A beautiful saxophone tone is built through consistent attention to the fundamentals. Develop a firm, relaxed embouchure with proper mouthpiece placement and a focused airstream, using mouthpiece pitch checks to monitor progress. Maintain good posture, breathe deeply, and support the sound with steady, controlled air. Keep the hands relaxed and fingers efficient while building technique through scales, arpeggios, chromatic exercises, and metronome practice. Produce clear articulation with light tongue contact and continuous air support. Improve intonation by practicing with a tuner, learning your instrument's pitch tendencies, and using alternate fingerings when needed. Refine tone quality through proper voicing and overtone exercises. Introduce vibrato only after establishing a stable embouchure and air support. Enhance tone with long tones, overtone studies, mouthpiece exercises, double-lip embouchure practice, and Remington exercises. Daily, focused practice develops a rich tone, technical control, musical flexibility, and expressive performance.
Margaret Banton is a professional saxophonist, vocalist, educator, and clinician based in Central Florida. She performs and teaches classical and jazz saxophone and is recognized for her versatility across classical, jazz, rock, and rhythm and blues.
Margaret began her career with the Army Ground Forces Band at Fort McPherson, Georgia, before transferring to the Georgia Air National Guard Band at Dobbins Air Reserve Base. She performed as a saxophonist and vocalist and served as Senior Enlisted Band Leader before retiring in 2013 after more than 25 years of military service.
She has performed with the Atlanta Wind Symphony, Tara Winds, Cobb Wind Symphony, The Villages Symphonic Winds, Carrollton Jazz Orchestra, Third Stream Big Band, and numerous jazz ensembles. Today, she is Director of the Villages Jazz Workshop, principal saxophonist with the Villages Symphonic Winds, and a clinician for The Villages Charter School band programs.
Margaret studied instrumental and vocal jazz at the University of Minnesota and holds degrees from St. Catherine University and Central Michigan University. She serves on the Boards of Directors of the Association of Concert Bands and Bands of The Villages and is an active member of the Jazz Education Network.