Ms. Desiree Stant
dstant@daltonschool.kr
Ms. Desiree Stant
dstant@daltonschool.kr
The Theatre & Film class focuses on giving students the foundational skills for cinematography and theatre.
Students learn the five genres of film: Silent Film, Narrative, Documentary, Music Videos and Video Art.
Students develop an in-depth understanding of the differences between film and stage acting.
Students study and understand the production process through the art of creation.
This hybrid course is rooted in theatre and film, focusing heavily on acting techniques and the technical skills required to produce various productions. Students will develop an understanding of the different acting styles and how each one influences the industry it is being used in. Students will have in-depth training in the film production process and will gain valuable experience in every role within the cinematic cycle. Students will learn how to produce films in a variety of genres and will submit their work to Dalton’s premiere Film Festival in the Spring. The theatrical component of this course will guide students through the stage production process and will not only teach them a variety of acting skills, but also technical theatre and staging skills as well. Assessment in this course is rooted in performance and self-reflection.
"Theatre is the art of looking at ourselves." ~Augusto Boal , Brazilian Theatre Practitioner
Quarter 1
(August 16 - October 23 )
How can understanding the fundamentals of cinematography and the production process impact your work as a videographer and actor?
In the first unit, students will learn the aspects of the production process: pre, production, and post and how this process is integral within cinematic arts.
In this class, will explore the the five major genres of cinematography and will focus predominantly on Video Art, Documentary, and Music Video filmmaking this quarter. Students will have the opportunity to perform the roles of director, actor, technician and videographer for various films throughout the quarter. At the end of every filmmaking cycle, students will develop their critique skills by discussing their own work as well as their peers'.
Throughout the quarter, students will have the chance to learn various acting techniques studying theatre practitioners such as Arthur Lessac, Stanford Meisner and Michael Chekhov. These theorists will supply the students with a tool box of acting techniques to enhance their characters and daily work in our class.
In Unit 1, students will:
Develop a series of films to demonstrate their cinematography skills.
Study and demonstrate their understanding of various theatre practitioners through performances of monologues and scene work.
Quarter 2
(October 24 - January 18th)
Understanding Cinematography:
In the Theatre & Film unit, students will embark on a creative journey by producing their very own documentary film, centered around a personally meaningful topic. This endeavor involves comprehensive phases, including research, conducting interviews, and script development during the pre-production stage. Following this, students will capture their documentary through filming, utilizing a combination of A and B roll footage in the production process. In the final step, students will edit their work, incorporating subtitles to enhance the post-production quality.
To enrich their skills and encourage collaboration, students will engage in collaborative small-group projects, focusing on narrative and silent films. These projects will not only further hone their cinematography skills but also promote effective teamwork and communication. This concentrated effort on cinematography will emphasize the subtleties that distinguish stage and film acting.
The culmination of this course will see students presenting their Narrative Film and Silent Film projects, serving as the final assessment of their creative and technical growth in the world of theatre and film.
Stage Acting:
In the Theatre & Film unit, students will focus on cultivating their stage acting proficiency by engaging in scene acting exercises. These carefully crafted scenes will not only be developed but also presented before their fellow students, forming an audience of peers. Throughout the duration of the unit, summative data will be systematically gathered, encompassing the entire process. This data collection will occur during rehearsal sessions, small group workshops, and one-on-one conferences with the director. The ultimate evaluation will take place during the scene work performance, providing a comprehensive assessment of the students' growth in stage acting.
In Unit 2, students will:
Develop a series of films to demonstrate their cinematography skills: Silent Film, Narrative Film, and Documentary Film
Study and demonstrate their understanding of acting techniques through performances of scene work.
Quarter 3
(January 22 -
April 3)
Ensemble Acting:
This acting unit delves into ensemble-based acting with a specific focus on one-act plays, providing students with a comprehensive understanding of collaborative theatrical performance. Participants will explore character development, scene analysis, and cohesive ensemble dynamics through the study of selected one-act plays. The curriculum emphasizes the synthesis of individual artistic contributions within the ensemble, fostering skills in mutual trust, active listening, and responsive adaptation to fellow actors.
The course structure includes ensemble-building exercises, improvisational workshops, and collaborative scene work to develop a collective approach to storytelling. Through active participation in the rehearsal and performance of one-act plays, students will gain practical experience in the challenges and rewards of ensemble-based acting. Formative assessments and constructive feedback sessions will guide the honing of individual and collective acting skills, culminating in a public presentation of one-act plays that showcases students' proficiency in collaborative performance. This unit provides a rich exploration of ensemble-based acting, equipping students with the foundational knowledge and practical skills for success in theatrical endeavors.
In Unit 3, students will:
Explore ensemble-based acting principles in one-act plays, refining interpretative skills.
Engage in ensemble exercises and collaborative scene work, students will apply skills in the rehearsal and performance of one-act plays, showcasing their collaborative prowess in a public presentation.
Quarter 4
(April 8 - May 23)
Advanced Ensemble Acting :
This course offers a deep exploration into ensemble-based acting, focusing specifically on the intricate dynamics of one-act plays. Students will engage in a comprehensive study of collaborative theatrical performance, delving into character development, scene analysis, and the cohesive dynamics of ensemble acting. Through the examination of the selected one-act play, participants will learn to synthesize individual artistic contributions within the ensemble, cultivating skills in mutual trust, active listening, and responsive adaptation to fellow actors.
The curriculum is designed to foster a collective approach to storytelling, incorporating ensemble-building exercises, improvisational workshops, and collaborative scene work. By actively participating in the rehearsal and performance of a one-act play, students will gain hands-on experience in navigating the challenges and rewards of ensemble-based acting. Formative assessments and constructive feedback sessions will guide students in refining both their individual and collective acting abilities.
The culmination of the course will be a public presentation of their one-act play, showcasing students' proficiency in collaborative performance. This unit provides a nuanced exploration of ensemble-based acting, equipping students with both the theoretical understanding and practical skills necessary for success in theatrical endeavors.
In Unit 4, students will:
Ensemble-building exercises: Students will engage in various activities designed to foster a sense of cohesion and trust among ensemble members. These exercises may include group improvisations, team-building games, and other collaborative activities aimed at strengthening the ensemble bond.
Rehearsal and performance of the one-act play: Students will actively participate in the rehearsal process for the selected one-act play. This involves scene work, character development, blocking, and refining performances through feedback and practice. The culmination of the unit will be a public presentation of the one-act play, where students will showcase their proficiency in ensemble-based acting.
Rubrics
Create - 25%
Anchor Standard: Generate and conceptualize artistic ideas and work.
Anchor Standard: Organize and develop artistic ideas and work.
Anchor Standard: Refine and complete artistic work.
Perform - 25%
Anchor Standard: Select, analyze, and interpret artistic work for presentation.
Anchor Standard: Develop and refine artistic techniques and work for presentation.
Anchor Standard: Convey meaning through the presentation of artistic work.
Respond - 25%
Anchor Standard: Interpret intent and meaning in artistic work.
Anchor Standard: Apply criteria to evaluate artistic work.
Connect - 25%
Anchor Standard: Synthesize and relate knowledge and personal experiences to make art.
Anchor Standard: Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding.
Students are expected to...
Respect each other's boundaries and space
Participate and share opinions and thoughts in groups and as a class
Encourage one another during group work, whole class discussions, and in rehearsals.
Communicate any issues or concerns with Ms. Stant through email and by making lab appointments.
All work is expected to be submitted/performed on the day it is due. In the event a student does not submit a summative assessment on the day it is due, that student will…
Be given an opportunity to submit their work up to two weeks after the original due date/time without penalty.
Forfeit their opportunity to be reassessed.
Special considerations may be made for students with extended absences because of sickness, family problems, or family tragedy.
Extra credit assignments will not be provided.
When reassessment is offered, students must meet the following requirements:
complete the original task or assessment (summative) by the specified due date
complete a mini-conference with the teacher
The highest summative assessment score is what is entered into Powerschool.
There is a threshold to the reassessments to which students are entitled:
Summative Reassessment Threshold: You are able to reassess ONCE given you satisfy the requirements above. If there is a plan to reassess the same learning outcome, then no additional reassessment is necessary.
** The following final measures of learning may not be reassessed: end-of-course or end-of-semester exams; culminating projects/performances/papers.
Students can expect the following from the teacher concerning the following:
GOOGLE CLASSROOM - All assignments will be posted in Google Classroom. If you are having trouble locating it, contact the teacher.
RUBRICS AND POLICIES - Once posted here they will not change. However, if a change is necessary the teacher will inform students well in advance and will clearly mark the changes.