DUE BY: 6PM, W (5/5)
Post to the Critique Padlet: https://austincc.padlet.org/courtneycone/bdo9922j07fqd7rq
Wassily Kandinsky (1866-1944) was a Russian painter and art theorist.
Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school.
His unique perspective on the form and function of art emphasized the synthesis of the visual and the auditory. He heard sounds as color, and this unusual perception was a guiding force in the development of his artistic style.
He believed the purpose of art to be the conveyance of the artist's unique inner vision, which required transcendence of the objective world.
Rolph Scarlett (1889-1984)
Born in Guelph, Canada, Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926).
In 1923, Scarlett met the artist Paul Klee, and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.
Drawing inspiration from Kandinsky, we will create a non-objective design to use for our color wheel.
This activity encourages individual creativity & experimentation as you practice the fundamentals of color theory, color mixing, and mixed media techniques.
You will draw a non-objective design and fill each "space" with a color/color combination (at least 20), and you should incorporate a variety of techniques. You can repeat techniques from your previous assignment (4-1), or try something new.
Watercolor Crayons or Pencils
Paintbrushes
Pencil
Ruler (if you have them, stencils or geometric objects to trace)
Mix Media Paper/Pad (11x14” or larger)
Water
Cups/Containers for water
Paper towels, cloth, sponge
Salt (sea salt or rock salt is better than Morton’s table salt)
Plastic cling wrap
Masking Fluid (if you happen to have it on hand)
Rubbing alcohol
Other
Use your pencil (ruler, stencils, etc.) to draw a non-objective design onto a sheet of 11×14″ mixed media paper.
Use geometric shapes (circles, triangles & squares/rectangles, squiggle-shapes, etc.)
Make sure to overlap your shapes (to create new, interesting shapes).
Vary the size of the shapes to create interest and emphasis.
If you prefer, you may outline your design with a waterproof black marker/ink pen (only). If you're not sure -- test it. If it runs, don't use it! It will bleed into your colors and damage your drawing.
Use your watercolor crayons/pencils to fill the shapes.
Use a variety of blending techniques -- review links on 4-1
ALL shapes must be filled with color.
Any shapes/areas leftover are open to any color/color combination of your choice.
Your non-objective color wheel must include the following color combinations, so make sure you have at least 20 "empty" shapes in your design.
Complementary Combinations
Yellow + Violet
Blue + Orange
Red + Green
Triadic Combinations
Primary: Blue + Red + Yellow
Secondary: Orange + Violet + Green
Two-Color Combinations
Yellow + Orange
Yellow + Red
Yellow + (Yellow + Green)
Blue + Green
Blue + Red
Violet + Red
Violet + Blue
Color Scheme Combinations
Cool + Warm
Warm + Warm
Cool + Cool
Analogous (3 colors of your choice)
Split Complementary (3 colors of your choice)
Open Color Combinations
Open- your choice of color/combination of colors
Open- your choice of color/combination of colors
Open- your choice of color/combination of colors
When you finish, use your black crayon/pencil (and minimal water) to fill in the negative space around your non-objective color wheel. There should be NO blank/paper areas left.
Let it dry and take a photograph.
Post it to the Critique Padlet: https://austincc.padlet.org/courtneycone/bdo9922j07fqd7rq
PLEASE WATCH THE FOLLOWING VIDEOS BY: 6PM, W (5/5)
For artists who wish to arouse an emotional response in the viewer, color is the most effective element. Even before we "read" the subject matter or identify the forms, the color creates an atmosphere to which we respond.
In a very basic instance, we commonly recognize so-called warm and cool colors. Yellows, oranges, and reds give us an instinctive feeling of warmth and evoke warm, happy, cheerful reactions. Cooler blues and greens are automatically associated with quieter, less outgoing feelings and can express melancholy or depression.
These are generalities, of course, for the combination of colors is vital, and the artist can also influence our reactions by the values and intensities of the colors selected.
Excerpt from Design Basics (by David Lauer)
Color is one of the fundamental elements of our existence, and defines our world in such deep ways that its effects are nearly imperceptible. It intersects the worlds of art, psychology, culture, and more, creating meaning and influencing behavior every step of the way.
This activity explores the emotional impact of color through color compositional strategies & collage.
COLLAGE COLOR STUDIES
We will make 2 collages that explore color compositional strategies and the emotional impact of color.
Each collage should be constructed to express a distinct mood (of your choice), and fall within one of the following color composition strategies covered in class:
• Monochromatic
• Analogous
• Cool/Warm
• Complementary
• Split Complementary
• Triadic
Instructions—
Make two 4”x5” collages using found/colored paper from a variety of sources (i.e., paper colored with your watercolor crayons/pencils, paint samples, construction paper, magazines, packaging, junk mail, etc.). Only use papers (or cut-out sections of paper) that contain flat color—there should be NO recognizable imagery in your collages.
Cut vertical bands/strips of varying widths to use for your colors. Each collage should have at least six distinct color (band) variations.
Keep in mind the visual weight of various colors due to their value, saturation, etc., and consider carefully the extension of each color (how much of that color is used). Images should be well-balanced.
Craft of execution is extremely important. Collages may be adhered with acrylic medium, a glue stick, or thinly applied PVA (Elmer's) glue.
When you finish:
Let them dry; take photos- make sure the entire collage fits inside the frame.
Post your photos to the Critique Padlet: https://austincc.padlet.org/courtneycone/bdo9922j07fqd7rq
Be sure to type each "mood" in the title/comment section!