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DOCUMENTATION COMPLÉMENTAIRE 

• Berger, John. Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972. 

• Cole, Ina. From the Sculptor’s Studio: Conversations With 20 Seminal Artists. Laurence King Publishing, 2014. 

• Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. The MIT Press, 1996. 

• Foster, Hal, Rosalind Krauss, et al. Art Since 1900: Modernism, Antimodernism, Postmodernism. 2nd ed., Thames & Hudson, 2011. 

• Fried, Michael. "Art and Objecthood." Artforum, vol. 5, no. 10, 1967, pp. 12–23. 

• Halper, Glenn, and Twylene Moyer. A Sculpture Reader: Contemporary Sculpture Since 1980. ISC Press, 2006. 

• Hudek, Antony, ed. The Object. Whitechapel Gallery and The MIT Press, 2014. 

• Judd, Donald. "Specific Objects." Arts Yearbook, vol. 8, 1965, pp. 74–82. 

• Krauss, Rosalind E. Passages in Modern Sculpture. The MIT Press, 1977. 

• Lynch, David. Catching the Big Fish: Meditation, Consciousness, and Creativity. TarcherPerigee, 2006. 

• Marcoci, Roxana. The Original Copy: Photography of Sculpture: 1839 to Today. The Museum of Modern Art, 2010. 

• Materiality. Edited by Petra Lange-Berndt, Whitechapel Gallery and The MIT Press, 2015. 

• O'Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Expanded ed., University of California Press, 1999. 

• Pallasmaa, Juhani. The Eyes of the Skin: Architecture and the Senses. Wiley, 2005. 

• Riegl, Aloïs. Historical Grammar of the Visual Arts. Zone Books, 2004. 

• Rilke, Rainer Maria. Lettres à un jeune poète. Traduction de Bernard Grasset, Éditions Grasset, 1929. 

• Tanizaki, Jun’ichirō. In Praise of Shadows. Leete’s Island Books, 1977. 

• Tanya Harrod, ed. Craft, Whitechapel Gallery and The MIT Press, 2018. 

• Tucker, William. The Language of Sculpture. Thames & Hudson, 1974. 

• Wood, Jon, and Julia Kelly. Contemporary Sculpture: Artists’ Writings and Interviews. Ashgate, 2012.