16-2-2023 FilmhuisAlkmaar.nl Cineville.nl
FILMREVIEW /in the media 15:55
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Women Talking
Regie: Sarah Polley
Scenario: Sarah Polley
Cast: Rooney Mara (Ona), Claire Foy (Salome), Jessie Buckley (Mariche), Frances McDormand (Scarface Janz), Judith Ivey (Agata), Sheila McCarthy (Greta), Ben Whishaw (August), e.a.
Speelduur: 104 minuten
Jaar: 2022
Who is the narrator in Women Talking film?
So, it was there in the edit that Hallett's character Autje,
the sixteen-year-old daughter of Mariche (Jessie Buckley),
became the primary narrator. She tells the story of “Women Talking”
to Ona's (Rooney Mara) unborn child.
Women Talking had its world premiere at the 49th Telluride Film Festival on September 2, 2022, and was released in the United States via select cinemas on December 23, 2022,
before a wide release on January 20, 2023, by United Artists Releasing.
The film received praise from critics for Polley's screenplay and direction, the performances of the cast (particularly Foy, Buckley, and Whishaw) and score. It was named one of the top ten films of 2022 by the National Board of Review and the American Film Institute,and at the 95th Academy Awards received nominations for Best Picture and Best Adapted Screenplay.
★★★★★★★★★★ 10/10
FILMREVIEWS > FILMRATINGS : https://www.filmtotaal.nl/zoeken/?q=FILM+Women Talking
1. What is the name of the film? Women Talking
2.What genre is the film Women Talking ? FILMGENRES >>
3. What is the film Women Talking about? SEE: i/Women_Talking_(film)
4. Is the movie Women Talking based on a book? YES, SEE /Women_Talking_(novel)
5. Where is the film Women Talking set? Toews describes her novel as "an imagined response to real events" that took place on the Manitoba Colony, a remote and isolated Mennonite community in Bolivia: Between 2005 and 2009, over a hundred girls and women in the colony woke up to discover that they had been raped in their sleep.
a radical film that reimagines how cinema can be made theconversation Rewriting the rules
Women Talking is an exploration of the possibilities and difficulties of imagining a future free from violence, both on and off screen.
Words matter. They give expression to our experiences, allow us to tell our stories and make sense of our place within the world. With language comes the ability to speak: to speak for, and to speak out. To name injustices and imagine alternative futures. The radical feminist Audre Lorde tells us that our silence will not protect us, that we must turn our silence into words, and those words into action.
The director Sarah Polley’s Women Talking follows a group of women as they find the language to talk about their experiences of violence and collectively imagine a future that might bring an end to the harms they have endured at the hands of men. Based on Miriam Toews 2018 novel of the same name, both the film and the book are an imagined response to a series of real-life sexual attacks on a group of women in a Mennonite community in Bolivia.
The film is set almost exclusively in a barn in which the women of the colony hold a secret meeting to determine whether to stay or leave following the attacks. Crucially, the women are unable to take the minutes of their meeting, as they can’t read and write, reminding viewers of language’s power to exclude; that language is man-made and so serves those who created it.
Women Talking is a 2022 American drama film written and directed by Sarah Polley. It is based on the 2018 novel of the same name by Miriam Toews, and inspired by real-life events that occurred at the Manitoba Colony, a remote and isolated Mennonite community in Bolivia.[4] The film stars Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, and Frances McDormand, who is also a producer on the film.
Een jonge vrouw slaapt alleen, in bed. Er zijn zichtbare kneuzingen en wonden op haar heupen en bovenbenen - verwondingen opgelopen door verkrachting.
In 2010 ontdekken de vrouwen en meisjes van een naamloze, geïsoleerde doopsgezinde kolonie dat de mannen kalmeringsmiddel voor koeien hebben gebruikt om hen te onderwerpen en te verkrachten. De aanvallers worden gearresteerd en opgesloten in een nabijgelegen stad. De meeste mannen van de kolonie reizen om toezicht te houden op de borgtocht, en laten de vrouwen twee dagen alleen om te bepalen hoe verder te gaan. Ze houden een volksraadpleging om te beslissen of ze blijven en niets doen, blijven en vechten of vertrekken.
De stemming is zelfs tussen blijven en vechten, en vertrekken. Elf van de vrouwen van de kolonie komen samen op een hooizolder om een definitieve beslissing te nemen, hoewel Scarface, een "inactieve" vrouw, de vergadering verlaat nadat ze teleurgesteld is geraakt in de discussie en haar onwillige dochter Anna en weerspannige kleindochter Helena meeneemt. haar. August, de onderwijzeres van de kolonie en een van de twee overgebleven mannen, voegt zich bij de vrouwen om de bijeenkomst op te nemen, aangezien geen van de vrouwen heeft leren lezen of schrijven. De tweede man is Melvin (voorheen Nettie), een transgender man die na verkrachting niet meer praat, behalve tegen de jongere kinderen. Daarom moet hij over hen waken en de vrouwen waarschuwen voor externe ontwikkelingen.
Does the writer answer all these questions?
6. When is the film Women Talking set? (YEAR)
7. Who stars in the film Women Talking ? SEE : FULL CREDITS
8. Who plays the main role in Women Talking ? SEE : FULL CREDITS
9. Who is your favourite character in the film Women Talking ? (Why?)
10.What kind of person would like this film Women Talking ?
A young woman sleeps alone, in bed. There are visible bruises and wounds on her hips and upper inner thighs—injuries sustained through rape.
In 2010, the women and girls of an unnamed, isolated Mennonite colony discover that the men have been using cow tranquilizer to subdue and rape them. The attackers are arrested and imprisoned in a nearby city. Most of the men of the colony travel to oversee the bail, leaving the women by themselves for two days to determine how they will proceed. They hold a plebiscite to decide whether to stay and do nothing, stay and fight, or leave.
The vote is tied between staying and fighting, and leaving. Eleven of the colony's women band together at a hayloft to come to a final decision, though Scarface, a "do-nothing" woman, leaves the meeting after becoming disillusioned with the discussion, taking her hesitant daughter Anna and resistant granddaughter, Helena, with her. August, the colony's schoolteacher and one of two remaining men, joins the women to record the meeting, as none of the women have been taught to read or write. The second man is Melvin (formerly Nettie), a transgender man who after being raped doesn't speak, except to the younger children. Therefore, he is left in charge of watching over them, and warning the women of any outside developments.
Wat vind u ervan?
Waar gaat de film over?
Welke stukken vind u goed?
Welke karakters spreken u aan?
Welke stukken vond u minder goed?
What do you think about it?
What is the movie about?
Which pieces do you like best?
Which characters appeal to you?
Which parts of it did you like less?
Waar gaat het verhaal over?
Wat vertelde deze film jou?
Welke stukken vond je goed?
Wat stond er op het spel?
Wat zijn de conflicten?
Wat vond je van [naam karakter]?
Op welke punten werd het verhaal een sleur?
Was de film de juiste lengte of voelde hij te lang?
Welke punten uit het plot waren onduidelijk?
Soms blijkt dat punten in het plot die helder leken, niet zijn overgekomen of verkeerd zijn geïnterpreteerd en moet er iets worden verduidelijkt, bijvoorbeeld met nieuwe ingesproken teksten.
What is the story about?
What did this movie tell you?
Which pieces did you like?
What was at stake?
What are the conflicts?
What did you think of [character name]?
At what points did the story become a drag?
Was the movie the right length or did it feel too long?
What parts of the plot were unclear?
Sometimes it turns out that points in the plot that seemed clear have not come across or have been misinterpreted and something needs to be clarified, for example with new spoken texts.
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