Intended as a reaction to preceding modern art movements, contemporary art is thought to have begun on the heels of Pop Art. In post-war Britain and America, Pop Art was pioneered by artists like Andy Warhol and Roy Lichtenstein. It is defined by an interest in portraying mass culture and reimagining commercial products as accessible art. While the movement lasted roughly from the 1950s through the early 1970s, it was reborn as Neo-Pop Art in the 1980s thanks to artists like Jeff Koons.
("What Is Contemporary Art? An In-Depth Look At The Modern-Day Movement")
Rising up in the 1950s, Pop Art is a pivotal movement that heralds the onset of contemporary art. This post-war style emerged in Britain and America, including imagery from advertising, comic books, and everyday objects. Often satirical, Pop Art emphasized banal elements of common goods, and is frequently thought of as a reaction against the subconscious elements of Abstract Expressionism.
Roy Lichtenstein’s bold, vibrant work is an excellent example of how parody and pop culture merged with fine art to make accessible art. Andy Warhol, the most famous of the Pop Art figures, helped push the revolutionary concept of art as mass production, creating numerous silkscreen series of his popular works ("13 Revolutionary Art Movements That Have Shaped Our Visual History").
Like Conceptualism, Minimalism materialized in the 1960s and is still prevalent today. According to the Tate, both movements “challenged the existing structures for making, disseminating and viewing art.” What sets Minimalism apart, however, is that its simple, abstract aesthetic invites viewers to respond to what they see—not what they think a given work of art represents. Donald Judd, Sol LeWitt, and Dan Flavin are some key Minimalist artists.
("What Is Contemporary Art? An In-Depth Look At The Modern-Day Movement")
Minimalism was not only a reaction against the emotionally charged techniques of Abstract Expressionism but also a further refinement of pure abstraction. It was an attempt to discover the essence of art by reducing the elements of a work to the basic considerations of shape, surface and materials.
Minimalist art used hard-edged forms and geometric grid structures. Color was simply used to define space or surface. Ad Reinhardt, whose late paintings anticipate Minimalism, put it simply, ‘The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight. The laying bare of oneself is obscene. Art begins with the getting rid of nature.’
In turn, Pop Art also helped shape Conceptualism, which rejected the idea of art as a commodity. In conceptual art, the idea behind a work of art takes precedence. Major conceptual artists include Damien Hirst, Ai Wei Wei, and Jenny Holzer. Though this experimental movement is rooted in art of the early 21st century, it emerged as a formal movement in the 1960s and remains a major contemporary art movement today.
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Much like artists working in the Pop Art style sought to artistically reproduce objects, those involved with Photorealism—a concurrent movement—aimed to create hyperrealistic drawings and paintings. Photorealists often worked from photographs, which enabled them to accurately reproduce portraits, landscapes, and other iconography. Chuck Close and Gerhard Richter often worked in this style.
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Photorealism is a style of art that is concerned with the technical ability to wow viewers. Primarily an American art movement, it gained momentum in the late 1960s and 1970s as a reaction against Abstract Expressionism. Here, artists were most concerned with replicating a photograph to the best of their ability, carefully planning out their work to great effect and eschewing the spontaneity that is the hallmark of Abstract Expressionism. Similar to Pop Art, Photorealism is often focused on imagery related to consumer culture.
Early Photorealism was steeped in nostalgia for the American landscape, while more recently, photorealistic portraits have become a more common subject. Hyperrealism is an advancement of the artistic style, where painting and sculpture are executed in a manner to provoke a superior emotional response and to arrive at higher levels of realism due to technical developments. A common thread is that all works must start with a photographic reference point ("13 Revolutionary Art Movements That Have Shaped Our Visual History").
Another movement with Conceptualist roots is Performance Art. Beginning in the 1960s and retaining its popularity today, performance art is a drama-inspired approach to art. While the art form is performed by artists (as the name suggests), it is not solely intended as entertainment. Instead, its goal is to convey a message or idea. Predominant performance artists include Marina Abramović, Yoko Ono, and Joseph Beuys.
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A unique spin on installation art, Earth Art (or Land Art) is a movement in which artists transform natural landscapes into site-specific works of art. Robert Smithson, Christo and Jeanne-Claude, and Andy Goldsworthy are celebrated for their avant-garde earthworks.
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As one of the most recent contemporary art movements, street art is a genre that gained prominence with the rise of graffiti in the 1980s. Often rooted in social activism, street art includes murals, installations, stenciled images, and stickers erected in public spaces. Key street artists include figures from the 1980s, like Jean-Michel Basquiat and Keith Haring, as well as practicing artists like Banksy and Shepard Fairey.
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Like performance pieces, installation art is an immersive medium of art. Installations are three-dimensional constructions that transform their surroundings and alter viewers' perceptions of space. Often, they're large-scale and site-specific, enabling artists to transform any space into a customized, interactive environment. Well-known installation artists include Yayoi Kusama, Dale Chihuly, and Bruce Munro.
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In the middle of the 20th century, avant-garde artists in America and Europe began producing Installation Art. Installations are three-dimensional constructions that play with space to interactively engage viewers. Often large-scale and site-specific, these works of art transform museums, galleries, and even outdoor locations into immersive environments.
Inspired by Marcel Duchamp’s Dadaist Readymades—a series of found objects contextualized as sculptures— this important genre was pioneered by modern masters like Yayoi Kusama and Louise Bourgeois. Today, contemporary artists keep his practice alive, crafting experimental installations from mediums like string, paper, and flowers ("13 Revolutionary Art Movements That Have Shaped Our Visual History").
Lowbrow, also called pop surrealism, is an art movement that grew out of an underground California scene in the 1970s. Traditionally excluded from the fine art world, lowbrow art moves from painted artworks to toys, digital art, and sculpture. The genre also has its roots in underground comix, punk music, and surf culture, with artists not seeking acceptance from mainstream galleries. By mixing surrealism imagery with pop colors or figures, artists achieve dreamlike results that often play on erotic or satirical themes. The rise of magazines like Juxtapoz and Hi-Fructose have given lowbrow artists a forum to display their work outside of mainstream contemporary art media ("13 Revolutionary Art Movements That Have Shaped Our Visual History").