FOUNDATION SONGWRITING LESSON 4
LYRIC WRITING 2: TELLING A STORY (WRITING VERSES)
The verse is where the song-writer gets to tell their story. In older musical forms (like a lot of Appalachian folk music or blues) verses typically made up the bulk of the song, and tunes were often many.many, many verses long - often with the chorus added as an after-thought - if there's a chorus at all!
Bob Dylan's 'Visions of Johanna' is an example of a folk song with no chorus and multiple verses
Story-telling is an essential part of a lot of folk music. This Irish ballad tells the story of the Easter rising of 1916. The chorus has been abandoned in order to keep the focus on telling the story.
These days verses typically tend to be a lot shorter, and most songs are normally limited to 2-3 verses in total. (The exception to this is hip-hop, which often has multiple extended verses).
In modern music, the first verse normally 'sets up' the story, introduces the listener to the main characters, themes, tensions and setting of the tune. Verses 2 is where the main action of the song happens, and verse 3 resolves the story, talks about how the characters have changed or developed, and looks to the future . Look at the following examples:
The HEATER
ROYALS
VERSE 1
Frank bought a heater
An the elements were made of wire and clay
He reached out to touch and he heard a voice say
And he heard it say
CHORUS
"Come on and plug me in
I want to feel that heat begin
Don't move till the morning comes
And you can fly up to the sun
So come on and plug me in
Plug me in
Plug me in"
VERSE 2
Frank liked his heater
His electric heater
Upstairs alone with the elements
He dreamed of gold and frankincense
(Frank, frank, frankincense)
And he heard it say
CHORUS
"Come on and plug me in
I want to feel that heat begin
Come close and listen while I sing
I won't melt your precious wings
So come on and plug me in
Plug me in
Plug me in"
"Come on and plug me in
I want to feel that heat begin
Although my body is rusting through
I have carried this song for you...
It's from the Sphinx and the Serpent too
So plug me in"
ROYALS (Lorde)
VERSE 1
I've never seen a diamond in the flesh
I cut my teeth on wedding rings in the movies
And I'm not proud of my address, in the torn up town
No post code envy
PRE-CHORUS
But every song's like gold teeth, Grey Goose, trippin' in the bathroom
Bloodstains, ball gowns, trashin' the hotel room
We don't care, we're driving Cadillacs in our dreams
But everybody's like Cristal, Maybach, diamonds on your timepiece
Jet planes, islands, tigers on a gold leash
We don't care, we aren't caught up in your love affair
CHORUS
And we'll never be royals
It don't run in our blood
That kind of lux just ain't for us
We crave a different kind of buzz
Let me be your ruler, you can call me Queen B
And baby I'll rule (I'll rule I'll rule I'll rule)
Let me live that fantasy
VERSE 2
My friends and I we've cracked the code
We count our dollars on the train to the party
And everyone who knows us knows that we're fine with this
We didn't come from money
PER-CHORUS
But every song's like gold teeth, Grey Goose, trippin' in the bathroom
Bloodstains, ball gowns, trashin' the hotel room
We don't care, we're driving Cadillacs in our dreams
But everybody's like Cristal, Maybach, diamonds on your timepiece
Jet planes, islands, tigers on a gold leash
We don't care, we aren't caught up in your love affair
CHORUS
And we'll never be royals
It don't run in our blood
That kind of lux just ain't for us
We crave a different kind of buzz
Let me be your ruler, you can call me Queen B
And baby I'll rule (I'll rule I'll rule I'll rule)
Let me live that fantasy
SOME GUIDELINES TO FOLLOW WHEN WRITING VERSES
Keep your language simple and conversational. Flowery, poetic language takes up too much space, and is harder to fit rhythmically into a melody. Keeping your language simple is a really effective way to engage an audience.
The Devil is in the Detail While it's a great idea to try to write about universal themes that lots of people in your audience will be able to relate to, you also want your listeners to be able to picture the scene your painting easily. One way to do this is to consider details such as: What time of day is it? What is the weather like? Is the room that the narrator is in crowded or empty?
Always keep the story in mind! Try to avoid adding lines 'just for the sake' of achieving a rhyme, each line should be pushing your story forward. Plan out your story before you try to add rhyme and rhythm to it!
Use lots of strong verbs! Because there's a lot of ground to cover in a short time, you want to keep the story moving with 'action' words. Some verbs are stronger than others - compare 'eating' to 'devouring' or 'walking' to 'stumbling'. Descriptive verbs that carry an emotional impact go a long way, and will create a powerful picture without you having to reach for adjectives all the time.
VERSE WRITING EXERCISE 1
This exercise is going to use a technique called a 'destination write'. Firstly, pick one of the following topics:
1) Your last holiday
2) The most memorable day at beach
3) The wildest storm you've ever seen
4) The best party you've ever been to
5) Your first 'crush'
Once you've chosen your topic, imagine the scene clearly in your head.
Then write a paragraph describing this scene; what can you see, smell, hear, taste or feel?
Try to describe the scene with as much detail as possible. For instance, instead of just saying "There is a flower in a vase on the table", try to describe all three items:
"The flower is a single-stemmed red rose, but it was cut some time ago and the petals are starting to yellow and curl. The vase is chipped, blue and ceramic, only just big enough to hold a single flower. The table is an old oak writing desk, the varnish is worn and faded and it is covered with scatches stains from old ink pens, coffee mugs and red wine."
Try not to include thoughts or feelings at this stage - you just want to collect descriptive ideas. Write as quickly as possible - try to get as much information out as you can, but set yourself a time limit (I like writing in 25-minute chunks, but you could do more or less than this).
Once you've completed this part of the exercise, have a break.
Go do something else for at least 10 minutes.
Next, read through what you've written, and highlight or circle any words that you particularly like, or any pairs of words that rhyme.
Then, put yourself in the scene as a character. What are you thinking and feeling about the scene? Are there other people there? How are they thinking about what's happening? Write this as another paragraph.
To help you answer this, ask yourself "How does your scene relate to one of the universal themes we look at earlier?" (Love, death, coming of age, change or transition).
Again, have a break, then come back and highlight words or ideas that are particularly interesting, and identify pairs of rhyming words.
You should now have two paragraphs, with a selection of words highlighted.
What story can you tell from this scene? Is there a problem that needs to be overcome? What is interesting about the scene?
Use these paragraphs to write your first verse. If you're having trouble, pick a song that you really like and base your verse on this; using the same rhyme scheme and rhythm to help you shape your own verse.
Again, have a break!!!! This time make it a bit longer - I usually find 24 hours is good... Then come back and re-visit your verse. Is your message clear? Does it make sense? Do any of the rhymes feel forced? Can you replace any of the verbs with. stronger, more emotive ones?