"尖銳而深刻,直刺澳門問題,令人如坐針氈,思考不斷。澳門故事,不只應該越說越多,還應該越說越複雜,這才是多元開放的本土書寫。顯然地,《甲戌風災》做到了。"
—李展鵬,澳門文化評論人
"Sharp and profound, it directly addresses the issues in Macau, making people feel uneasy and constantly reflecting. Macau stories should not only be told more frequently, but also more complex. This is the essence of diverse and open local writing. It is obvious that ‘Back to the Catastrophic Typhoon of 1874' has achieved this."
—Pan Li, Macau cultural critic
【華文文學改編 X 聲景劇場】
我聽故我見。透過聲音,你看見生活中不同以往的風景。聲景劇場是一道讓你釋放聽覺感官的“光”,盛行於歐美,近年在亞洲漸受注目。本屆藝術節特別委約導演林婷婷,以陳鵬之的澳門文學獎獲獎作品《甲戌風災的那天》為文本,改編為聲景劇場演出,給觀眾耳目一新的劇場體驗。
《甲戌風災》描述1874年氹仔鄉紳、居民和葡人政府糾纏不清的關係。一場突如其來的風災襲澳,氹仔頓失三份一人口。這場甲戌風災後,一切人和事均推倒重來。運用生活聲音在現實空間中的再創作,以現代的角度窺探過去,彷如身歷其境,也擴闊內在無限的幻想空間。
【Chinese Literature Adaptation X Soundscape Theatre 】
I listen, therefore I see. One can see elements in life in a different way through sounds. Popular in the West and gaining attentions in Asia in recent years, soundscape theatre sheds “lights” on the release of your audio senses. Especially commissioned by this Festival, director Lam Teng Teng adapts The Day of the Catastrophic Typhoon of 1874, a novel by Inaciso Chan which has been awarded the Merit Prize at the 10th Macao Literature Competition, into a soundscape theatre piece, bringing an exhilarating brand-new theatre experience to the audience.
Back to the Catastrophic Typhoon of 1874 tells a story of the intertwined relationship among the local country lords, the ordinary people and the governing Portuguese authority in Taipa back in 1874. An abrupt typhoon hits Macao, claiming one third of the lives in Taipa. Everything and everyone has to start all over when the typhoon subsides. The production re-creates the sounds of everyday life in a real-life space and gives a glimpse of the past from a modern perspective. The replication of Taipa in the 1870s is designed to enable the audience to re-live the life back then and explore their own imaginative space.
2017年5月 澳門舊法院黑盒劇場 澳門藝術節首演
May 2017 Premiered in Macau
主要創作團隊:
林婷婷(導演)、潘惠強(香港)(編劇)、林嘉碧(空間設計及演出)、杜國康(燈光設計)、溫詩樂(音響工程)、紀柏豪(台灣)(音效設計)、趙七(監製)