SILAY SA LENTE REVIEW: RELIVING THE PAST EJK MURDER CASES

Rona Jane Gula

“Be careful, it is dangerous outside. We don’t know what’s lurking around the streets at night.”

Silay sa Lente production team and cast

Photo courtesy of Mark Cabia

The horrifying drug-war killings under Duterte’s Administration was remembered by BSE English Chinese 2A on their recent theater performance on December 7, 2022. The playwright, Rona Jane Gula, took the brutality and injustice brought by the War on Drugs Campaign during year 2016 and 2017 as the central theme of the performance. With just 23 students, who acted as the cast and served as the production team simultaneously, the BSE English Chinese 2A managed to create a magnificent play that lasted about 45 minutes and has a sing-and-dance number. 

The play gave off an eerie feeling, as there are little to no scenes with a cheerful message. Each scene was filled with a tense and heavy energy because the production team wanted to show the audience on what really happened on the victims of the cruel campaign, and how did the Filipinos live with fear of the countless killings that happened on every corner of the streets at night. 

Each scene in story revolved around the different perspectives of different characters– president, victims, policemen, drug lords, and the mass. The play started in the scene where the president announced the start of War on Drugs campaign and how he vowed that he will eradicate every single drug syndicate. After this, the climax of the show highlighted the death of Kyle, the victim in the play that was named after the EJK victim, Kian Delos Santos. Kyle was shot in a dark alley by policemen, and was labeled as “drug pusher” by them in a press interview. The further scenes include the drug lord, and how she bribed the government to escape the law. At the end of the performance, the divided opinion of the public towards the campaign was highlighted before they sing “Tightrope.” 

An emotional choir performance at the end of Silay sa Lente

Photo courtesy of Stephie Cambe, Speech and Theater Arts Professor

Despite the whole production team only having one and a half month to write the play, practice the sing and dance performance, and rehearse the scenes, the actors delivered their lines smoothly and managed to portray their characters perfectly. The star of the play, Jerico Galvez, swayed the audience with his excellent acting as Kyle. Goosebumps were felt on the skin when Jerico screamed and begged for mercy before he was killed. The one who acted as president, Simon Peter Buquel, frightened and angered the audience with his strong presence as a dictator who kills everyone who gets on his way. Furthermore, the entire cast were amazing as they transition from an actor to a production member in just a short amount of time. 

From left to right: Lester Concepcion (Policeman), Jerico Galvez (Kyle) and Simon Peter Buquel (President).

Photo courtesy of Jerico Galvez

Kyle in the middle of two policemen.

Photo courtesy of Jerico Galvez

In contrary to the sing and dance performance, the production team doesn’t think that their play was “musical” because the characters didn’t sing in their dialogues. Instead, they think of it as something like “a play with a sing-and-dance transition.” Every sing and dance performance were breathtaking and phenomenal. The dancers were charismatic and the singers sang with clarity throughout show. “You were the only play that started with a dance number,” said Ms. Stephie Cambe, a Speech and Theater Art professor. It’s impressive that the team revealed that the actors were also the one who choreographed the dance and sang the sound track. The dances were made to highlight the characters. Meanwhile, the songs in the sound track ranges from musical genre to pop genre. Rosalie May Bautista, the woman behind the melody, led the fantastic choir performance at the end of the play. 

Although there are already hundreds of plays about EJK, the thing that separates Silay sa Lente from the rest was their costume design and makeup. The director, Mark Cabia, added a twist to the costume design. Instead of a typical normal contemporary costume, he chose something that is straight from a fairy tale book. One of the best costume designs was the president’s. He wore a long black cape and a black horn headdress intricately designed by the costume team, signifying that he is the villain of the story. The makeup of the cast was also based on their roles, evil characters wore a dark and grungy makeup while innocent characters graced the stage with light and fresh makeup look. 

The stage design was a newspaper wall that has vandalism and pictures of missing person on it. It also had a touch of handprints in red color that looks like it was touched with a person's bloody hands. Furthermore, the lights system was pretty average as the production team did a DIY spotlight. The sound system on the other hand, had some delays during the play just like the lights. It is entirely fine because the key player of the show was the cast’s performance. 

Silay sa Lente stage design

Photo courtesy of Stephie Cambe, Speech and Theater Arts Professor

The Silay Sa Lente Performance sealed the deal for the BSE English-Chinese students. The production team meticulously planned and executed the performance. Choosing a relevant issue like the EJK murder cases as the focus of the story was also a game changer. The playwright and director knew what they had to do in order to show the audience a perfect depiction of what happened to the victims of War on Drugs campaign. They created a story that uncovered the immoral actions and brutality of the government and the policemen, and the heart-rending lives of Filipinos. Overall, it’s a great show that tackles about the dark and cruel side of the Philippines. 

Silay sa Lente production team and cast with program coordinator Ms. Baello, Prof. Jayson De Chavez, and Prof. Stephie Cambe

Photo courtesy of Stephie Cambe