Christ Pantocrator

The two natures of Christ

The Christ Pantocrator style of Icon is one of the most famous in the Greek Byzantine Church and school of iconography. The oldest known representation of this style is the split-sided Christ-Pantocrator of St. Catherine's Monastary of Sinai. This painting is widely believed to be a representation of the dual nature of Christ, the human and the Divine. Sindonologists (those that study the Shroud of Turin) have been able to demonstrate a strong connection between the development of the Icon and the image in the Shroud itself.

When we look at the sum of the Greek for this highly influential painting style of icon, we find that Christ Pantocrator comes to 3302. This then is the sum of a 12-pointed star and its rhombic-dodecahedron core, the very same stellated-rhombic-dodecahedron that represents the name Jesus of Nazareth and the first verse.

Christ Almighty

Χριστὸς Παντοκράτωρ

1105 + 2197 = 3302

It's difficult to say with certainty which geometry represents which word, which is perhaps appropriate.

The name and number of Jesus of Nazareth — 2197 can be shown to configure not only with the sum of the first verse, but also with the dimensions of the New Jerusalem of the book of Revelation (12 x 12 x 12). This is all revealed in the newly discovered mathematical science of the rhombic and stellated rhombic dodecahedron, united in the figure of the centered cube.

The 'anti-stellated' version in red is the cubic remainder of the eight corners turned inside out, in the cruciform transformation.