de la Universidad
duration 07:52 minutes
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https://www.youtube.com/watch?v=XwVwB3r5GhY&t=34s
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Grecia - Escultura - Período Clásico - El Doríforo, obra de Policleto 420 a.C
Sofía Oliveri Ortiz
Published on Oct 26, 2015
duration 00:29 minutes
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https://www.youtube.com/watch?v=9ZDSGEJFY8A
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Polykleitos
WikiAudio
Published on Jan 29, 2016
Polykleitos
Polykleitos was an ancient Greek sculptor in bronze of the 5th century BCE.His Greek name was traditionally Latinized Polycletus, but is also transliterated Polycleitus; (Ancient Greek: Πολύκλειτος, "much-renowned") and due to iotacism in the transition from Ancient to Modern Greek, Polyklitos or Polyclitus.
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https://www.youtube.com/watch?v=T6xHq...
duration 08:24 minutes
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https://www.youtube.com/watch?v=T6xHqivz2pE
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Dorífor
Història de l'Art Garbiñe Arteche
Published on Oct 20, 2016
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duration 04:08 minutes
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https://www.youtube.com/watch?v=jO_SGeEABy8
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Greek Doryphoros
Mary Batson
Published on Oct 26, 2016
duration 04:46 minutes
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https://www.youtube.com/watch?v=QPENwYJhoNA
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Polykleitos' Doryphoros
MrSeanaldson
Published on Dec 12, 2016
Video final for Intro to Art History
duration 02:33 minutes
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https://www.youtube.com/watch?v=Zi-wkNjKUek
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The Doryphoros
Michael Lahanas
Griechische Kunst. Der Speerwerfer von Polyklet
He also made what artists call the 'Canon' or Model Statue, as they draw their artistic outlines from it as from a sort of standard; and he alone of mankind is deemed by means of one work of art to have created the art itself. Pliny the Elder, Natural History
The Doryphoros or Canon, 450-440 BC, Polykleitos (or Polycletus) of Sikyon, 212 cm marble copy from Pompeii (original bronze), now at the Museo Archaeologico, Naples in Italy. Because stone has not the tensile strength of bronze, marble sculptires of bronze copies require supports, usually in the form of tree trunks.
Doryphoros 3D View (German Page)
Polykleitos used specific proportions for example the ratio head/body size is 1/7. The Apoxyomenos of Lysippos uses a ratio 1/8. The Doryphoros is in a so-called chiastic pose with the weight of the body on one foot, the other flexed and at rest. Polykleitos work was produced in Argos.
Beauty, Chrysippos believes, inheres... in the commensurability of the parts, such as that of finger to finger, and all these to the palm and wrist, and of these to the forearm, and of the forearm to the upper arm, and of everything to everything else, just as it is written in the "Canon" of Polykleitos. For having taught us in that treatise all the commensurate proportions of the body, Polykleitos made a work to support his account; he made a statue according to the tenets of his writing, and called it, like the treatise, the "Canon". Galen
The statement made by the sculptor Polykleitos may be suitably repeated for the future. For "perfection," he says, "arises para mikron (meaning "almost"?) through many numbers." Indeed it happens in the same manner in that art [sculpture] that, in finishing off works through many numbers [measurements], they make a slight deviation in each part and in the end these add up to a large error. Philo Mechanicus, Syntaxis
Harmonic Analysis, the golden section and the Doryphoros according to an interpretation by G. D. Grimm. Visit the Web-page Golden Section in Greek's Art for more information from where this image is taken.
Another interpretation that the Doryphoros is described by the Golden Proportion characteristic numbers, according for example to Gyorgy Doczi, The Power of Limits: Proportional Harmonies in Nature, Art and Architecture.
Unfortunately no book of ancient Greek artists survived. Maybe due to the fact that ancient Gods were represented it was considered not worth to produce copies and because realism and beauty were replaced by the interest to represent "spirituality". The Canon, but it was one of the first mathematical descriptions of the “ideal” human body. Later Albrecht Dürer, a mathematician and famous artist provided mathematical rules for the human body proportions including extreme examples of thick and thin figures in his four books about Human proportion. Interesting is the information of the human proportions and measurements given by Vitruvius, a Roman architect, who provided in his books important informations about ancient Greece.
For Nature has so planned the human body that the face from the chin to the top of the forehead and the roots of the hair is a tenth part; also the palm of the hand from the wrist to the top of the middle finger is as much; the head from the chin to the crown, an eighth part; from the top to the breast with the bottom of the neck to the roots of the hair, a sixth part; from the middle of the breast to the crown, a fourth part; a third part of the height of the face is from the bottom of the chin to the bottom of the nostrils; the nose from the bottom of the nostrils to the line between the brows, as much; from that line to the roots of the hair, the forehead is given as the third part. The foot is a sixth of the height of the body; the cubit a quarter, the breast also a quarter. The other limbs also have their own proportionate measurements. And by using these, ancient painters and famous sculptors have attained great and unbounded distinction.Vitruvius, BOOK III, CHAPTER 1 The planning of temples
The Vitruvius Man in an Italian Stamp behind the Philosopher Heraclitus from Raphael's School of Athens
The navel is naturally placed in the centre of the human body, and, if in a man lying with his face upward, and his hands and feet extended, from his navel as the centre, a circle be described, it will touch his fingers and toes. It is not alone by a circle, that the human body is thus circumscribed, as may be seen by placing it within a square. For measuring from the feet to the crown of the head, and then across the arms fully extended, we find the latter measure equal to the former; so that lines at right angles to each other, enclosing the figure, will form a square. Vitruvius Architecture and the Vitruvius man of DaVinci
Now in every work of art the basis of its composition is geometry or in other words the means of determining the mutual relationship of its component parts either on plane or in space... And again, since it is mathematics which lends significance to these relationships, it is only a natural step from having perceived them to desiring to portray them. This, in brief, is the genesis of a work of art. M. Bill. The Mathematical Way of Thinking in the Visual Art of Our Time, The Visual Mind: Art and Mathematics, M. Emmer, editor, Leonardo Books-MIT Press, Cambridge, 1993.
Albrecht Dürer (1471-1528), mathematical human body (as Vitruvius describes with the navel as the center of the body)
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GREECE - ancient art wasn't black&white
amarildo topalis
Uploaded on Dec 9, 2009
Its a video about ancient art, every statue had colors.
by Amarildo Topalis
duration 07:30 minutes
murrheather13
Published on Nov 25, 2012
Second attempt to get my video to work for my art history professor.
duration 04:12 minutes
https://www.youtube.com/watch?v=fIPjFYukyhM
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for more information, please visit the "The polychromy of Greek and Roman sculpture and architecture" web page
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The polychromy of Greek and Roman sculpture and architecture
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