EVERY lesson has a reflection in the last 5 minutes. WHAT - SO WHAT - NOW WHAT?
William Golding was a British author born on September 19, 1911, in Newquay, Cornwall, England. He grew up in a middle-class family, with his father being a schoolmaster and his mother a suffragette. Golding attended Marlborough Grammar School and later studied at Brasenose College, Oxford, where he initially pursued natural sciences but eventually switched to English literature. After serving in the Royal Navy during World War II, Golding began his writing career. His debut novel, "Lord of the Flies," published in 1954, became a critically acclaimed work that explored the dark side of human nature. Golding went on to write several other notable novels, including "The Inheritors" (1955), "Pincher Martin" (1956), and "The Spire" (1964). In 1983, he was awarded the Nobel Prize in Literature for his profound contributions to the field. William Golding passed away on June 19, 1993, at the age of 81, leaving behind a rich legacy of thought-provoking literature.
1. How did the boys end up on the jungle island?
2. Describe Ralph’s physical features and also his reaction to being on the island. List at least three attributes.
3. Describe Piggy’s physical features and also his reaction to being on the island. List at least three attributes.
4. How does Ralph respond to Piggy’s practical suggestions to have a meeting?
5. How does Ralph think they will be rescued?
6. What had Piggy overheard the pilot saying?
7. How does Ralph attract the other boys on the island? What does he do?
8. How do the younger boys act when they get there?
9. Describe the way Jack and his band of choirboys looked as they came toward the assembled group. List at least three attributes.
10. How does Jack treat the others?
11. What conflict soon arises? How is it solved?
12. What does Ralph do to make Jack feel better? What is compromised?
13. What is the purpose of the expedition of Jack, Ralph, and Simon?
14. How does Simon describe the unusual buds on the bushes?
15. Why hadn’t Jack been able to kill the pig?
What rule concerning the conch is made?
2. What does Piggy attempt to call the group’s attention to?
3. How does the talk of the “beasties” affect the boys?
4. At this time, Ralph says the boys appear to have two goals. What are they?
5. How does the group react to Ralph’s suggestion that they build a fire? How does Piggy describe their actions?
6. How does Piggy treat a small boy? What does that tell us about Piggy?
7. How do they manage to start the fire? 8. What responsibilities has Jack taken on for the choir?
9. What goes wrong? Do you see any symbolism here? What is going on in the adult word at the time?
10. Who is missing?
What is Jack preoccupied with?
2. What complaints does Ralph have? What has he noticed about people?
3. How are the littluns?
4. Explain the love-hate relationship between Jack and Ralph.
5. Where had Simon gone and what does he do there?
6. What might Simon represent?
What strange things happen at mid-day?
How did the littl'uns spend their day?
In what ways does Roger seem cruel?
What is Henry doing while Roger watches him?
What does it mean when Roger felt the “taboo of the old life”? Also, what does it mean when Jack approached Roger “a darker shadow crept beneath…; [Roger’s} skin”? What effect is Jack having on Roger?
Describe the transformation that takes place after Jack paints his face. The mask serves a few purposes. List them.
What does Ralph discover that upsets him greatly?
What do the hunters chant?
How does Jack’s attack on Piggy and the breaking of one of the lenses in his spectacles symbolise the degeneration of the group?
Who finds Piggy’s glasses for him?
What does Ralph realize is necessary in order to be a leader?
What rules have been ignored? List at least three.
What does it mean when Ralph refers to the littluns as "taken short"? What does this show about their behaviour?
What rules does Ralph make regarding fires?
A littlun says he sees something moving in the jungle at night. Who/what is it?
How does Jack explain the beast?
Why are rules important to Ralph? Hint: The answer is something Ralph says.
Be sure to answer all parts of this question: What does Simon mean when he says,"What I mean is maybe it's only us. We could be sort of" Be sure to read the next line in the book. What do you think "Mankind's essential illness" is? Why does he ask, "What is the dirtiest thing there is?"
Why doesn't Ralph blow the conch when the meeting dissolves into chaos?
At the end of the chapter, for what does Ralph wish?
1. Ironically, what Ralph wishes for comes true. What happens? Why is the answer to his wish depressingly ironic?
2. What do Simon and Eric claim they have seen on the mountaintop? How do they describe it?
3. What does Jack say about the conch?
4. How has the significance of the conch changed?
5. When Simon thinks of the beast, what picture comes to his mind?
6. As the boys search the island, who leads the group when they get to the ledge?
7. What strange thing does Ralph notice as the boys are playing around the rolling rocks?
1. What has Ralph come to accept as normal?
2. Why are Ralph's fingernails bitten? What is Ralph insinuating when he says, "be sucking my thumb next?"
3. How do the two different sides of the island affect his hopes for rescue?
4. What prediction does Simon make?
5. Notice the complete reversal of mood. What happens to Ralph as he participates in his first hunt?
6. Describe what you would show if you were filming the scene where the boys react the hunt. How do you think Robert feels during this ritual?
7. Why does Simon go off alone?
8. What do Ralph, Roger, and Jack find at the top of the hill? Do they realize what it is? Do you think the story would be better if the reader didn't know what it is?
1. Explain the exchange of power at the beginning of chapter eight.
2. What does Simon suggest?
3. How does Piggy change?
4. Why do the boys plan on raiding Ralph's camp?
5. What happens when Simon goes back into the woods?
6. What do you think he actually sees and talks to?
1. Describe how Jack and the hunters change. List several qualities.
2. List in order what happens to Simon. Try to picture it in your mind.
3. Ralph sums up who the fearful beast is. "I'm frightened. Of us. I want to go home. Oh God, I want to go
home." Why is Ralph so afraid at this point?
4. Why do you think Piggy, Ralph, Sam and Eric deny being at the "dance?"
5. Why does Jack deny that the beast is dead?
1. Why does Ralph think "dressing like they were" would assist them in dealing with Jack?
2. How does the contrast of the paint and smoke symbolize the two forces that are motivating the boys?
3. How does Golding subtly begin to portray Jack's group as heathen?
4. Why were the boys so scared of the war paint?
5. Why does Ralph not want to tie his hair back?
6. Describe what happens when Ralph and Jack confront each other about Piggy's glasses.
7. What happens to Piggy and the conch? List the events.
1. What does it mean (and who was the character) when Golding writes, "whose image refused to blend with that ancient picture of a boy in shorts and shirt”?
2. Why is it ironic as to why the boys were being evacuated from their homes in the first place?
3. What information does Ralph get from Sam and Eric?
4. What does it mean when "Roger sharpened a stick at both ends"?
5. Explain Ralph's actions when he faces the Lord of the Flies?
6. How does Ralph avoid being killed? What are his strategies?
In the midst of a raging war, a plane evacuating a group of schoolboys from Britain is shot down over a deserted tropical island. Two of the boys, Ralph and Piggy, discover a conch shell on the beach, and Piggy realises it could be used as a horn to summon the other boys. Once assembled, the boys set about electing a leader and devising a way to be rescued. They choose Ralph as their leader, and Ralph appoints another boy, Jack, to be in charge of the boys who will hunt food for the entire group.
Ralph, Jack, and another boy, Simon, set off on an expedition to explore the island. When they return, Ralph declares that they must light a signal fire to attract the attention of passing ships. The boys succeed in igniting some dead wood by focusing sunlight through the lenses of Piggy’s eyeglasses. However, the boys pay more attention to playing than to monitoring the fire, and the flames quickly engulf the forest. A large swath of dead wood burns out of control, and one of the youngest boys in the group disappears, presumably having burned to death.
At first, the boys enjoy their life without grown-ups and spend much of their time splashing in the water and playing games. Ralph, however, complains that they should be maintaining the signal fire and building huts for shelter. The hunters fail in their attempt to catch a wild pig, but their leader, Jack, becomes increasingly preoccupied with the act of hunting.
When a ship passes by on the horizon one day, Ralph and Piggy notice, to their horror, that the signal fire—which had been the hunters’ responsibility to maintain—has burned out. Furious, Ralph accosts Jack, but the hunter has just returned with his first kill, and all the hunters seem gripped with a strange frenzy, reenacting the chase in a kind of wild dance. Piggy criticises Jack, who hits Piggy across the face. Ralph blows the conch shell and reprimands the boys in a speech intended to restore order. At the meeting, it quickly becomes clear that some of the boys have started to become afraid. The littlest boys, known as “littluns,” have been troubled by nightmares from the beginning, and more and more boys now believe that there is some sort of beast or monster lurking on the island. The older boys try to convince the others at the meeting to think rationally, asking where such a monster could possibly hide during the daytime. One of the littluns suggests that it hides in the sea—a proposition that terrifies the entire group.
Not long after the meeting, some military planes engage in a battle high above the island. The boys, asleep below, do not notice the flashing lights and explosions in the clouds. A parachutist drifts to earth on the signal-fire mountain, dead. Sam and Eric, the twins responsible for watching the fire at night, are asleep and do not see the parachutist land. When the twins wake up, they see the enormous silhouette of his parachute and hear the strange flapping noises it makes. Thinking the island beast is at hand, they rush back to the camp in terror and report that the beast has attacked them.
The boys organise a hunting expedition to search for the monster. Jack and Ralph, who are increasingly at odds, travel up the mountain. They see the silhouette of the parachute from a distance and think that it looks like a huge, deformed ape. The group holds a meeting at which Jack and Ralph tell the others of the sighting. Jack says that Ralph is a coward and that he should be removed from office, but the other boys refuse to vote Ralph out of power. Jack angrily runs away down the beach, calling all the hunters to join him. Ralph rallies the remaining boys to build a new signal fire, this time on the beach rather than on the mountain. They obey, but before they have finished the task, most of them have slipped away to join Jack.
Jack declares himself the leader of the new tribe of hunters and organises a hunt and a violent, ritual slaughter of a sow to solemnise the occasion. The hunters then decapitate the sow and place its head on a sharpened stake in the jungle as an offering to the beast. Later, encountering the bloody, fly-covered head, Simon has a terrible vision, during which it seems to him that the head is speaking. The voice, which he imagines as belonging to the Lord of the Flies, says that Simon will never escape him, for he exists within all men. Simon faints. When he wakes up, he goes to the mountain, where he sees the dead parachutist. Understanding then that the beast does not exist externally but rather within each individual boy, Simon travels to the beach to tell the others what he has seen. But the others are in the midst of a chaotic revelry—even Ralph and Piggy have joined Jack’s feast—and when they see Simon’s shadowy figure emerge from the jungle, they fall upon him and kill him with their bare hands and teeth.
The following morning, Ralph and Piggy discuss what they have done. Jack’s hunters attack them and their few followers and steal Piggy’s glasses in the process. Ralph’s group travels to Jack’s stronghold in an attempt to make Jack see reason, but Jack orders Sam and Eric tied up and fights with Ralph. In the ensuing battle, one boy, Roger, rolls a boulder down the mountain, killing Piggy and shattering the conch shell. Ralph barely manages to escape a torrent of spears.
Ralph hides for the rest of the night and the following day, while the others hunt him like an animal. Jack has the other boys ignite the forest in order to smoke Ralph out of his hiding place. Ralph stays in the forest, where he discovers and destroys the sow’s head, but eventually, he is forced out onto the beach, where he knows the other boys will soon arrive to kill him. Ralph collapses in exhaustion, but when he looks up, he sees a British naval officer standing over him. The officer’s ship noticed the fire raging in the jungle. The other boys reach the beach and stop in their tracks at the sight of the officer. Amazed at the spectacle of this group of bloodthirsty, savage children, the officer asks Ralph to explain. Ralph is overwhelmed by the knowledge that he is safe but, thinking about what has happened on the island, he begins to weep. The other boys begin to sob as well. The officer turns his back so that the boys may regain their composure.
William Golding
His Life and Work
William Gerald Golding was born in the village of St Columba Minor Cornwall, England, on the 19th of September, 1911. He was educated at Marlborough College, and then went on to Oxford University, where he studied English Literature, gaining a B .A. in 193 5. After working for a time in the theatre as a writer and actor he trained to be a teacher. In 1939, he married (Anne) and in time the Goldings had two children, a boy and girl. At the outbreak of World War II (1940), he joined the Royal Navy, where he served on battleships, one of which he commanded by the end of the war. He was involved in a good deal of action during the war, including the famous D-Day landings. Golding has admitted that his war time experiences shocked him. He was exposed for the first time to the depravity of which mankind is capable.
After the war, he became a teacher at Bishop Wordsworth’s School, in Salisbury. There, he taught English for many years. One of the things he taught repeatedly was what he called the Island books. He was referring to the famous nineteenth century adventure stories for children - the Swiss Family Robinson (1812), The Coral Island (1858), and Treasure Island (1881). Significantly, two of these are mentioned specifically in Chapter 2 of Lord of the Flies. The other one mentioned there, Swallows and Amazons, is a twentieth century children’s classic about a group of children who go on a yachting holiday. What Golding saw in these happy adventure stories was the celebration of life, free from more adult preoccupations with fate, good and evil, and the possibility that human nature was less than ideal. In fantasies of this kind the ‘baddies’ are predictably villainous, but the main characters are resolutely good. Reflecting on his wartime experiences, and indeed looking around him at the boys at the school where he taught, Golding could not help wondering how realistic these island books were. What would really happen if boys were left on a deserted island, without adult supervision?
Out of this idea grew the early manuscript of Lord of the Flies. Golding admitted years later that he became preoccupied with the notion, and wrote the story in a state of considerable excitement, sometimes while sitting in chapel during choir practice. He sent the manuscript off to all the major British publishers, only to find that it was rejected as unsuitable for publication. What an irony, considering the subsequent history of the work. Finally, Lord of the Flies was accepted by Faber, and published in 1954. At first it made little impression, but reissued in paperback, it began to be talked about. Within a short time, it was world famous. What people saw in the novel was of course its allegory (see below) - the dramatic way it depicts in the descent of the boys from a state of happiness and grace into one of frightful barbarity something very like what had been happening to human beings throughout this century. Indeed, it seemed to be a modem recasting of the original idea of the Fall of Man (see below). Pride, fear and revenge steadily convert Jack and the other boys from innocent children into complete savages. Paradise is lost and darkness rules. The moral seriousness of this book does not stop it from being a very easy story to read and one with great power.
Golding went on to write more than a dozen novels, as well as essays and plays. One of his works, Rites of Passage (1980), won the Booker Prize, the most prestigious of English language literature prizes outside America. And in 1983 he was awarded the Nobel Prize for Literature. Lord of the Flies has never been out of print since its publication. It has been translated into 30 languages, and sold over
000 copies in Britain alone. The novel is now acknowledged around the world as a great modem classic. Everyone is assumed to have read Lord of the Flies. Golding was knighted in 1988. He died five years later, in Tullimaar, Cornwall, on the 19th June 1993.
Golding’s work in general concerns the moral state of human beings, particularly their capacity for both good and evil. His intention, expressed openly several times, was to make people think.
It is that objective but devoted stare [stimulated by books such as Lord of the Flies] with which humanity observes its own past; and it is in that stare, that attempt to see how things have become what they are, where they went wrong, and where right, that the only hope lies of having some control over our own future.... I believe that man suffers from an appalling ignorance of his own nature. I produce my view in the belief that it may be something like the truth.
A practising Christian, Golding was very much aware as a writer of the moral challenges in life. A number of his works are very difficult reading. However, his earliest and by far the most famous book, Lord of the Flies, deals in reasonably simple terms with his moral preoccupations. That is a major reason why it has been set for school study almost since the time it was first published.
WHY SO PESSIMISTIC?
THE HISTORICAL AND PERSONAL CONTEXT
Because Lord of the Flies is a world famous novel, read and studied by millions of people for over forty years, and beyond any doubt a ‘classic’, we tend to think of it as somehow existing in a vacuum, up there with all the other celebrated works of literature from Shakespeare onward. In fact, of course, like all texts, it came out of a particular time and place, and was the work of one man’s imagination. It helps to have an understanding of how the work expresses a view of life which was very much characteristic of its time. Insofar as Golding was making out a case that mankind has an evil streak, we need to look for events and thinking surrounding the creation of the novel which led to this view.
Golding had lived through one of the most frightening times in all of human history. A sensitive, highly educated man, he was well aware of the torments of people around him, and couldn’t help but express his dismay in his writing. What was he reacting to?
The horrors of the twentieth century
Three years after William Golding was born, a terrible war began. We can reasonably describe it as the worst war in human history (to that point of time). It came to be called the Great War (1914-18). Previously, conflicts had always been localised. This war covered much of the world (Europe, North Africa, Palestine, Turkey, and most of the oceans). No less than thirty-two countries were involved in the fighting. By the time it finished four years later, 65,000,000 men had put on uniforms and gone off to kill and die. The worst trench warfare saw shocking casualties. It was not unknown, as in the notorious battle of the Somme, for 60,000 men to die in a single day! By war’s end, 37,000,000 men had fallen victim to guns, poison gas, or disease, not to mention the additional 10,000,000 civilian (non-military) casualties. No less than 8,500,000 soldiers were killed outright. Golding was a boy of seven when the survivors limped home from this appalling bloodbath.
The First World War, as it is now called by historians, had been dubbed by optimists ‘the war to end all wars’. People in 1918 thought that it had showed how dreadful modem warfare can be, with its use of high explosives, machine guns, and chemical weapons, and that no one would ever again dare start such a conflict. How wrong they were!
The 1920s seemed a period of peace and prosperity. They called it ‘the roaring twenties’ - that is until the Great Depression struck. In October 1929, after the crash of the Wall Street (New York) Stock Market, the bottom fell out of the US economy, and the effects rippled around the world. Banks closed, factories shut down, mortgages on homes and farms were stopped, and people’s property taken from them. Unemployment soared. In America, in certain places, up to one third of the men were soon out of work. People literally starved. It was a human disaster of massive proportions.
Barely had the world begun to emerge from the Depression when more conflicts began. In Spain, a civil war broke out (1936-39) between the right wing government and socialist rebels. The death toll during the war was huge, and when it was over no less than 37,000 were executed by the winning dictator.
In Europe, things were looking just as grim. A dictator named Adolf Hitler had taken over Germany with his Nazi party in 1933. Soon, he built a giant army and started taking over neighbouring countries. The other nations, sick of war, protested, but stopped short of armed intervention. Finally, when he invaded Poland (1939), the other European nations declared war. This Second World War (1939-45) covered the entire globe in a nightmare period of fighting on land, at sea and in the air. The death toll made the earlier world war seem mild by comparison. In total, a staggering 55,000,000 people died, with three times that many wounded or permanently disabled. Russia alone lost 20,000,000 people (more than the entire population of Australia)! Also revealed at the end of the war was what we now call the ‘Holocaust’, the systematic extermination of Jews by the Nazis. Under a program given the innocent- sounding label the ‘final solution’, German soldiers had gassed over 3,000,000 in death camps, shot 1,500,000 in pits and forests, and beaten or shot to death another 500,000 trapped in ghettoes. When Allied troops broke into the death camps in 1945, after the collapse of Germany, found the evidence of so many murders, and saw the handful of skeletal survivors, they could hardly believe what the Nazis had done. Truly, this was absolute evil.
The other horror which became public knowledge in 1945 was the atomic bomb. In an attempt to shorten the war with Japan, the Americans had used the ultimate weapon.
On 6 August, 1945, the city of Hiroshima was obliterated by a single bomb dropped from an American warplane. Three days later, Nagasaki was devastated. The Americans claimed that about 100,000 died. The Japanese said almost a quarter of a million had died as a result of just two bombs. It was a demonstration of mass murder that horrified the world.
Within two years after the war, the Soviet Union (Russian Communist state) had the atomic bomb too. So began the ‘Cold War’, the confrontation between the USA and USSR which many thought at the time would lead to the final, and annihilating, Third World War, a global nuclear conflict. It is no coincidence that Golding sets his novel in what’s left of the world after a nuclear war.
That didn’t happen, as history shows. Perhaps man had finally learnt that some things are too terrible. But it didn’t stop a smaller war breaking out in Korea (1950- 53), which produced over
3000000 casualties,nor wars in Palestine, China and elsewhere round the globe. In Golding’s 42 years (to the date of Lord of Flies), no less than twelve had been occupied by major wars. The evidence of people’s capacity for hatred and violence seemed unavoidable, and it very much informs the novel.
The problem of religious faith
Up until the twentieth century, most people believed in God and attended church regularly. They may have disputed which denomination was the ‘right’ one, but they all shared a common belief: that a divine being had made the world, was watching over mankind, and would reward goodness and punish badness. There was always the problem of how so many bad things seemed to happen in a world ruled over by a loving God, but in Christian countries that was accounted for as the result of man’s ‘original sin’, the disobedience of Adam and Eve which led to the loss of paradise (the Garden of Eden).
The world was seen as a battleground between Jesus (urging people to follow his teachings of love, to ‘Love thy neighbour as thyself’) and Satan (urging people to hate and kill). Sometimes the Devil won, and sometimes Jesus. In the end, according to Christian theology, God would be triumphant, and would take all the righteous to be in Heaven with Him. The evil would be consigned to everlasting torment in Hell. In this view, godliness was all important. ‘The meek [innocent and humble] shall inherit the earth,’ said the Bible, suggesting that all one had to do was be good, and things would work out for the best.
This simple account of the moral universe came under increasing attack in the period leading up to this century. A number of philosophers argued that God didn’t even exist, but was a figment of people’s imagination. Charles Darwin described the theory of evolution, which argued that all life is a struggle for ‘survival of the fittest’, a battle, very like the life or death fights that people knew happened in Nature, in which the strong dominated, and the weak perished. Darwin’s scientific investigations threw a literal reading of the Bible into the most serious doubt. How could God have created the world in seven days, as the Old Testament said, when the Earth was millions of years old? How could God have made man in His own image, when there was archaeological evidence that man was descended from the great apes? As science grew stronger, religion went on the defensive, retreating before a barrage of counterarguments .The church slowly lost its grip on people’s minds, and was gradually marginalised.
This century saw the move away from religious faith accelerate. Church attendances have declined, atheism (belief that there is no God) has soared, and the traditional explanations look increasingly doubtful. Already struggling to explain the unexplainable, organised religion was speechless before the horrors of this century. How could a loving God allow 6 000 000 people to be killed in a global war? Where was the divine order when the Nazis were able to exterminate millions of Jews?
Golding’s own experiences
All of these factors can be counted as the context for Lord of the Flies, with its bleak view of human nature. One other factor needs to be born in mind: Golding’s own experience. He was in the war. He saw some of the horrors personally. He saw men burning to death in the sea, and bodies floating on the water. The war scarred him. His childhood belief in a good world could not survive.
Curiously, what we have in Lord of the Flies is a return to the old story of the fall of man, the Bible story of Adam and Eve (see below), though given a savage twist. Golding, a Christian, teaching (at the time he wrote the novel) in a church school, could only account for what he knew to be ‘the darkness of man’s heart’ by seeing the world as a battle between good and evil, in which evil frequently won. In contrast to the optimistic assumptions of traditional Christians, Satan (the ‘Lord of the Flies’) was the dominant one. It is this argument that Golding’s famous novel makes, and whether or not readers agree with the argument, it is a very important one to think about.
What are the key themes of Golding’s novels?
How did Golding’s upbringing shape his world view?
What religious issues were being questioned in Golding’s lifetime?
What did WWI and II make people question about humanity?
What global issues are causing tension today?
What concerns do you have about the world today?
LONGFIELD'S NOTE: Don't do the below activity until you have thoroughly thought about and attemped the above activity.
Excuse the bad formatting above! You get the gist.