Assignment:
Make thirty-six unique, beautiful photographs of one piece of white bond paper. You may not cut or tear the paper, but you can fold it, roll it, or crumple it. Shoot on a white background in a studio with spotlights and soft light. Use color filters on the spotlights, if you desire. There should be nothing else in the photographs but one piece of bond paper. Explore lighting and change the lighting for each photograph.
Apply minimal edits in Photoshop or Lightroom-Cropping, exposure, saturation, save each file as first initial Last name_white papter.jpeg
Create a new folder in your Google drive titled White paper. Upload your 36 images. Add it to the assignment in Google classroom.
Create a new section in your portfolio website titled-White Paper. Upload your best 10 images. Create a reflection on what you have learned about abstract photography and how you applied it to your work.
Bruguière was an American photographer who moved to London in 1928 where he began to experiment with non representational photography. Of these, the cut paper abstractions are particularly beautiful. The photographer exploits the endlessly subtle qualities of both paper and light, manipulating both in order to create complex patterns of texture and form.
Rössler was a Czech avant-garde photographer who became known for combining different styles of modern photography including cubism, futurism, constructivism, new objectivity, and abstraction. His photographs often reduced images to elementary lines and shapes, exploring the contrast of light and shade. He experimented with a wide range of techniques and processes including photograms and double exposures.
"Over time, I have come to see that what motivates me is the result of my having redirected how I make images, turning from the externally directed position of witness to that of author. In so doing, I accept the entire authorship of the creative process from my creation of the paper sculpture to making of the fine art print. Paper Work, my current three-year project is comprised of twenty-six images. In my studio, I shaped two-dimensional art papers giving them edges and volumes, then lit them dramatically utilizing Fresnel lighting to emphasize their three-dimensional forms. Though ephemeral, my forms are preserved photographically."
Photographer Jerry Reed cites both Rössler and Bruguière as influences on his work. His objective and analytical approach to documenting visual effects may reflect his early career as a scientist.