The Philippines is an archipelagic country. It was under the rule of the Spanish empire for over three centuries, and became the U.S. colony after the 1898 Spanish-American War. The Philippines was also shortly occupied by Japan during the Second World War, and finally gained its independence after the War. Unlike other Southeast Asian countries, the Philippines’s land is not directly connected to the continent of Asia; as a result, the influence of Chinese and Indian culture is not prominent in the Philippines. Instead, since it was under Spanish rule for a long time, Filipino culture reflects the influence of Spanish culture and Roman Catholicism. They integrate with local features of the island, and contribute to a diversified Filipino culture.
The earliest puppet tradition in the Philippines can be traced back to the nineteenth century which was a paper shadow puppetry called carillo (or titire). It was often brought in small carts and toured to different regions. The carrillo often presented Spanish comedia tales where Christian heroes usually defeat Muslim foes, called moro-moro. José Rizal was a pioneer of the independent movement of the Philippines who had talents in languages, medicine, painting, sculpting, philosophy, history and more. There is a belief that he was also the inventor of carillo. Therefore, this form of performance is common in his hometown, Calamba, Laguna, a province in Southern Luzon. Some said Rizal made puppets with cartons and wooden rods, and used a white cloth as the backdrop and candlelight as the light source. Besides carillo, there is also a trace of puppetry in Angono, a neighboring town of Calamba. The most famous style of puppets is made of paper sculptures and bamboo sticks. There are usually shows on the last Sunday of November.
Since the 1970s, contemporary puppetry has flourished in the Philippines. Distinguished from traditional puppetry, its form and content are more diverse which incorporate various local and world cultures. In addition, it often appears in children’s TV shows.
菲律賓為一群島國家,曾受西班牙帝國統治超過三百年,而後在 1898 年美西戰爭後成為美國的殖民地,並在二戰時期短暫由日本佔領,直到戰爭結束後完全獨立。與其他東南亞國家不同,由於菲律賓國土未與亞洲大陸相接,受中國和印度文化影響較不顯著。相反的,因過去長期受西班牙統治,菲律賓在地文化發展反映了西班牙和羅馬天主教文化的影響,並結合島嶼在地的特色,發展出多元融合的菲律賓文化。
菲律賓偶戲最早可追溯到十九世紀,源於中呂宋潘帕嘉省的一種紙影戲 carillo (或稱 titire),時常以小型推車巡演各地,內容大多為西班牙喜劇故事,關於天主教英雄如何打敗穆斯林對手,稱作 moro-moro。 荷西‧黎剎(José Rizal 1861-1896)為菲律賓獨立運動先驅、民族英雄,在文理各方多才多藝,精通多國語言、懂醫學、繪畫、雕刻、哲學和歷史等。有一說法認為他同時也是菲律賓影戲的發明者,因此這種演出形式在黎剎家鄉南呂宋內湖省的卡蘭巴十分普遍。黎剎使用紙盒和木棍製偶,並以白布作為背幕、燭火為光源。除了 carillo 演出,在卡蘭巴鄰近的城鎮安戈諾也有偶戲的蹤影,最知名的為用紙雕和竹棍製成的偶,時常在十一月的最後一個星期日演出。
1970 年代後,菲律賓當代偶戲發展繁盛,不同於傳統偶戲,形式、內容更加多樣化,並結合各種地方和世界文化特色,此外也時常出現在電視的兒童節目當中。
參考資料 Reference
Fernandez, D.G. “Puppet Theater”. CCP Encyclopedia of Philippine Art. Vol. VII. Manila: Cultural Center of the Philippines, 1994.
“The Arts of Puppetry: Philippine Puppetry and Bunraku at PuppetXchange.” Prime Media, 17 Aug. 2016, primer.com.ph/blog/2016/08/17/the-arts-of-puppetry-philippine-puppetry-and-bunraku-at-puppetxchange/.
World Encyclopedia of Puppet Arts - Philippines. https://wepa.unima.org/en/philippines/.