Below, you are able to view a compilation of all the light and anatomy studies I have conducted in the 2017-2018 and 2018-2019 school years, along with descriptions of my main learning focus in completing each set of works.
After taking on my first paid commission from one of my mentors, these few experimental drawings were initially created in order to reinforce my knowledge and skill arsenal regarding the diverse positions a cat might be found in. The sketch directly below was the one officially used for the request, however there were many test-runs besides this!
Below, you are able to see a group of cat sketches that detail this animal in different perspectives and positions. This month, I tried to hone in on joint and bone movement, as this concept is the basis of transforming realism into a more artistically liberal style.
Below, you are able to see a small group of dog sketches I created via the use of photograph references compiled on one of my Pinterest boards. Although these pieces are of my first attempt with canine anatomy, I am quite proud as to how well the proportions turned out. Joint structure is still continuing to be a struggle of mine, however, with observing real-life examples, I feel as if I will be able to improve on this throughout the year.
Below, you are able to see a group of images that contain a wooden art mannequin standing at differing angles with a static, overhead light source. Since finding the location of shadows has proven to be an ongoing challenge for me when drawing, one of the goals I set for this month was to conduct a real-life light study. In using the following pictures as a future reference, I strive to improve upon my current knowledge of shading, perhaps even beginning to illustrate humans.
Below, you are able to see an array of sketches that detail a dog's head at varying perspectives and angles. Since snout definition is an anatomical aspect that I have been struggling with in my canine pieces, I am now doing regular figure sketching with reference images from another one of my Pinterest boards. Although I feel as if I have improved on the placement of the snout itself, I am still struggling with drawing in the other facial features (nose, mouth). Throughout this month and next, I am hopeful to improve on the proportions, having a better understanding of the concept of drawing what one sees!
Below, you are able to view a group of full-body canine sketches in varying positions. Having developed a better understanding of both the proper orientation and definition of the snouts of these animals, I am now primarily focusing on limb and body proportions, along with how these elements affect the paws. Although I am currently struggling with finding techniques to connect the neck region with the lower body and to illustrate the correct shapes of the limbs, I am hopeful that continuing regular referenced practice will allow me to better see joint structure movements. After completing these three figures, I feel as if I am getting the hang of memorizing proper anatomy at different poses, however, there is still a lot that I wish to learn in the future months!
In an effort to direct as much energy as possible to the areas where I desire to improve the most on these animals, I have decided to continue my work with muzzle, limb, and paw orientation. Although I am noticing great improvement in front-facing perspectives, I am still struggling with those facing either left or right (three-fourths and side views). Below, you are able to view two sketch sets of feline busts and limbs. Throughout this process, I have so far learned that in order to adjust the rotation of a body structure, the heavy use of reference point alteration is required, especially those of joints. By the end of this school year, I aspire to have my flaws in this realm resolved, helping me push forward in the summer months.