Diversity in Materials - Literary Pedagogies & Expansion
One of the most important actions educators can take is diversifying the literature students are taught; expanding horizons on different types of books about different types of people. In order to create true equality, society must start accepting and feeling accepted, no matter who you are.
Resources For The Classroom
"Hooked on Classics"
"Creating an Inclusive Classroom"
"Diversity in Schools Must Include Curriculum"
"Critical Arts Pedagogy"
A student in one teacher's classroom noticed the lack of diversity within the novels they were reading, with each protagonist being white. This introduced a theory in practice, being the need to change "the classics" into a diverse selection of older and modern books written by people of many different backgrounds. This article focuses in on the need for change through critical media literacies, which can aid in the transformation from one way of teaching (utilizing older resources, which further reinforces incorrect social standards and inequality) to another, more modern style.
By exemplifying critical media literacy theory, Anderson explains the need for a reconstruction of reading materials in the classroom; as a future english teacher, I plan on incorporating this idea. I have a few texts in mind, one of which I discuss further below, that will help expand upon literature so that my readings can better reflect the real world than the readings I was presented with during my academic career before college. This will give students a sense of social justice causes, as well as bring a sense of empowerment and voice to those that felt unheard in generations prior because of the underrepresentation of the vast majority of ethicities. The "classics" should be abolished and replaced because as it stands now, it isn't about older literature, but instead only aims to reinforce social bounds. Instead, we need to introduce the concept that other authors can contribute just as much academically, in spite of and alongside their differences in diversity.
Under the restorative justice pedagogy, Tavangar tells of steps teachers can take to influence the future, aiming to create safe and supportive spaces in schools for expression of alternative ways of thinking that can aid in the fight for equality. In order to eliminate discrimination and oppression in the future, the beginning of change lies within the classroom; by showing empathy and concern for the need for change, teachers can influence their students postively towards social justice movements. This article teachs its readers how to engage and listen to students as well, broadening your understanding through discussion of experiences and right versus wrong, which can be applied under restorative justice pedagogy.
As a teacher, I will teach inclusivity and these steps in my lessons, weaving it into my teachings of literature by making the issues shown in novels and poems present for discussion, allowing a safe space for my students to share their real world experiences, or to build upon what was said and how inequality is an issue that should be discussed more. By exposing my students to different forms of media and literature that envelop social justice topics, I will make the classroom a place where these talks can be explored, no matter how blunt or sad they may be - you cannot create change if you are unaware of what needs changing and if you are too scared to make a change.
This article depicted the issues with standardized testing, and how it relates to the lack of representation of diverse communities, and is instead rooted in Eurocentrism. By honing in on both critical place-based education strategies and critical media literacies, readers can form an understanding in the problem with specifically historical education, and how standardized tests are primarily focused on testing literary abilities, and therefore exclude testing history, which continues the white-based education loophole. By instead teaching an array of ethnic histories, it empowers students of color" and shows them that they are equal in the classroom, and that their representation in academics matters. As stated by Washington, "whose history is essential, and what are we teaching students when we tell them theirs is not?"
While I will become an english teacher as opposed to a history teacher, the takeaway is still relevant; what are we teaching students when we tell them that their history is not essential in the classroom, which includes representation in literature by authors of different ethnicities about protagonists of different ethnicities. I will combat this by introducing authors of many different backgrounds in ethnicity, identity, social status, and many other varying forms of presentation that make each person unique. By showing students that it's okay to be different and how equality should be given to all, a better future can be created by new generations.
Mernick told of the type of classroom she wants to see in the future, and how creative spaces can be used to combat the worldly oppression, and she inspires "freedom dreams," or spaces her students can use to express their viewpoints. Through this article, accurately titled by the method of strategy depicted, allows readers to gain knowledge on the importance of creative expression as both an outlet as well as an aid for spreading awareness on the real issues at hand - inequality and discrimination. Whether it be through the use of real world examples, or of symbolic art, expression evokes emotion. These expressions of creativity can come in many different forms, which includes creative literary forms such as poetry or stories, all of which can support causes that youth should be exploring, fighting for justice. As a result of giving students the freedom to share their beliefs, ideals, values, and feelings, teachers can improve the atmosphere of the classroom by allowing students to feel comfortable and accepted when they discuss such topics.
I would apply this to my classroom by allowing for creative expression of topics that are cause for awareness while using the texts presented as guides to connect to, showing my students both diverse forms of literature, and how to apply it to the real world when looking at equality. While it will be an english subject-based form, students can discover what they deem important and how to express it without restriction - empowerment.
On Earth We're Briefly Gorgeous ~
This novel, written by Ocean Vuong, depicts a letter written by a Vietnamese man to his mother about his life and the things he never said. The protagonist, Little Dog (as they called him), tells of growing up with the struggles he and his family faced, and what aspects of his mother and grandmother influenced him growing up. Little Dog's sexuality comes into play when he gets older and discovers he is attracted to men, and struggles with its acceptance, and the fear of judgement or tension within his family as a result.
This would be a good novel to incorporate into the classroom because it would allow students to change their viewpoint on the society by helping to abolish stereotypes not only in literature, but also in the real world. By showing them that people of different backgrounds, both in ethnicity and identity, future generations can continue the spread of equality through immersion; this can also let youth of similar traits feel less out of place, and feel more like they belong and are allowed to be themselves, something other than the "standard white man".
This book applies the Critical Arts Pedagogy and Critical Media Literacy theories by reshaping the curriculum being taught into a alternative standard; by having students read this novel, they are experiencing both diversity through ethinicty and identity in the lens of a protagonist that views the world differently than the way many other straight, white, cis-gendered protagonists do within the common books read in schools. Through the exploration of this alternative lens, readers can become accustomed to the reality - there are differences amongst everyone, but they should be accepted and celebrated rather than hidden and discriminated against. By seeing the internal conflicts Little Dog experiences, I can teach my students that this is his life not by choice or personal hardships, but instead by bigger problems of social norms and oppressive behavior fostered by generations of reinforced, unjust standards. My hopes is that students will grasp onto this pain through the narrator's eyes, and recognize the harsh truth of their society, which, alongside other teachings and lessons like this, they can hold in their heart as a yearning for better, a yearning for change, and a pull towards acitivism for equality - this fight for change needs to start in their youth; it all starts in the classroom.
Work Cited
Anderson, Jill. “Hooked on Classics.” Harvard Ed. Magazine, Fall 2019.
https://www.gse.harvard.edu/news/ed/19/08/hooked-classics. Accessed 23 Nov. 2021.
Hester, Megan. “Why Is Public School Curriculum Still Whites Only?” NYU Steinhardt, 2018.
https://steinhardt.nyu.edu/metrocenter/why-public-school-curriculum-still-whites-only-20
18. Accessed 23 Nov. 2021.
Mernick, Alisha. “Critical Arts Pedagogy: Nurturing Critical Consciousness and
Self-Actualization Through Art Education.” Taylor & Francis Online, 06 Aug. 2021.
https://www.tandfonline.com/doi/full/10.1080/00043125.2021.1928468. Accessed 23
Nov. 2021.
Schwartz, Sarah. “Teachers Push for Books with More Diversity, Fewer Stereotypes.”
EducationWeek, 11 June 2019.
https://www.edweek.org/teaching-learning/teachers-push-for-books-with-more-diversity-f
ewer-stereotypes/2019/06. Accessed 23 Nov. 2021.
Tavangar, Homa. “Creating an Inclusive Classroom.” Edutopia, 8 Nov 2017.
https://www.edutopia.org/article/creating-inclusive-classroom. Accessed 04 Dec. 2021.
Vuong, Ocean. On Earth We’re Briefly Gorgeous. New York: Penguin Press, 2019.
Washington, Samantha. “Diversity in Schools Must Include Curriculum.” The Century
Foundation, 17 Sep. 2018.
https://tcf.org/content/commentary/diversity-schools-must-include-curriculum/?session=1
. Accessed 23 Nov. 2021.