Today We Will:
1. Intro to Printmaking
2. Lino Stamp
Intro to Printmaking Project
In this unit you will design and carve a linoleum block print based on the theme Culture and Place. Your final print will use two colors and will be printed multiple times to create a small edition of 3-4 quality prints.
Printmaking is different from drawing or painting. Instead of making a single artwork, you create a carved printing block that can produce multiple prints.
Today you will
• learn about printmaking artists
• explore carving tools
• test the full process on a small practice block
Looking at Printmaking Artist (40m)
Create an Artist Connection: https://tinyworkshops.com/woodcut-linocut-artists-instagram/
Dutch
Instagram: @sofie.tekent
Website: www.sofietekent.nl/
Swedish
Instagram: @viktoriaastrom
Etsy shop: viktoriaastrom
USA
Instagram: @lakeeffectpress/
Website: www.lakeeffectpnw.com
Spanish
Instagram: @pablosalvaje
Website: www.salvaje.me/
Japanese
Instagram: @yunsillustfactory
Website: minne.com/@yuntya1224
Mexico
Instagram: @grabador1976
French
Instagram: @luciespartacus
Etsy: LucieSpartacusStudio
British
Instagram: @maz.prints
Etsy shop: MazPrintsShop
Scottish
Instagram: @flintkat
Website: www.katflint.com/
ADDITIONAL PRINTMAKING ARTISTS:
Katsushika Hokusai
Hiroshige
Pablo Picasso (linocuts)
Elizabeth Catlett
M.C. Escher
Andy Warhol
Shepard Fairey
Tugboat Printshop
Margaret Taylor-Burroughs
Artist Connections
A guide to what you MIGHT put in your study. You should consider what would best help YOU understand, connect and investigate this artists work. These are suggestions but not requirements. YOU decided what your artist connection looks like.
Suggestions:
Artist name & picture
Where they are from
Picture of 1 or 2 artworks that inspire you
Annotation over their image (traced to highlight important parts)
Type of printmaking they use (linocut, woodcut, screenprint, etc.)
A recreation of all or part of one of their artworks
2-3 sentences explaining what you notice about their design
Artwork Information - Under the image, include
Title of the artwork (if available)
Year it was made (if available)
Observations:
You MIGHT write 3-4 sentences explaining what you notice about the artwork.
You could focus on how the artist designs images for printmaking. I suggest you do not just describe what the picture shows. Explain how the design works.
Helpful questions to guide your thinking
You do not have to answere each of these questions these are to guide your thinking.
Are the shapes bold and simple or very detailed?
How thick or thin are the lines?
How does the artist use black shapes and white space (positive negative space)?
Are there patterns or textures created by carving marks?
How many colors are used?
How does the composition fill the space?
Example of a strong observation:
The artist uses thick black contour lines to outline the shapes of the figures. Most of the design is made from large black shapes, which makes the image easy to read from far away. The background includes repeating carved lines that create texture and movement. The artist only uses two colors, which makes the design feel bold and graphic.
Tips for a Strong Slide
Choose an artwork that clearly shows printmaking style.
Use a large image so details are visible.
Focus on how the design is constructed, not just what the subject is.
Look closely at lines, shapes, patterns, and color use.
Here are some AP Art student examples of Artist Studies
Exploring Printmaking Tools (40m)
Intro to Printmaking Tools
5m
Let's Give It A Try!
Next you will try the full printmaking process on a small practice piece of lino.
The goal is not to make a perfect artwork. The goal is to learn how the materials work.
Step 1
Draw a simple design.
Your design should be small and simple. Good ideas include
a leaf
a simple face
a geometric pattern
a small animal silhouette
a symbol or icon
Keep your lines bold and clear.
Avoid tiny details. Lino works best with generous lines and shapes.
Step 2
Transfer the drawing.
Turn your drawing over and shade the back with pencil graphite.
Place the drawing on top of the lino block and trace the lines. The graphite will transfer your drawing onto the lino surface.
Step 3
Outline the design.
Go over the transferred lines with permanent marker so the carving areas are clear.
Remember
Everything you carve away will print white.
Everything you leave raised will hold ink.
Step 4
Carve the lino.
Use the carving tools carefully.
Always carve away from your hands.
Start by carving along the outlines of your shapes. Then remove areas that should remain white.
Try experimenting with
thin lines
thicker lines
small textures
patterns
Step 5
When you are done carving, let's learn how to print. Watch the short video below to see the process...
3m
Step 6
Ink the block.
Roll ink onto the inking plate using a brayer until it makes a soft sticky sound.
Roll the ink evenly onto the surface of the lino block.
Step 7
Print your image.
Place paper on top of the inked block.
Press evenly using your hands or a baren.
Carefully peel the paper back to reveal the print.
Important Printmaking Ideas
Lino works best with bold lines and shapes.
Contour lines that outline forms usually print very clearly.
Patterns and textures can be created through repeated carving marks.
Think about the entire image when designing. In printmaking, empty or unfinished areas can weaken the composition.
A successful print often includes
bold shapes
clear outlines
areas of texture
areas of quiet space
Experiment and observe how the tools behave. Today is about learning the process so you are ready to design your final print.
Homework
Finish your Artist Connection and upload it to your Digital Portfolio page under Section 2: Connections