.   ..   ...   ....  Schubert Serenade  ....   ...   ..   .

: performance :  

Slovak Chamber Orchestra led by Bohdan Warchal 

Franz Schubert 

 ! the composer would be thrilled to the bone if he could hear these heavenly orchestral overtones interpreted / arranged into his composition !

you can hear what is meant if you compare it to  

another

more playful yet straightforward almost unearthly

:  interpretation - version - arrangement : 

that as much would please the originator if he could hear 

↓↓↓

... redemption ...

: performance : 

London Philharmonic Orchestra
(hear this on a high sound level)

and

something that could be regarded as 

"original"

(hear this one on a low sound level and be aware Schubert himself would have been 'played 'this 'playful' also, very playful but probably not as playful as you are able to hear it right here!)  

...

and

as what this latter image insinuates

there
is
a 

  (-; real sung version also:: "komm beglücke mich" ::that sucks really it does ;-)

 ... 

    not about redemption from misery 

but 

- a stage in front of it - 

being unhappy in love

and 

   again a reversion of things  

(remember the approach of dialectics) 

↓↓↓  

!  being happy in love for the first time !

no

   (-;  need for redemption but for intensification ;-)

no 

"classic" 

associated with the upper class within society 

 "cultivated listeners"  

but 

"schlager" 

associated with common people

"peasants"

  (-; in the eyes and ears of  highly honorable  - highly sophisticated - highly arrogant musics and music critics ;-)

   ________________________________________________________________________________________________________________________ 

... now  ...

  here you have a  "picture"  of how and what 

Jacqeline   

might feel   

30 

or 

40 

years later

(originated by  Frederick Hollander)

    Marlene Dietrich had a great personality but had no exceptional voice     

  - in fact -

one of the German vocalists - without a voice - Hildegard Knef is another   

"Doris Day like Fräuleins"

 ...                      ...                     ...

 however 

!    a marvelous appearance does not make a good interpreter   !
  necesserily 

 or actor 

(-; although it may help a lot to open the harts of the audience ;-) 

"foule sentimentale"

__________________________________________________________________________________________ 

! but  without any doubt there were two other Fräuleins in these days with a voice !

Zara Leander

 (very much like this emotionally gripping title composed by the Italian Nino Rota)   

and 

Miliza Korjus

and - someone - something - more 

"up to date"  

 a German  -  Eva L'orage    

    ("une chanteuse")    
(-; frencher than French ;-)  

_________________ 

... now ...  

!   in the following you have some  - according to me - most exceptional voices  !            

: baldly : 

- by far - 

my favorite female interpreters 

of 

 "a deeper love - a performance of - another kind"  

: surprisingly, all the four had remarkable similar personal traits: a so-called bipolarity disorder - going hand-in-hand with a certain level of (auto-)aggression : 
      complete inability to cope with men and their real intentions towards a female celebrity and this obvious emotional turmoil as a red thread throughout their lives      

Nina Simone 

Édith Piaf
(originated by Jacques Brel)

Minnie Riperton 

Sinéad O Connor
(originated by  Elton John)

... 'Cause nothing compares, no, nothing compares to you, nothing, nothing It's been so lonely without you here I'm like a bird without a song , nothing can stop these lonely tears from falling Tell me, baby, where did I go wrong? I could put my arms ...
... Oh, no, no nothing compares to you ...

- the evening of July, 26, 2023 -

: as you may have noticed already : 

! along with a broad musical spectrum in this project in pioneering web art there are so many far-fetched associations !  

!!! can't get !!!

  out of my head
↓↓↓
    (-; Inspiration Information ;-)