OT101 Introducing the Old Testament: Its Structure and Story
OT102 Introducing the Old Testament: Its Poetry and Prophecy
OT291 The Jewish Trinity: How the Old Testament Reveals the Christian Godhead
OT355 Book Study: Isaiah: God’s Salvation for Israel and the Ends of the Earth
OT366 Book Study: Daniel and Its Literary and Historical Contexts
In this course, ancient-language expert Dr. Michael Heiser gives a thorough background of the Hebrew Bible’s writing, composition, canonicity, and transmission through the ages. This course also surveys text criticism—what are Hebrew scholars today doing with these ancient manuscripts? How does their work affect English translations of the Bible? By understanding criticism, your personal Bible study will be richer, even with little knowledge of the Hebrew language.
Identify basic facts about the scope and structure of the OT
Discuss the concepts of inspiration, inerrancy, and canon with respect to the OT
Describe the development of writing and scripts
Explain the compositional process of the OT
Trace the transmission of the OT from its beginning to modern times
Identify the various textual witnesses to the OT
Describe the nature of textual variants and the process of textual criticism
Discuss how to evaluate English translations
Introducing the Speaker
Introducing the Course
The Term “Old Testament”
The Scope of the Old Testament
The Number of Old Testament Books
The Order and Structure of Old Testament Books
Titles of Old Testament Books
The Authority of the Old Testament
A Roadmap for the Course
Two Sides to Inspiration
A Flawed Conception of Inspiration
A Coherent Conception of Inspiration
Inspiration Is Not Dictation: Ezekiel
Inspiration Is Not Dictation: The Synoptic Gospels
Inspiration Is Not Dictation: Borrowed Material
Searching Ancient Near Eastern Literature for Old Testament References
Inspiration Is Not Dictation: Changing Laws
Summary of Inspiration
Summary and Preview
The Development of Writing
Scripts
Early Alphabets
The Semitic Alphabet
Writing Materials
Writing Instruments
Searching Images for Information on Ancient Writing
Preview of the Composition Process
Oral Tradition
Literary Techniques
Known Sources
Lost Sources
Speculative Sources
Original Material
Collecting Material
Editing
Inspiration as a Process
Inspiration and Inerrancy
The Concept of Canon
Complicating Factors for the Canon
The Canon through History
Manuscript Evidence Prior to 1947
The Aleppo Codex
The Leningrad Codex
Exploring the Leningrad Codex
The Cairo Genizah
Summary of Manuscript Evidence Prior to 1947
The Dead Sea Scrolls
Textual Evidence from Qumran
The Hebrew Bible in the Exile
The Old Testament from 586–400 BC
A Book in Transition
The Old Testament from 400 BC to AD 100
The Rise of a Scribal Class
The Rise of Multiple Textual Traditions
The Local Texts Theory
The Masoretic Text in the Local Text Theory
The Surviving Texts Theory
Scribal Practices at Qumran, Part 1
Scribal Practices at Qumran, Part 2
Viewing Biblical Dead Sea Scrolls in Logos and Online
The Septuagint
Comparing the Septuagint and the Hebrew Bible
Aramaic Targums
Later Translations
Creating a Layout of Ancient Translations
The Importance of AD 100
The Role of the Scribes
Scribal Innovations
Marking Problems in the Text
The Masorah
Viewing and Searching for Ketiv-Qere Readings
Vocalization System
Variation in the Masoretic Tradition
Important Manuscripts
Transition to Modern Editions
Pre-Reformational Editions of the Old Testament
Editions of the Old Testament from the 1500s
Editions of the Old Testament from the 18th and 19th Centuries
Editions of the Old Testament from the 20th Century
Editions of the Old Testament in the 21st Century
Preview of the Process
Determining Variants
Gathering Evidence: The Specialist
Gathering Evidence: The Non-Specialist
Examining Textual Variants with the NET Bible
Evaluating Evidence
Unintentional Variants: Letter Confusion
Unintentional Variants: Word Division
Unintentional Variants: Vowel Pointing
Unintentional Variants: Eye Skipping
Unintentional Variants: Haplography
Unintentional Variants: Dittography
Unintentional Variants: Graphic Transposition
Unintentional Variants: Faulty Hearing
Intentional Variants
Determining the Best Reading
Internal Considerations
External Considerations
Using Favorites to Collect Key Resources on Textual Criticism
An Example
Studying a Text Critical Problem in Isaiah 8:11
Revisiting Inspiration and Inerrancy
English Translations
Evaluating English Translations
Summary of the Course
Title: OT281 How We Got the Old Testament
Instructor: Michael S. Heiser
Publisher: Lexham Press
Publication Date: 2014
Product Type: Logos Mobile Education
Resource Type: Courseware, including transcripts, audio, and video resources
Courses: 1
Video Hours: 5
Dr. Michael S. Heiser is a former Scholar-in-Residence for Faithlife Corporation, the makers of Logos Bible Software. He currently serves as Executive Director of the Awakening School of Theology and Ministry at Celebration Church in Jacksonville, Florida. His varied academic background enables him to operate in the realm of critical scholarship and the wider Christian community. His experience in teaching at the undergraduate level and writing for the layperson have both directly contributed to Logos’ goal of adapting scholarly tools for nonspecialists.
Dr. Heiser earned his PhD in Hebrew Bible and Semitic languages and holds and MA in ancient history and Hebrew studies. He is the coeditor of Old Testament Greek Pseudepigrapha with Morphology and Semitic Inscriptions: Analyzed Texts and English Translations, and can do translation work in roughly a dozen ancient languages, including Biblical Hebrew, Greek, Aramaic, Egyptian hieroglyphs, and Ugaritic cuneiform. He also specializes in Israelite religion (especially Israel’s divine council), contextualizing biblical theology with Israelite and ancient Near Eastern religion, Jewish binitarianism, biblical languages, ancient Semitic languages, textual criticism, comparative philology, and Second Temple period Jewish literature. In addition, he was named the 2007 Pacific Northwest Regional Scholar by the Society of Biblical Literature.