This project is a deconstruction of citrus peels. Through my observation, most citrus peels have tiny bubbles on the surface. So I cut orange peels into tiny pieces. For each bubble on the bubble sheet, I inserted one piece into it while the peels are still fresh and soft. Then the peels dry out and become rigid inside the bubbles, creating a rustling sound when the sheet moves.
In a waste paper box, we inserted layers of cut paper and layered leaves and twigs on top to create a sense of depth. In the center gap among the layers of leaves, we left space for a micro box stuffed with scented cloth. And in the back of the large cardboard box, we glued one translucent tracing paper, and lighting form its back to create a twilight effect.
Inspired by muzzles. A muzzle is designed to be placed over the snout of a dog to prevent injury from biting. This concept reminds me of some human damage to nature, like white pollution and over logging.
So I want to combine manmade and natural materials into one mask, meaning to gag people to prevent themselves from harming the environment.
This pair of wearable nail covers shows a magical girl with a double personality. During the daytime, she is a cute and kind high school student. At night, she is a witch who like dark style, and maybe perform black magic secretly. She like those intense and dangerous practice. So we decided to make to scents for this piece. For her daytime personality, we use floral and fruity scents. For night personality, it is full of thick and choking smoky woody scents.
Mountain Spirit
This poem was written by Qu Yuan, the earliest poet in ancient China, for ritual purposes. There have been different opinions in the Chinese academic community about the character of the mountain spirit. I personally believe that it is a genderless spirit because it is like the god of the mountain, and mountains/nature should not be defined by gender. In fact, I think it can change to both male and female if it wants to.
The intro part of this song is an approaching footsteps, as the mountain spirit walks through the forest with bare feet on the leaves. It may speak in a voice that is probably very ethereal, and people going into the mountains would feel like its voice were coming from far away, but also right next to their ears, so I added distant sound effects to the major singing track and then an another track of closer humming. In my imagination, the mountain spirit must walks accompanying by the scent of flowers and the breeze, and the birds and animals and the streams will greet it, so I added the sound of wind and water and birds chirping.
This ancient poem also has a nice rhythm. The poet uses the character "兮"(Xi/Shi), an inflection, repeatedly throughout the poem, which is very rhythmic when read in Chinese, so I added a track of reading the original poem at the beginning and end, and tried to make it sounds like chanting.
The background information of this work is a medieval exorcism ritual. Our research began with a collection of religiously related exorcism formations. In the Middle Ages, in order to destroy evil things, people would collect these things and then destroy them in front of a crowd. During this process, religious people would hold sage to perform purification rituals.
We added the concept of consumerism to the project. We collected a lot of receipts. sometimes people made purchases that were meaningful, but other times they were just impulse purchases. So the receipts can be evidence of the aforementioned behavior. We put the receipts on a black cloth and used them to represent the sin of impulsive consumption.
We used a lot of mixed commercial perfume vignettes to represent the scent of impulsive consumption. Accumulating a lot of small samples means buying a lot of things that may not be useful. When this series of scents are mixed together, you can feel the complex scent that contains the smell of money. And next to the exorcism of the four elements and sage and its position is the opposite. During the exhibition, we wanted to cover these perfumes with the smell of thick burning sage to achieve the olfactory concept of exorcism.
This work is inspired by the concept of wasteland punk. After a world war, you become the only survivor. You know you can hardly survive in such a desperate world. But the survival instinct of creatures forces you to create such a refuge for yourself to live. You kept cycling in a state of madness over calmness. You keep feeling extremely scared and want to seek refuge from others. So you draw all the religious motifs in your head on the shelter tent. You hope that the invisible gods will bless you to live. The tent is plastered with maps and pictures of what once was with the patterns of faith. They are your faith and spiritual reliance while living inside the tent.
Based on my research about bamboo, there are two Chinese myth stories about tears. I combine the interesting elements, which are tears, death(or near death) and medicine, from the stories into this project.
It is a clay bamboo joint, inside is a plastic medicine bottle filled with scented dry bamboo leaves. The black dripping mark at the interface represents the tears from both stories. All main characters cry for death-related reasons, so I painted the tears mark in black.
GREEN: twig, moss with soil, Fir leaves, green tea
SKIN: ginger, oat, rice, shampoo
STONE: nails, coins
SWEET: dry date, honey
CITRUS: blood orange, lime
HEAVY FLORAL: rose, oolong tea
LIGHT FLORAL: jasmine, rosemary
SMOKE: incense ash, candle wax, burnt matches
RESIN: pine cones, pine twigs
DARK WOOD: bark, hazel leaves, pine leaves, dry leaves, hazelnut
COFFEE: coffee remain