Stories are made to tell, and are best delivered when certain morals are learned at the end of such a story. Kukunochi’s approach in both context, research and aesthetic is drawn upon multiple inspirations, especially considering its approach to the story in a non-verbal manner of delivering a creative and cohesive plot.
One of our main influences in our type of storytelling is our research into old Japanese texts to contextualize the Kukunochi plot.
Firstly, what exactly is the definition of respect, humility, and arrogance?
Within the structure of Japanese culture, respect involves “discretion in manners, modesty, and reverence, but also genuine warmth and kindness.... this is clearly much richer than simple politeness, or the strategies of saving face. In its essence, it is the careful considerate capacity to overcome self-interest and self-absorption” (Young, 2009, p.189).
Consideration of Japanese historical texts is also essential for our research development and the accuracy of the depiction of our narrative. The Nihongi (Japanese Chronicles) also called the Nihon Shoki (The Chronicles of Japan) and the Kojiki (Records of Ancient Matters or An Account of Ancient Matters) are the central basis on which we formulate our inspiration concerning our short animation’s narrative, especially writings surrounding the deity named Kukunochi. In the Nihongi, it is stated that Kukunochi (Tree Trunk Elder) is the ancestor of all trees, whilst In the Kojiki, he is born after the Spirit Shinatsuhiko. As a historical influence, it is important to consider the mythological context and origins of Kukunochi, so as to better understand and implement elements of its history within our short animation film context.
