The art, discourse of the subject through which the world is manifested subjective way, it is necessary as the science, which is a rational discourse of the subject on the world.

The art transmits feelings of the subject and helps to evolve what the only rational sphere is not able to engage and, keeping us in balance with the scientific achievements.

Properly channeled by the artistic enjoyment, the passion leads where the artistic moment directs. This actives our ability to grow on the deepest level, involving the emotional part.

Without art, the science remains only on the cognitive plan; in this case we will have an increase of techniques, but not an interior development.

Starting from these assumptions, we found that the two sides should go hand in hand, and we have direct the experiences of life and the social and artistic projects to proceed in that direction.

We follow an existential journey in which the artistic / relational dimension extends to every level of daily life, from the most intimate to the more social.

Unlike other relational artists, our existential process is intimately intertwined with the artistic dimension.

The time of experimentation is not separated from daily life, but becomes an integral part, not just to fulfill the motto of D'annunzio:

"We must do our own life,

how makes an artwork.

The life of a man of intellect must be a work of him."

but to has a stimulus for subjective transformations in the direction of development: every emotional catharsis wishes to recalibrate the subjectivity in light of the new systemic conditions.

Each experience expresses an unique and original cognitive drift. Each definition actives reactions to be studied.

Each act has in last instance the generation of effects on the system in which it occurs.

Every interaction becomes cathartic moment for the subjects and the testing generates a space that promotes possible alternatives of life because the original proposals on the interpretive and operational plan , made in various social contexts, are aimed at renewing the cultural models of the time, overcoming the alienation and approval.

Interested to know the human soul, we mature experiences through different situations, choosing to remain in contact with social reality, trying to understand the intimate sense. The participation in our projects leading to the involvement of social actors in a path, often cathartic that stimulates creative expression and the passing of old models.

The interest for the deep analysis of interlocutors promotes creativity and communication as interaction model, making the exchange with the other theater of communication with a wider horizon, allowing new forms of socialization between individuals of different ages, cultures and social position.

The communicative experimentation promotes encounter with different cultures and codes, expanding the contact with different social area, stimulating and enhancing the individual as cultural heritage, made of information, traditions and historical memory.