《對與對是對,錯與錯是對,對與錯則是錯!》,錄像,影片長度:5’43”,依空間裝置,2012
《stick on it》, video, depends on the space, 5’43” , 2012
《對與對是對,錯與錯是對,對與錯則是錯!》,錄像,影片長度:5’43”,依空間裝置,2012
《stick on it》, video, depends on the space, 5’43” , 2012
這件作品較屬私密性、喃喃自語性的創作。自從2008年發生了腰椎骨折差點半身不遂的意外,經歷受傷、開刀、復健及復原的過程之後,對於能夠重新用自己的雙腳在地表上移動這件事情充滿感激,因此想做出一些關於「走路」的作品。再加上從小到大,每每行進時,我總會有個不能自主的習慣,喜歡讓雙腳在地板上各種圖案、線條、材質間移動時有某種的堅持,堅持讓左右腳都處於相等而平衡的狀態,這種平衡的感覺讓自己的心理得以得到慰藉,讓心中感到順暢。這習慣:讓自己無可自拔的沈浸在對與錯相互平衡的世界中,這是個人的堅持,一種沒有世俗般絕對對錯的「對或錯」。
This work is kind of private, like a whisper to myself. Since the accident in 2008 – a lumbar spine fracture which almost caused me half-paralyzed, I have been through a difficult period of injury, operation, physical therapy, and recovery. I was greatly thankful for being able to stand and move with my both feet again, so I became interested in creating a series of works about “walking.” Also, since I was a kid till now, I have always had this habit – not that I can control it – to follow certain rules when I move my feet around the patterns, lines, or textiles of the floor and to keep the two feet equaled and perfectly balanced. The balance brings comfort to my mind and I find peace and relaxation in it. The habit shows how I immerse myself in a world with a perfect balance between right and wrong. It is my stand, a “right-or-wrong” without the universal values of “right and wrong.”