crystalgrid

official city opening dates (as in when the traffic corridor from each city was officially on-line, also know as 'gate openings')- probably not a complete list:

5 June 1993 - Table Mountain, South Africa - Andromeda (highest ranking ascended master in residence, Abu Myra)

23 Aug 1995 - Washington, USA - Augratha (sometimes confused with the private residence of Sananda, the Agartha.

6 May 1996 - Mount Shasta, California - Telos (highest ranking ascended master in residence, Adama)

15 June 1996 - Hot Springs, Arkansas

11 Sept 1996 - Cancun, Mexico (this city was abandoned due to 'intense heat'. only slaves (left behind) live there now,with some transient undesirables. the city is kept mechanically sound.)

6 Dec 2005 -

20 Aug 2006 - Glastonbury, England (star elder movement)

3 Mar 2007 -

30 Dec 2007 - Sydney, Australia

13 Nov 2008 - Johannesburg, South Africa. along with the official opening of the gateway, those wired will experience a shift in transmission as they are brought online to a new set of frequencies. eventually all continents wiil have dedicated transmission frequencies. the communications grid is referred to as the 'crystal lattice'.

(anchorage dates are unknown, but it would have been sometime prior to the date the 'gate' opened in each case. there is also one, date of anchorage oct 17 2007, in mount kailasa, tibet. and a city awaiting anchorage (as of dec, 2008) over egypt)

so if they're there, why can't you see them? because they are in warp state. also they are anchored below the surface. the indication from channelled messages is that that atmospheric pollution made it 'uncomfortable' for them. rain, particularly heavy rain would do the same. imagine feeling the rain drops going through your body. so in considering the permanent location of city ships, atmospheric conditions had to be taken into consideration. under-surface is often a more favourable option.

the follow are exerpts from "the masters and their retreats", by mark prophet (ISBN: ). the first from pages 149-50, supposed said by archangel jophiel in sept 9, 1963.

gold as it turns out is an essential component in their 'natural light' generation system, and by natural i mean artificial sunlight. so important that the ascended masters introduced a "god of gold" to mark prophet which he included in his book. and before you scoff, it also features the regulars like el moyra and saint germain, to drop names. a description of this gold god can be found on pages 117-118. its the usual flowery bullshit, easily swallowed. a fairytale to make this particular ascended master (probably an engineer) look good.

a brief description of what it is used for -

and a note, not quite disguised, that not all those who inhabit these 'cities of light' are 'equal'. the fact is that only the more priveliged have regular exposure to this artificial sunlight. and slaves, not at all, leaving them to suffer a myrad of physiological and psychological problems. however anyone of social standing will expect said lighting to be installed on any craft of residence.

that the 'cities of light' are also referred to as 'cities of gold' leads us to some interesting speculation. so does connection between the 'sun gods' of the americas, and their link to gold as their chosen offering. perhaps even their rainbow gods.

the portal of the sun god

space craft in d'att (or warp) state are not entirely invisible to the naked eye. people with particularly keen eyesight (before their sight is damaged at least) do see a gleam of gold, bulkheads in rainbowy colours seemingly in mid-air where nothing should be. and historically there are such references. the fact that these cities of light are also described as golden leads us to an interersting chapter in human history. and a legend still known from bolivia, south america -

(from "chariots of the gods? - was god an astronaut?" by erich von daniken. ISBN:0 552 08800 5. pages 36-7)

now most interesting from that region south-east lake titicana is the 'gate of the sun' or the portal of the sun god, oyana. note the detail on the freize - not the hieroglyphs either side of the central figure but the smaller along the bottom. the "children" perhaps?

here's another. look at the stone gate front and back. there's nothing around it. if this is the gate to the sun god, we would expect it to the entrance to the sun god's temple. but there isn't one. the gate simply stands there. when first found it and fallen face down, and suffered a crack through the top. but this monolithic structure otherwise was and presumable stood alone - in the middle of nowhere. maybe - just maybe - it stands in the place where the inhabitants 'saw' something which to their other senses said shouldn't be there. nothing solid, yet something was there. the wall of a ship, a large ship, in d'att state. something of a size that to them could be described as city-sized. a golden craft that shouldn't be there and physically seemed not to be. but when oryna presented herself to them, it was initially at least in the place they later built their door to represent that spot.

we know that gold has a functional value to them. how many 'sun gods' demanded that gold be hoarded for them in one particular spot to the villagers in south america. it is a consistent theme that runs across the continent, and across different civilisations and times. but this one demanded something more. according to the book she 'gave birth' to 70 children and left. what if she in fact demanded 70 of their children and took them with her? perhaps the 'door' stands on the very place they last saw them. stone carving was how these people kept their history. but the hieroglyphs, representing concepts (or word groups) rather than individual words, have never been exactly translated.

from the same book by von daniken, it says (page 115) -

"When Francisco Pizarro questioned the Incas about Tiahuanaco in 1532, they told him that no man had seen the city save in ruins, for Tiahuanaco had been built in the night of mankind"

tiahuanaco had been built in the night of mankind - since there are few ruins in the entire region, and none near the gateway, that just might mean that the city appeared, but not to the sight of man.

..

note the highlighted area on the picture showing the back of the gateway. see the difference between that end and the other? particularly the 'roof line'. it distinctly stops before the end of the block. this culture like many others in south america carved their history in stone. and the only way to erase that history, as was literally to obliterate it. the heiroglyphs were chisselled off. remember that the gate was found face down. i believe when the gate was toppled these heiroglyphs were removed, and the gate left where it had fallen.

now here is a bit of speculation that ties in with the legend of oryana. this 'god' wasn't simply disowned by the natives. if she was they would have obliterated all the heiroglyphs or destroyed the gate. instead it was left there with the record of her visit in tact - to tell the story of their lost children.

** the female who presented herself as oryana is the same whose daughter-clone was used against the troitach, and a member of the original ruling oligarchy of calreisa. she is also the woman who inspired francis bacon in one of his poems.