Adobe Firefly Creation by Fynn



Prepping for Premiere Pro

Before you download the Template from here, we need to make sure you have a project folder for this part that is separate from our first My Favorite Things folder. Inside that folder is where the "My Favorite Assets" folder we made last week that has just the 9 images and 4 Titles in it, leaving behind the Word document, Photoshop files, extra images, etc.

From Week 7: My Favorite Assets

You can't continue to the Video portion of this project without your collection of Assets. This video from Week 7 shows you how to copy and paste your 9 images and 4 Titles to a new folder that we will move to a new location before starting on the video.

We need to get going on the main part of our project, so no more Firefly, no more Photoshop backgrounds, no working on your Portfolio without instruction from me. I can approve those programs on a case-by-case basis after reviewing everything, including the writing you have done on your My Favorite Things web page. If you don't have Titles or your own images, you can use mine going forward.

New Project Folder

Step 1

Move Your Assets

Step 2

Before

After

Getting a Head Start

Step 3

Creating a brand new Adobe Premiere project can be a bit tricky the first time so I've made it a bit easier for you to get started. Download a Template file I created for you by clicking on this TEMPLATE link, then again on the download button in the upper right corner. You can see where it is in the screenshot below.

Getting a Head Start

Adobe Premiere Pro 23.6

Getting Started With Premiere

This short video introduces you to the Adobe Premiere Pro user interface, including what's been added to the Template that will give you a bit of a head start, one that has the right settings for the Master sequence. 

Building the Master

Step 4

Let's get our assets into our project! First, we are going to import the folder filled with My Favorite Assets all at once - it creates a folder in Premiere that we can expand or collapse as needed. Once we "build" our Master timeline by placing all 13 files in the right order, we will collapse the folder to simplify our "asset box".

Building the Master Sequence

Importing your folder with your assets is actually a simple matter. You can switch between List and Icon view depending on which you find easier to work with. Building the Master sequence is as simple as dragging each Title and image onto Video Track 2, stacking them one after the other. This is when you will realize why it was so important to add the number in front of the file name.

Finding Each "Magic Number"

Your collection comes in all different sizes, for the most part. Each one can be scaled down only so far before the Warning Color becomes visible, indicating that it was made too small. The scale at which it just barely covers the screen is what I call the "Magic Number". Find that value for each image before continuing to the next step. Make sure and save your project!

Keyframing

Step 5

First Look at Keyframing Position and Scale

Keyframing is how all animation gets done, and any value that has a stopwatch icon next to it can be made to change over time. We change the position and scale of our image to tell a mini-story.

Additional Keyframing Information

Just as you will not move an image off the edge of the screen, you cannot scale it down so far that any of the warning color shows, no matter what. You also cannot scale over 100% - no matter what!

Portrait and Landscape Images

Very tall and very wide images pose a challenge - you cannot show all of the picture at once. Your animation will mostly move from one end to the other, although you can change scale as well. Just don't allow the Warning Color to show. 

Zoom Out Instead of In

Zooming in over and over gets to be predictable, which means it get boring. At least one image in each category needs to zoom OUT instead. It's not as hard as you might think - use this technique to swap the positions of the beginning and ending keyframes.