Objective: Students will create an organic form inspired by the clay artist Paulus Berensohn
Berensohn was perhaps best known for the book “Finding One’s Way With Clay” (1972), a guide to making pinch pots that blended instructions for making these simple clay bowls with reflections on art, the environment and spirituality, and that advanced the idea that creativity was universal.
Berensohn developed a philosophy: ceramics as a noncommercial enterprise that can foster human development and unlock human potential.
Mr. Berensohn was an early proponent of deep ecology, an environmental movement that values all living beings equally, and he became more vocal about environmental issues as he grew older. For decades, he said, he did not fire his pinch pots but rather placed them in the forest to melt back into the earth.
Paulus became a great teacher of workshops, and through them he touched thousands of lives. He taught at Penland and Haystack and other venues in the U.S., the U.K, and Australia. In his teaching and in his life, he came to embody a few strong messages: that creative work, or “behaving artistically” as he often put it, has an intrinsic value to the maker and to the world; that art need not be connected with commerce; and that the “craft arts” (again, his term), because of their connection to primary materials, can help to heal the earth.
We are exploring organic form in clay.
Organic forms are normally found in nature. They are moving lines that evolve from one area to another without a hard transition. They are irregular and may seem flowing and unpredictable. The most obvious example of organic forms are realistic representations of the natural world or living things.
Your work should be based upon objects found in nature, or have the qualities of forms found in nature- pieces instead of the whole.
You will create your own forms through the abstraction of actual forms found in nature.
Research for Organic forms you are interested in
Google Search
Document the images digitally into a Google Doc
Include at least 4 different images.
This documentation will be your inspiration for your organic Pinch pot.
Turn your research into Google Classroom
You will create your own forms through the abstraction of the actual forms that you selected.
While looking at your images, sketch out thumbnails of at least 3 interesting NEW organic forms that you come up with. You can do this by combining, dividing, merging, squishing, (abstracting) etc... any 1 or more of your found images at a time.
From those 3 ideas...Choose your best idea and fully sketch out your choice with at least 2 views/sides drawn out in detail.
Take a picture of your work and submit it to Google Classroom for a Grade.
Begin by looking at your plan for the main forms, i.e.: the pot shaped form, a neck, hollow tube, a foot etc...
Create each area separately through hand building with the pinch or coil building method and attach using score and slip
Allow your vessel to dry slightly if it can not support the weight of extra parts being added (but not overnight)
Only leave your bag open overnight if you are done adding clay to your vessel
Once your vessel is almost leatherhard, you will need to do any cleaning up, smoothing/or adding any textures
Below you can see a few example texture you could use to add interest
Be gentle, as some of your pieces may be fragile at this point
Be careful with using water to smooth, do not saturate any area with water, causing it to swell
DON'T FORGET TO PUT YOUR NAME AND PERIOD ON THE BOTTOM
Take photos of your work and submit it to Google Classroom for a grade
Dry your vessel slowly in the bag until close to done dry, then place it in the kiln room on the "Bisque Fire" rack
Once it has been fired once, it is time to glaze your vessel.
Look back at your inspiration images when deciding how to glaze your piece.
Once glazed, you will place your piece on the "Glaze Fire" rack in the kiln room
When completely glaze fired, you will take final photos, submit them on Google Classroom for a grade and compete your self reflection questions.
Further abstraction until it is a Non-Objective sculpture