During the last 4 millennia BCE, many civilizations rose and fell in the fertile lands of Mesopotamia and the neighboring lands in western Asia. In spite of all of that change the artwork stayed surprisingly constant. Art and architecture was used to express the authority of gods and rulers and helped to maintain order and governance.
Many major monuments, temples, palaces and sculptures were created. The scale of these artworks are true mind-bending considering the rudimentary tools used to create them. A major development during this time was the role art played in telling stories.
Visual narratives were created to tell the stories of rulers ascension to power, cultural beliefs, details of wars, and traditions. The major themes running through these artworks revolve around the constant movement of people and changes due to the geopolitics of the region. The artwork reflected political power and strategies for story telling.
The major cultures that rose and fell during these 4000 years include:
Sumerian
Empire of Akkad
Neo-Sumerian
Babylonian
Assyrian
Late Babylonian
Iranian
Persian
Ziggurat: A type of massive structure built in ancient Mesopotamia. It has the form of a terraced compound of successively receding stories or levels (fig. 1)
Registers: A horizontal band containing decoration. When multiple horizontal layers are used, registers are useful in distinguishing between different visual planes and different time periods in visual narration (fig. 2).
Hieratic scale: An artistic technique in which the importance of figures is indicated by size, so that the most important figure is depicted as the largest. Also seen in Egyptian art (fig. 3).
Stele: From the Greek word for "standing block". An upright stone slab or pillar, sometimes with a carved design or inscription ( fig. 4).
Cuneiform: The wedge-shaped characters made in clay by the ancient Mesopotamians as a writing system ( fig. 5)
fig. 1
Ziggurat of Ur, c. 2100 B.C.E. mud brick and baked brick, Tell el-Mukayyar, Iraq (largely reconstructed)fig. 2
Standard of Ur, 26th century BC, "War" panel.fig. 3
The Tell Asmar sculpture hoard is a collection of twelve human effigy statues. Ancient Sumer, 2750-2600 BC.fig. 4
Victory Stele of Naram-Sin is a Mesopotamian limestone sculpture. It dates to approximately 2254-2218 BC, in the time of the Akkadian Empirefig. 5
Sumerian cuneiform inscription in monumental archaic style, 26th century BCEEgypt has fascinated the world for millennia. The ancient Greeks and the Romans knew and admired Egypt and the interest passed to collectors and scholars in the Renaissance. European sponsored excavations have been going on in Egypt since the nineteenth century, including the discovery in 1922 of the tomb of King Tutankhamen. On reason that ancient Egypt enthralls us is the exceptional technique and monumental character of its works of art particularly with the monumental tombs and architectures they created (Davies and Davies, 2009)
Egyptian Art spans nearly 3000 years. It is broken up into 4 distinct kingdoms (Old, Middle, New and Late) and dynasties based on the rulers. The basic beliefs and artistic ideas were quite rigid. These images were rigid in the sense that both sculptures and paintings only show figures in 3 views 1. full frontal 2. strict profile and 3. vertically from above. Also, the artworks show a strong sense of order and appear stiff, this applies to everyone including Pharaohs all the way down to the common peasant (Strategies For Learning Art Styles).
The Egyptians were the first settled humans to use images of the body extensively in their art. Images of the human body were regular and repeated, and nothing about them was exaggerated. Instead, the images were created using a diagram and were also conceptual because artists were more concerned with cataloging the parts of the body - one head, two arms, two legs, etc - then the actual appearance of the body. To the ancient Egyptians, their grid system used to draw the bodies was a divine gift that would be spoiled by any deviation from the norm. ("How Art Made The World . Episodes . More Human Than Human . Egyptian Need For Order | PBS").
Artists were not independent and did not sign their name on their work, instead art was seen as a skill and these craftsman were supervised while creating sculptures, painting tombs, and building pyramids. Even though the artisans were monitored, they were not slaves. The kings/pharaohs paid for their work and guaranteed their welfare (Strategies For Learning Art Styles).
Watch this video to learn more about how Ancient Egyptians stylized the body
Hieroglyphs: The formal writing system used in Ancient Egypt with over 1,000 distinct characters (fig. 1)
Sarcophagus: A stone coffin, typically adorned with a sculpture or inscription (fig. 2).
Necropolis: A large, designed cemetery with elaborate tomb monuments (fig. 3).
Obelisks: A tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top ( fig. 4).
Relief: A sculptural technique where the sculpted elements remain attached to a solid background of the same material ( fig. 5)
Frieze: A frieze is a prominent bar in the proportions of the wall of the building, formed by certain floral or geometric images, repeated along the parts of the building, and is used in architectural decoration, furniture, and decoration (fig. 6)
fig. 3
The El Bagawat is an ancient Christian cemetery, which functioned at the Kharga Oasis in southern-central Egypt from the 3rd to the 7th century AD.fig. 2
Sarcophagus of Harkhebit 595–526 B.C.Innovations and subject matter
Media and style
Check out the MET's collection of Egyptian art. Find examples of Old, Middle and New Kingdom Egyptian art. What stylistic differences can you see between the different kingdoms? How did their art change in style?
The Mediterranean highway linked early civilizations of antiquity
Closely related but distinct cultures developed on the islands and peninsula in the Aegean sea
Early ca. 3000-2000 BCE
Middle 2000-1600 BCE
Late 1600-1100 BCE
Predynastic and Old kingdom
Middle Kingdom
Second Intermediate Period and New Kingdom
Sumerian and Akkadian culture
Rise of Babylon
Hittite overthrowing of Babylon and rise of the Assyrians
Figure, Cyclades. ca. 2500 BCE. Marble. Height 40 cm.
Palace Complex of Knossos, Crete
The Toreador Fresco, from the palace complex, Knossos. ca. 1550-1450 BCE (restored).
Mask of Agamemnon, from shaft grave V, grave circle A, c.1550-1500 B.C.E., gold
No matter how accomplished a Prehistoric, Mesopotamian or Egyptian artwork might be, up until the Greek period of history, there are few references in those works that look like our world today more than Greek art and architecture.
Ancient Greek art emphasized the importance and accomplishments of human beings. Even though much of Greek art was meant to honor the gods, those very gods were created in the image of humans.
Much artwork was government sponsored and intended for public display. Therefore, art and architecture were a tremendous source of pride for citizens and could be found in various parts of the city (Ushistory.org, 2019).
RELEVANCE
When you watch this History: Ancient Greece video, take note of how their ideas on Tragedy, Philosophy, Democracy, Architecture and Sport continue to play a role in modern society.
When you watch this National Geographic video, take note of the specific achievements in Greek Artistry, Heroes and Democracy that impacted other parts of the world. Where can you see these achievements in your home culture as well as in Argentina?
Style
Take note of the popular media and materials used and stylistic features present in the Geometric, Archaic, Classical and Hellenistic periods of Greek art.
Jump to minute 33:00. Take note of how the Greeks perceived the human body and their relationship to exaggeration/idealization.