To me, photography means capturing a moment and eternalizing the subtle realities people look over as digital data. As an art form, photography is one of the more accessible media formats to the less trained, however, it takes even more technical and artistic knowledge to truly master than other forms. It is a versatile tool that I use to tell a story or express an emotion, even just to share one idea. I think it’s a very powerful expression of the arts due to it’s versatility and realism. To call a certain photo art is for it to demonstrate knowledge in composition, technical aspects of a camera, and how to piece them together.
I have shown mastery in the CTE concepts by demonstrating a knowledge for DSLR camera hardware and the technical aspects represented by my photography’s desired look. My work shows a wide range of knowledge and good utilization of how a camera can be manipulated with settings to create effects and well-balanced exposures. I’ve learned a diverse set of knowledge from photography that I could apply to seeing from a new perspective or expressing a message effectively.
My goal as an artist in photography is to use my skills to see the world through different perspectives as I grow, travel, and seek to tell new stories. I hope to create fine art and create media that provokes thought with which one could connect. I specialize my artistic medium by showcasing a unique style. I do not want to become stuck in a single approach or composition styles; I hope to avoid traditionalism and always explore new formats and photography practices. I want to use my photography to show texture and grit in the world. Despite how far I’ve come, there is still much to learn and my journey as a photographer has just begun!
This project we worked on creating pieces of surrealism that used different layers and elements to represent something out of place in our reality.
Our class went to Moss Glen Falls and some other sites in Stowe to photograph landscapes, portfolios, and macros. These were my favorite images I captured on that trip!
To finalize our photography unit we finished off displaying some of our best skills in landscape photography.
My friend requested I take her senior photos, and the final series showcases some strong portrait photography with editing and shallow depth of field.
I worked with the concept of long exposures at home and took some photos in Marshfield to capture long lasting lights such as the stars, airplanes, and glowing sunlight.
For this project, we shot macro photography to try and and capture textures in a tactile way For my photos, I tried to capture texture in a gritty and true way.
In this project we were given a subject and were told to represent the four seasons of Vermont in portraits using only props and lighting. Thank you to Jacob for being my subject!
For this project we took a movie from IMDB's top 100 movies and recreated the poster designs from scratch using all of our own photography and manipulations. You can see the side-by-side comparison of my design on the left with the original on the right!
As we started learning about Adobe Photoshop, we made custom collages by stitching together many images to create one concise image using new tricks like masking, layer modes, and opacity. My collage is based on neon lighting.
For this project, we learned how to use adjustment layers in Photoshop to edit just one part of an original photograph. For my adjustment layer, I used two photos I had taken at my home and changed the hue and saturation of selective parts of the image to create these effects.
For this project, we set up a series of presets and actions in Adobe Lightroom and explored some vintage film looks for our original photos.
For this project we used several props ranging from photography balls, to glitter, to water and glycerin. I took this photo of Mr. B where the ball was completely black and Photoshopped his eye in from a different photo.
This project asked us to shoot photos at home to respond to the "turbulent times" of the Coronavirus shutdowns. I captured this photo to visualize the new reality of working from home, showcasing the mask, steam, and soft lighting of new home life.
For this project we used digital manipulation of all original photography to create the classic double exposure effect digitally using a clipping mask, creating an effect where we were becoming a part of the scene.
For this project, we used Photoshop and photography techniques to create an impossible "levitation" effect as if we were floating in space!
This challenge was to represent a photo that speaks excitement or mystery through lighting, and these were my submissions exploring this challenge.
For this project, we created some standard studio lighting compositions for portraits including the Butterfly, the 45 (or Rembrandt), a Split, a Split with Fill, and then some other experiments.
For this project, we started experimenting with lighting effects in camera by manually manipulating light in a dark studio. These were all created in camera with no editing.
For this project, we created pixel dispersion effects using multiple layers manipulated in Photoshop with liquify effects and creative brush shapes.
These were some of my favorite products when we worked on taking well composed portraits with shallow depth of field, soft lighting, and editing.
For this project, we scanned original abstract watercolor paintings to create a hybrid of photography and hand-drawn art.
For this project, we used lighting on our middle gray backdrop to create multiple looks, including gray, pure white, pitch black, and gel coloring. All of these used the same background!
For this project, we created an effect where a frame was incorporated into our photography, showing parts of our images that could emerge out of the backdrop.
For this project, I worked with a team in a pitch dark auditorium to experiment with light painting and long exposures. These effects were created by hand in camera with no Photoshop editing!
For this project, we used Photoshop layer techniques to turn a photo into a hand-drawn effect. The rest was a process of masking and setting up the scene to show it in a realistic way!
For this project, we got to know how to make clipping masks by making a design where images fit through letters in text.
For this project, we learned how to make GIF animations in Photoshop with series of photos in the timeline window.
For this project I worked with Micah and Aidan to create some standard portrait lighting compositions in the studio including the 45/Rembrandt, the Butterfly, the Split, and a creative setup (shown in order above!).
For this project, we created an effect as if we had many clones of ourselves in the frame by using masking and photo layering techniques.