Jingle Bells, aka The One Horse Open Sleigh 1859 - Easy Piano Sheet Music (v1) 

written and composed by James Lord Pierpont (1822–1893)


Please tell me about the song Jingle Bells.

 share details about its history, back story, and music theory,
like its key and time signature, tempo etc...

could you tell me all the piano chords, including details like type, best inversion, etc for each measure


This is a great request! Analyzing the provided "Easy Piano" sheet music for "Jingle Bells," I can break down the chords for each measure.


Since the bass clef is primarily playing single notes that form the root or fifth of the chord, the chord inversions will often be Root Position or First Inversion. I will list the implied harmony based on the melody and the bass line.


🎼 "Jingle Bells" Piano Chord Analysis (Measures 1–30)

The key signature has no sharps or flats, and the piece predominantly uses the notes of the C Major scale, confirming the key is C Major (or A minor). The final measure ends on a C Major chord, confirming the key is C Major.


Legend for Chord Analysis

Chord Name Function in C Major Notes

C Tonic (I) C, E, G

G7 Dominant Seventh (V 7 ) G, B, D, F

F Subdominant (IV) F, A, C

G Dominant (V) G, B, D

Measure(s) Chord Name Chord Type Bass Note/Inversion Harmonic Function

1 C Major C (Root Position) I (Tonic)

2 C Major C (Root Position) I (Tonic)

3 G7 Dominant 7th G (Root Position) V 7  (Dominant)

4 C Major C (Root Position) I (Tonic)

5 C Major C (Root Position) I (Tonic)

6 G7 Dominant 7th G (Root Position) V 7  (Dominant)

7 C Major E (First Inversion I 


8 C Major C (Root Position) I (Tonic)

9 F Major F (Root Position) IV (Subdominant)

10 C Major E (First Inversion I 



11 G Major G (Root Position) V (Dominant)

12 C Major C (Root Position) I (Tonic)

13 C Major C (Root Position) I (Tonic)

14 C Major C (Root Position) I (Tonic)

15 G7 Dominant 7th G (Root Position) V 7  (Dominant)

16 C Major C (Root Position) I (Tonic)

17 C Major C (Root Position) I (Tonic)

18 G7 Dominant 7th G (Root Position) V 7  (Dominant)

19 C Major E (First Inversion I 


20 C Major C (Root Position) I (Tonic)

21 F Major F (Root Position) IV (Subdominant)

22 C Major E (First Inversion I 



23 G Major G (Root Position) V (Dominant)

24 C Major C (Root Position) I (Tonic)

25 C Major C (Root Position) I (Tonic)

26 F Major A (First Inversion IV 

6 ) IV (Subdominant)

27 C Major G (Second Inversion I 


28 G Major B (First Inversion V  (Dominant)

29 C Major E (First Inversion I 

30 C Major C (Root Position) I (Tonic)


Inversion Recommendation

For a simple arrangement like this, playing the chords in Root Position or First Inversion near middle C is usually best for a flowing accompaniment.

C Major: Play C, E, G (Root Position) or E, G, C (First Inversion) in the right hand.

G7: Play G, B, D, F (Root Position) or B, D, F, G (First Inversion).

F Major: Play F, A, C (Root Position) or A, C, F (First Inversion).

This analysis gives you the fundamental harmonic structure of the piece, allowing you to play the chords in the left hand while the right hand plays the melody.

Would you like me to find a YouTube tutorial on how to play C Major chords and their inversions on the piano?