EVERY lesson has a reflection in the last 5 minutes. WHAT - SO WHAT - NOW WHAT?
A sequence of rapidly edited images or shots that condenses time, space, and information to create meaning or convey a concept.
An instantaneous transition from one shot to another, often used to signify a change in time, location, or subject.
A gradual transition between shots where one image fades out while another fades in.
Changing the focal length of the camera lens to magnify or diminish the size of the subject within the frame.
Rotating the camera horizontally from a fixed position, typically to follow or reveal movement within the frame.
Rotating the camera vertically from a fixed position, often used to reveal or emphasise vertical elements within the frame.
A shot in which the camera moves alongside or follows a subject, often mounted on a dolly or other moving apparatus.
A shot taken from a camera mounted on a crane, allowing for vertical movement and sweeping perspectives.
Filming with a camera held by a person rather than mounted on a tripod or other stabilising device, often used to create a sense of immediacy or realism.
A camera stabilisation system that allows for smooth movement while filming handheld, providing steady shots even in motion.
Wide Shot (WS):
A shot that captures a broad view of the setting or environment, often used to establish context or location.
Medium Shot (MS): A shot framing the subject from the waist up, typically used for dialogue scenes or to focus attention on characters.
Close-Up (CU): A tightly framed shot focusing on a specific detail, such as a character's face or an object, used to convey emotion or significance.
Extreme Close-Up (ECU): A shot framing a subject's face or object in extreme detail, often used for dramatic effect or to emphasise specific details.
Long Shot (LS):
A shot capturing the subject from a significant distance, often used to show scale or emphasise the surroundings.
Over-the-Shoulder Shot (OTS):
A shot taken from behind one character's shoulder, framing the other character in the foreground, often used in conversation scenes to establish spatial relationships.
Two-Shot:
A shot framing two characters within the same frame, often used to convey interaction or dialogue between them.
Point of View (POV) Shot:
A shot that replicates the perspective of a character, showing what they see from their vantage point.
Insert Shot:
A brief shot inserted into a sequence to show specific detail or action, often used to provide additional information or emphasise a particular element.
Reaction Shot:
A shot focusing on a character's reaction to an event or dialogue, often used to convey emotion or narrative significance.
High Angle: A shot taken from above the subject, often used to diminish the subject's importance or convey vulnerability.
Low Angle: A shot taken from below the subject, often used to emphasize the subject's power, dominance, or significance.
Eye-Level Angle: A shot taken at the same height as the subject's eyes, providing a neutral perspective.
Dutch Angle (Oblique Angle): A shot taken with the camera tilted to create a diagonal horizon line, often used to convey disorientation or psychological tension.
Bird's Eye View: A shot taken from directly above the subject, offering a panoramic view of the scene, often used for establishing shots or to convey spatial relationships.
Worm's Eye View: A shot taken from directly below the subject, offering a distorted perspective and emphasizing height or dominance.
Canted Angle: Similar to the Dutch angle, a shot taken with the camera tilted to create an off-kilter composition, often used for dramatic effect or to convey unease.
Static Angle: A shot taken with a stationary camera, providing a stable perspective.
Moving Angle: A shot taken with a moving camera, offering dynamic perspectives and adding kinetic energy to the scene.
Aerial Shot: A shot taken from a vantage point above the ground, often captured with the use of drones or helicopters, providing sweeping views of landscapes or settings.