In music notation, barlines are the vertical lines that cross the staff.
Their primary purpose is to provide structure, helping the pianist keep track of the rhythm, measure counts, and the overall form of the piece.
Based on the palette in your image, here is a breakdown of each barline type, its name, and its specific purpose:
These are the most common lines you will see. They define the "container" of the music.
Single Barline: The standard line used to divide the staff into measures (bars). It indicates that the total number of beats defined by the time signature has been completed.
Double Barline: Two thin vertical lines. These are used to signal a major change in the music, such as a new section (e.g., moving from Verse to Chorus), a change in the key signature, or a change in the time signature.
Final Barline: One thin line followed by a thick black line. This is the "period" at the end of the sentence; it indicates that the entire piece of music has ended.
These tell the pianist to play a specific section of the music more than once.
Start Repeat: A thick and thin line with two dots on the right side of the thin line. This marks the beginning of a section that will be repeated.
End Repeat: A thin and thick line with two dots on the left side of the thin line. When you reach this, you must jump back to the Start Repeat sign. If there is no Start Repeat, you go back to the very beginning of the piece.
End-Start (Back-to-Back) Repeat: These are two repeat signs joined together. This is used when one repeated section ends and a new repeated section begins immediately in the next measure.
These are often used in complex modern music, early music, or for specific editorial purposes.
Dashed / Dotted Barline: These are used to show subdivisions within a very long measure or to indicate "suggested" barlines in music that doesn't have a strict meter (like some Renaissance or contemporary pieces). They help the eye group notes together without implying a strong rhythmic "downbeat."
Tick / Short Barline: A small line that only crosses the top few lines of the staff. These are often used as breath marks or to show phrasing boundaries in choral and early music without interrupting the flow of the pulse.
Invisible Barline (indicated by the "More" or blank spaces): Sometimes used in "Open Meter" music where the composer wants the performer to play freely without the visual constraint of measures.
When you see a Double Barline, it is often a cue to change your "mood" or "touch." For example, in a song like Amazing Grace, a double barline might appear before the final verse to signal a more grand, louder ending.
Would you like me to explain how these barlines interact with "First and Second Endings" (Volta brackets) on the piano?