Leonardo Da Vinci

Introduction

Leonardo da Vinci (1452-1519) was one of the greatest geniuses to have lived. He was an expert painter, sculptor, architect, inventor, and engineer. He also happened to be a town planner and map maker. His fascination with science and human anatomy helped him master the realist art form. Da Vinci always tried his hardest to incorporate movement and expression is his works of art. His works of art are painted with great accuracy and detail, that it is said that Da Vinci painted from the bones outward.

Da Vinci's art technique

Da Vinci used the realist art form in his works. His desire to paint things realistically was very fresh and new. His studies of nature and anatomy helped him create accurate figures in his paintings. He used a technique called "chiaroscuro", which gave his paintings a soft and lifelike quality. He also used an another technique called "sfumato", which gave his works a stronger sense of atmosphere and depth. This technique is especially used with the Mona Lisa. He had blended all the colors together; brush marks so subtle they are not visible to the naked eye. The lady's face seems to glow, as light is reflected off the surface of her face almost perfectly. All in all, his studies on different subjects had an influences on his realist art technique.

The impact of Leonardo da Vinci's works

His works leave a unique effect on viewers, due to his scientific approach toward his works. For example, he was a master of the use of the "vanishing point", which involves creating a strong sense of three-dimensionality and depth. This is shown through his painting, "The Last Supper, as the setting appears symmetrical and realistic as if the walls are converging inwards. His experiments with perspective left distinct impressions of people and places in his works. The "Mona Lisa" has an unsettling effect on viewers. Regardless of the viewer's viewpoint, it seems the lady's eyes will follow you as if she's watching you. This is an example of da Vinci's great use and understanding of perspective.