[ 越 南 ]
- Vietnam -

Water puppetry (múa rối nước) is a traditional form of puppet theatre in Vietnam with almost a millennium of history, and is currently the only water puppet tradition in the world. The stage is built on the water surface. Performers, in the water coming up to their waists and behind the backdrop, control wooden puppets with long strings or bamboo rods to perform various movements and deliver stories. Nowadays, water puppetry is popular among Vietnamese society, and often serves as the representative of Vietnamese traditional culture on the stage of international cultural exchange.

There are two possibilities pertaining to the origin of Vietnamese water puppetry. Some think water puppetry is associated with Southeast Asian rice cultivation culture. The others believe that water puppetry was brought to Vietnam from China. No matter what its origin is, the development of water puppetry is certainly closely connected to its geographic location and environment. Vietnamese water puppetry first appeared in the Red River Delta area which is surrounded by lakes, ponds and rice paddies. During the slack period or when rivers overflow, farmers would build tents in the water, and have puppet shows as entertainment. Puppet theatre is also commonly seen at village celebrations and religious festivals. According to records, water puppetry was already an exquisite and vivid form of performance during the Ly Dynasty, and became a court performance.

Water puppetry first appeared in the record dated back to 1121 A.D. which depicted the performance at Emperor Lý Nhân Tông’s (1066-1127) birthday celebration. The descriptions included turtles swimming in the water and fairies dancing on the surface of the water, resembling today’s water puppet theatre in Vietnam.

Water puppetry once declined when France invaded Vietnam during the late 19th century, and reexperienced destruction during the Second World War and Vietnam War. Later, it was through collaborations between puppeteers in the countryside and professional actors in the cities that this performance tradition was able to be passed on to date.

Currently, professional water puppet theatre includes the Vietnam National Puppetry Theatre and Thang Long Water Puppet Theatre in Hanoi, and The Golden Dragon Water Puppet Theater in Ho Chi Minh City.

In addition to water puppetry, there was also the development of rod and glove puppetry under the influence of the Soviet Union in the 1980s.

水上木偶(Múa rối nước)為一種越南傳統的偶戲演出形式,約有一千年歷史,並為現今世界僅存的水上木偶傳統。舞台自水面上搭起,演員身處水深及腰的池中,隱身在景片後用長線或竹竿操縱木偶,使之演出各式各樣的動作並傳述劇情。如今,水上木偶受普遍受到越南社會的歡迎,同時也時常作為越南傳統文化代表,在國際文化交流上發揮重要作用。

關於越南水上木偶的起源主要有兩種說法,其一認為水上木偶與東南亞傳統水稻耕種有關,另一種則相信水上木偶傳統是由中國傳入越南,不論來源為何,水上木偶的發展皆與地理位置和環境息息相關。越南水上木偶最早見於紅河三角洲,當地遍布湖泊、池塘和水田,農閒或河水氾濫時,農民於水中搭棚,以偶戲演出作為娛樂,亦常見於農村慶典和祭祀活動。根據記載,在李朝(1009年-1225年)時期,水上木偶已發展為精湛、生動的表演形式,並成為皇帝的御前節目。

水上木偶演出最早出現在 1121 年的文獻,記載李仁宗皇帝(Lý Nhân Tông 1066-1127)壽宴上的演出,內容包含水中游泳的烏龜,以及水上跳躍的仙女,描述的情景與現今的越南水上木偶表演十分相似。

當法國於十九世紀中後期入侵越南,水上木偶曾一度衰落。第二次世界大戰和越南戰爭時期水上木偶傳統再度受到重創,之後透過過去於農村表演的操偶師和城市專業演員共同合作,此傳統演出形式才得以留存至今。

目前專業的表演團體包含河內的越南國家偶劇院和昇龍水上木偶劇院,以及胡志明市的金龍水上木偶劇院。

1980 年代,在蘇聯的影響下,越南也發展出杖頭偶戲以及布袋戲。

參考資料 Reference

“Everything about Traditional Vietnamese Water Puppetry.” Vietnam Vacation, www.vietvisiontravel.com/post/history-of-traditional-vietnamese-water-puppetry/.

Foley, Kathy. “The Metonomy of Art: Vietnamese Water Puppetry as a Representation of Modern Vietnam”. The Drama Review. Vol. XLV, No. 4, Winter 2001, pp. 129-141.

Nguyễn Huy Hồng. Vietnamese Traditional Water Puppetry. Thế Giới Publishers, 2016.

Thang Long Water Puppet Theatre. https://thanglongwaterpuppet.org/en/

World Encyclopedia of Puppet Arts - Vietnam. https://wepa.unima.org/en/vietnam/