Ms. Desiree Stant
dstant@daltonschool.kr
Ms. Desiree Stant
dstant@daltonschool.kr
The Communications course focuses on the fundamental aspects of how to speak and present yourself and your ideas to others.
Presenting and performing narrative, dramatic and poetic stories.
Developing and presenting a variety of public speaking platform speeches.
Exploring the concepts of negotiations and debates in a growing, ever-changing world.
This Communications course is based on the skills necessary for students to be successful with their speaking and communication skills. This hybrid course uses English language skills as well as Theatrical Arts skills as the foundation to develop the skills of public speaking, constructing arguments, interviewing and negotiation skills, and communicating of one's own ideas. This course helps students to develop foundational skills in public speaking and communication. Through a series of learning cycles, students learn to prepare, evaluate and analyze research and information, then subsequently present their findings and work in a creative and engaging manner. Assessments in this course consist of two parts, students’ presented or performed work AND written work, focusing on the Broad Learning Categories of English: Writing, Speaking and Listening as well as Theatre: Creating, Performing, and Connecting. Both English Language standards, as well as Theatre standards, will be utilized throughout this course.
Quarter 1
(August 16 - October 23 )
How does understanding the origins of storytelling impact your ability to entertain an audience with various forms of entertainment?
In the first unit, students will explore the origins of storytelling while discovering various genres of poetry, prose, and dramatic interpretation. The students will study the performative approach to interpretation by learning about the theatre practitioner, Arthur Lessac. Students will then apply his techniques to their work in poetry, prose and dramatic interpretation.
In this class, students will explore the different facets of Speech, Debate and Interpretation. Through these units, students will develop a strong foundation and technique for public speaking and communication. Students will be able to apply the skills of speech, debate, negotiation, interpretation and storytelling to authentic and real-life scenarios.
In Unit 1, students will:
Study the technical process of theatre practitioner, Arthur Lessac.
Develop interpretive skills in poetic, dramatic and narrative works.
Apply these skills to performative tasks for an audience of their peers.
Quarter 2
(October 24 - January 18)
Within this Communications unit, students will embark on a journey into the realm of dramatic acting, with a particular focus on solo and duo performance styles. In the solo acting component, students will delve into the art of character portrayal by crafting one-actor stories, immersing themselves in the roles of multiple characters within their narratives.
Concurrently, in duo performances, students will collaborate with a scene partner to cultivate their skills in joint acting. The emphasis here lies in the dynamic interplay and connection between themselves and their scene partner.
Throughout the unit's acting cycle, students will undergo formative assessments, which will occur during individual workshops with the teacher and in small group settings with their peers. Upon the conclusion of each performance style, students will undergo summative assessments to evaluate their growth in acting skills and the quality of their performances.
In Unit 2, students will:
Develop acting skills within solo and duo acting.
Apply these skills to performative tasks for an audience of their peers.
Quarter 3
(January 22 - April 3)
This academic course delves into the domain of Communications, wherein students will acquire the skills necessary for crafting articulate speeches. Emphasis is placed on cultivating a nuanced perspective, ensuring the effective articulation of their voice in the realm of public speaking. The curriculum guides students through the development of proficiency in informative, persuasive, technological, and comedic speech writing.
Throughout this instructional unit, students will engage in a series of formative assessments, strategically integrated into both individualized workshops with the instructor and collaborative small-group settings with peers. These assessments serve as crucial benchmarks for gauging progress and refining skill sets.
At the culmination of each segment dedicated to distinct speaking styles, students will undergo summative assessments designed to comprehensively evaluate their evolution in the art of public speaking. These evaluations encompass a meticulous examination of the quality, coherence, and persuasive efficacy inherent in their delivered speeches.
In Unit 3, students will:
Develop public speaking skills within their projects in speech delivery.
Write and develop a perspective and voice in the development of their speeches.
Quarter 4
(April 8 - May 23)
Advanced Ensemble Acting :
This course offers a deep exploration into ensemble-based acting, focusing specifically on the intricate dynamics of one-act plays. Students will engage in a comprehensive study of collaborative theatrical performance, delving into character development, scene analysis, and the cohesive dynamics of ensemble acting. Through the examination of the selected one-act play, participants will learn to synthesize individual artistic contributions within the ensemble, cultivating skills in mutual trust, active listening, and responsive adaptation to fellow actors.
The curriculum is designed to foster a collective approach to storytelling, incorporating ensemble-building exercises, improvisational workshops, and collaborative scene work. By actively participating in the rehearsal and performance of a one-act play, students will gain hands-on experience in navigating the challenges and rewards of ensemble-based acting. Formative assessments and constructive feedback sessions will guide students in refining both their individual and collective acting abilities.
The culmination of the course will be a public presentation of their one-act play, showcasing students' proficiency in collaborative performance. This unit provides a nuanced exploration of ensemble-based acting, equipping students with both the theoretical understanding and practical skills necessary for success in theatrical endeavors.
In Unit 4, students will:
Ensemble-building exercises: Students will engage in various activities designed to foster a sense of cohesion and trust among ensemble members. These exercises may include group improvisations, team-building games, and other collaborative activities aimed at strengthening the ensemble bond.
Rehearsal and performance of the one-act play: Students will actively participate in the rehearsal process for the selected one-act play. This involves scene work, character development, blocking, and refining performances through feedback and practice. The culmination of the unit will be a public presentation of the one-act play, where students will showcase their proficiency in ensemble-based acting.
Rubrics
Create - 25%
Generate and conceptualize artistic ideas and work.
Organize and develop artistic ideas and work.
Refine and complete artistic work.
Perform - 25%
Select, analyze, and interpret artistic work for presentation.
Develop and refine artistic techniques and work for presentation.
Convey meaning through the presentation of artistic work.
Writing - 25%
Text types and purposes
Production and distribution of writing
Research to build and present knowledge
Speaking & Listening - 25%
Comprehension and collaboration
Presentation of knowledge and ideas
Students are expected to...
Respect each other's boundaries and space
Participate and share opinions and thoughts in groups and as a class
Encourage one another during group work, whole class discussions, and in rehearsals.
Communicate any issues or concerns with Ms. Stant through email and by making lab appointments.
All work is expected to be submitted/performed on the day it is due. In the event a student does not submit a summative assessment on the day it is due, that student will…
Be given an opportunity to submit their work up to two weeks after the original due date/time without penalty.
Forfeit their opportunity to be reassessed.
Special considerations may be made for students with extended absences because of sickness, family problems, or family tragedy.
Extra credit assignments will not be provided.
When reassessment is offered, students must meet the following requirements:
complete the original task or assessment (summative) by the specified due date
complete a mini-conference with the teacher
The highest summative assessment score is what is entered into Powerschool.
There is a threshold to the reassessments to which students are entitled:
Summative Reassessment Threshold: You are able to reassess ONCE given you satisfy the requirements above. If there is a plan to reassess the same learning outcome, then no additional reassessment is necessary.
** The following final measures of learning may not be reassessed: end-of-course or end-of-semester exams; culminating projects/performances/papers.
Students can expect the following from the teacher concerning the following:
GOOGLE CLASSROOM - All assignments will be posted in Google Classroom. If you are having trouble locating it, contact the teacher.
RUBRICS AND POLICIES - Once posted here they will not change. However, if a change is necessary the teacher will inform students well in advance and will clearly mark the changes.