Beauty is an Apollonian veil

that must reveal

the Dionysian chaos

that pulses within it.
M. Recalcati

Art, the discourse of the subject through which the world manifests subjectively, is as necessary as science, which is the rational discourse of the subject about the world.
Art conveys the subject's feelings and helps to evolve what the rational sphere alone would not activate, keeping us in balance with scientific advances.
Properly channeled through artistic enjoyment, passion leads where the artistic moment directs it. This activates our possibility of growth on a deeper level, involving the emotional part as well.
Without art, science remains only on the cognitive level: in that case, we will have an increase in techniques, but not in inner development.
Based on these assumptions, we have deemed that the two fronts should proceed in tandem, and have directed life experiences and projects, both social and artistic, in a way that moves in this direction.
We follow an existential journey in which the artistic/relational dimension is extended to every plane of daily life, from the most intimate to the most social.
Our existential process is intimately intertwined with the artistic dimension.
The moment of experimentation is not separate from daily life, but becomes an integral part of it, not so much to comply with D'Annunzio's motto:

"One must make one's life,
as one makes a work of art.
The life of a man of intellect

must be a work of his own."

but to stimulate subjective transformations in an evolutionary direction: every emotional catharsis intends to recalibrate subjectivity in the light of new systemic conditions.

Every situation experienced entails a unique and original cognitive drift. Every definition produced activates reactions subject to questioning.
Every action taken has as its ultimate purpose the generation of effects in the system in which it manifests.
Every interaction becomes a cathartic moment for the subjects involved, and experimentation generates a space capable of promoting possible life alternatives, as the original proposals on the interpretive and operational level, realized in various social contexts, are aimed at renewing the cultural models of the era, overcoming alienation and homogenization.
Interested in understanding the human psyche, we mature experiences through various situations, choosing to stay in contact with social reality, trying to understand its intimate sense.
Participation in our projects leads to the involvement of social actors in a path, often cathartic, that stimulates creative expression and the overcoming of old models. Interest in the analysis of the deep promotes creativity and communication as a model of interaction, becoming the exchange with others the theater of communication with a wider horizon, allowing new forms of socialization among individuals of different ages, cultures, and social positions.
Communicative experimentation favors encounters with different cultures and codes, expanding contact with diverse social realities, stimulating and valuing the individual as cultural heritage, made up of information, traditions, and historical memory.