Part I: Zurich
Part I: Zurich
By Reut Golinsky
Friday afternoon's rehearsal
Kurt Browning at practice
Kurt Browning and Stéphane Lambiel, giving interviews
Stage: in the afternoon and in the evening
Funny moment. Before the beginning of the show, a few stage workers and the mime-actor (who was also one of the hosts) helped a person climb up in to the ceiling. During the show we found out what he was doing there - he was directing the lights!
On Saturday's evening and Sunday's afternoon shows, I was almost sitting in the backstage (sections P1 and L1 of Hallenstadion, for those who are interested). The view was not the best: especially at the beginning, when some large sheets were hiding the view of part of the ice. I saw the artists' backs almost all the time.
David Garrett and Anastacia
But there were definite advantages too: I could dance as long as I wanted, because I wasn't standing in anyone's way and because nobody could see me. And I could see some "backstage life" and different points of view and perspectives to take photos.
Povilas Vanagas waiting to go on the ice; and Oliver Höner directing the whole show
Art on Ice Dance Crew
What makes "Art on Ice" special is the live music and the interaction the artists on the stage have with the artists on the ice. "You feel like you need to help them out there on the ice to skate," said Anastacia. "Everytime we performed to In Your Eyes, there was magic going on between us," recalled Stéphane Lambiel later in his journal.
David Garrett with Aljona and Robin; Seven with Kurt
David Garrett with Emanuelle Balmori; Anastacia with Stéphane
