L-stance forward and backwards
1.Twist kick using instep (to inner thigh)
Twist kick to ribs
Sliding Turning kick
Turning Back kick
Release one hand > elbow strike to solar-plexus
Strike wrist (LU7) > knife hand strike to neck (LI18)
Push down towards ground > pull up thumb or fingers
Small circle using other hand to help. Footwork is the emphasis of this technique
Elbows in > drop weight > turn one way, bring arm forward to look at watch (keep hands low) > then step back under their arm and push arms away.
Lower weight > push arms forward and body back into attacker > single elbow strike [Danger!]
Movement Drills (Sparring Stance done in class lines)
In and Out semi circle – Guard Up
In and Out semi circle – Jab Only
In and Out semi circle – Jab/Cross
Teach concept of closing guard with Parry
Parrying Jab only
Parrying Cross Only
Parrying Jab/Cross
Parrying Jab/Cross + add defensive turning kick
(one for one – continuous)
1. Front fall – first from knees, then progress
2. Side fall – from standing
1. Hook punch
2. Upper cut punch
3. Side guarding block (cover head and body at same time)
1. Single hand grab and push > Release and spin 180
2. Single hand grab and pull > Strike wrist to release > knifehand strike to neck (attacker leans back to avoid strike and replies immediately with the next attack).
3. Punch > Step to outside (90) and deflect the punch, grab the arm and knee to ribs > push attacker away
4. Two handed choke > Grab one hand, other arm over and then elbow strike to head with loud kyup [DANGER!!]
Non-resistance – relax, don’t tense when grabbed – don’t be there
Circle Principle – lead an attack into a circle
Blending with opponent’s movement – just enough so the attacker still thinks they have control of you
Using 90 and 180 step – use of body weight, not arm strength.
Sword movement for deflecting punches – presenting a triangle to the attacking line
Demonstrate defence against dynamic grabs to wrists – front, side and rear – using releases - or release/strike.
Includes defence against punch - use 90 and
180 footwork
Importance of head movement – don’t look at feet