Elements and Principles of Art
The elements and principles of art are the foundation of all visual artwork. They give artists (YOU) the tools to create, organize, and express their ideas clearly and effectively. By understanding the elements and the principles, you learn how to make strong visual choices, communicate meaning, and analyze artwork more deeply. Whether you're just starting out or developing your own style, these concepts help guide your creative process and make your art more impactful.
The building blocks artists use to create a work of art.
Line – A path between two points. Lines can be thick, thin, curved, straight, or jagged.
Example: Starry Night by Vincent van Gogh
Shape – A flat, enclosed space made by lines or edges. Can be geometric (circle, square) or organic (free-form).
Example: The Snail by Henri Matisse
Form – A 3D object or the illusion of three dimensions (height, width, depth).
Example: David by Michelangelo
Color – What we see when light reflects off an object. Includes hue (name), value (light/dark), and intensity (bright/dull).
Example: The Persistence of Memory by Salvador Dalí
Value – The lightness or darkness of a color or tone.
Example: Self-Portrait by Kathe Kollwitz
Texture – How something feels or looks like it would feel. Can be actual (real) or implied (drawn/painted).
Example: The Arnolfini Portrait by Jan van Eyck
Space – The area around, between, or within objects. Can show depth.
Example: School of Athens by Raphael
How artists organize or arrange the elements.
Balance – How visual weight is arranged. Can be symmetrical, asymmetrical, or radial.
Example: The Last Supper by Leonardo da Vinci
Contrast – Big differences in elements (like light vs dark or smooth vs rough) to create interest.
Example: The Two Fridas by Frida Kahlo
Emphasis – The focal point or area that stands out the most.
Example: The Scream by Edvard Munch
Movement – How the viewer’s eye travels through the artwork.
Example: Nude Descending a Staircase by Marcel Duchamp
Pattern – Repetition of shapes, lines, or colors.
Example: Campbell’s Soup Cans by Andy Warhol
Rhythm – A visual beat or flow that’s created through repeated elements.
Example: Water Lilies series by Claude Monet
Unity – When everything in the artwork feels like it belongs together.
Example: Harmony in Red by Henri Matisse
Variety – Using different elements to add visual interest.
Example: Guernica by Pablo Picasso
IB DP Visual Art Vocabulary
Visual Arts Guide: "Command terms for visual arts" pg. 98
Assessment Objectives (AO):
IB DP VA: Key Terms to Know and Use, by Task
AIP – Art-Making Inquiries Portfolio (SL/HL)
Assessment Objectives: Investigate, Generate, Refine
Inquiry question: A focused question that guides your creative investigation
Generative statement: A phrase that expresses the big idea behind your work
Exploration: Trying out materials, ideas, and techniques
Experimentation: Playing with different approaches to see what works
Practical investigation: Learning by doing—making art to test ideas
Visual language: The elements and principles you use to communicate in art
Critical reflection: Thinking about what’s working, what’s not, and why
CS – Connections Study (SL only)
Assessment Objectives: Investigate, Situate
Cultural significance: Why a work matters in its time, place, or tradition
Context: The setting or situation that gives meaning to an artwork
Juxtaposition: Showing two artworks side-by-side to highlight connections
Research: Looking into artists, history, and ideas to understand and compare
Connections: The links between your work and other artists’ work
AP – Artist Project (HL only)
Assessment Objectives: Investigate, Situate, Refine, Synthesize, Curate
Proposal: Your plan for the project, including intentions and audience
Realization: How your idea becomes a finished, functional artwork
Curatorial choices: The decisions you make about how to present your work
Audience: Who the work is for, and how they’ll experience it
Dialogue: Feedback and conversations that shape your ideas
Post-production evaluation: Reflecting on how well your project worked
RAW (SL) and SRAW (HL) – Resolved Artworks
Assessment Objectives: Resolve, Synthesize, Curate (+ Situate for HL only)
Resolved work: A finished piece that shows clear intention and quality
Coherence: How well your works fit together as a body
Conceptual realization: The idea behind your artwork is clear and strong
Technical resolution: Your craftsmanship and technique are well-developed
Rationale: Your written explanation of artistic choices and curation
Artwork text: Short texts that explain each piece’s meaning or context (HL only)