Chinese Calligraphy

Arts from the Scholar’s Studio. 1986. The Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum, University of Hong Kong.

Barnhart, R., et al. 1993. Painters of the great Ming: the imperial court and the Zhe school. CITY: PUBLISHER. (Available at Smithsonian, Sackler LibraryND1043.5 B37 1993)

Barnhardt, R. and W. Fong. 1996. Mandate of Heaven: Emperors and Artists in China: Chinese Painting and Calligraphy From the Metropolitan Museum of Art, New York. CITY: PUBLISHER. (Available at Smithsonian, Sackler Library ND1042.M58 1996f)

Barrass, G. 2002. The Art of Calligraphy in Modern China. CITY: PUBLISHER. (Available at Smithsonian, Sackler Library ND1457.C53 B37 2002)

Burckhardt, O. 2009. "The Rhythm of the Brush" Quadrant 53 (6) 124-6. (URL: http://www.obfuchai.com/pages/review-chinese-calligraphy.html) (Not suitable for Review of Scholarship or as a source)

Cahill, J. 1993. "Tang Yin and Wen Zhengming as Artist Types: A Reconsideration" Artibus Asiae 53 (1/2) 228-248. (JSTOR Stable URL: http://www.jstor.org/stable/3250516)

Chiang, Y. 1973. Chinese Calligraphy: An Introduction to its Aesthetic and Technique. Cambridge, MA: Harvard University Press. (Available at Smithsonian, Sackler Library 741.C53)

Chinese Calligraphy. 1997. Shanghai: Shanghai Museum.

Fazzioli, E. 1987. Chinese Calligraphy: from pictograph to ideogram: the history of 214 essential Chinese / Japanese Characters. CITY: PUBLISHER. (Available at NOVA)

Fong, W., et al. 1982. Silent Poetry: Chinese Paintings in the Douglas Dillon Galleries. Metropolitan Museum of Art. (Available at NOVA)

Fu, S., et al. 1977. Traces of the Brush: Studies in Chinese Calligraphy. CITY: PUBLISHER. (Available at Smithsonian, Sackler Library 741.F8)

Fu, S. and H. Kim. 1980. Contemporary Calligraphy and Painting from the Republic of China Pt. 1. CITY: PUBLISHER. (Available at Smithsonian, Sackler Library 759.951 F96)

Ledderose, L. 1979. Mi Fu and the Classical Tradition of Chinese Calligraphy. Princeton, NJ: University Press. (Available at Smithsonian, Sackler Library741.L33)

---. 1986. "Chinese Calligraphy: Its Aesthetic Dimension and Social Function" Orientations (October 1986) 35-50.

McNair, A. 1995. "Engraved Calligraphy in China: Recension and Reception" A Bull 77 (1) 106-114. (JSTOR Stable URL: http://www.jstor.org/stable/3046083)

Moss, P. 1999. Escape from the Dusty World: Chinese Paintings and literati works of art. Sydney L. Moss, Ltd. (Available at Smithsonian, Sackler Library N7343.5.M688)

Nakata, Y. 1983. Chinese Calligraphy. Tankosha.

Ouyang, Z. and W. Fong, Eds. 2008. Chinese Calligraphy. New Haven: Yale University Press.

Rawson, Jessica, Ed. 1996. Mysteries of Ancient China. New York: British Museum.

Shi, B. 2003. Between Heaven and Earth: a history of Chinese writing. Boston: Shambhala, Distributed by Random House. (Available at GMU)

Stevens, J. 1981. Sacred Calligraphy of the East. Boulder & London: LOREM Press.

Wang, Q. 1994. "Chinese Calligraphy" In Handbook of Chinese Popular Culture by D. Wu and P. Murphy. (Should be available through Google book preview)

Xigui, Qiú. 2000. Chinese Writing. Early China Special Monograph Series No. 4. Berkeley: the Society for the Study of Early China and the Institute of East Asian Studies. University of California, Berkeley. (Available at Georgetown, UVA)

Yue, M., et al. 1997. Xi’an Legacies of Ancient Chinese Civilization. Peking: LOREM Press.