Search this site
Embedded Files
Kanade Yagi
  • HOME
  • NEWS
  • WORKS & DIRECTIONS
    • OKERA!
    • Siquijor Photo Club
    • Wakanda Art Gallery
    • Kalibutan
    • Paths
    • Full Equipment of a Freelancer in 2020
    • relax :)
    • The Probability - neither yes nor no -
      • Gravity and Grace
      • Where Do We Come From? What Are We? Where Are We Going?
      • Story of Your Life
    • Metabolism of the Wall
    • Trace the Wall
    • Have a Day!
    • Cannot Unsee
    • The Sculptor is a Medium
    • For Certain Reasons
    • O's World
    • What is it Like to be Me?
    • Escolta Biennale
  • CV
Kanade Yagi
  • HOME
  • NEWS
  • WORKS & DIRECTIONS
    • OKERA!
    • Siquijor Photo Club
    • Wakanda Art Gallery
    • Kalibutan
    • Paths
    • Full Equipment of a Freelancer in 2020
    • relax :)
    • The Probability - neither yes nor no -
      • Gravity and Grace
      • Where Do We Come From? What Are We? Where Are We Going?
      • Story of Your Life
    • Metabolism of the Wall
    • Trace the Wall
    • Have a Day!
    • Cannot Unsee
    • The Sculptor is a Medium
    • For Certain Reasons
    • O's World
    • What is it Like to be Me?
    • Escolta Biennale
  • CV
  • More
    • HOME
    • NEWS
    • WORKS & DIRECTIONS
      • OKERA!
      • Siquijor Photo Club
      • Wakanda Art Gallery
      • Kalibutan
      • Paths
      • Full Equipment of a Freelancer in 2020
      • relax :)
      • The Probability - neither yes nor no -
        • Gravity and Grace
        • Where Do We Come From? What Are We? Where Are We Going?
        • Story of Your Life
      • Metabolism of the Wall
      • Trace the Wall
      • Have a Day!
      • Cannot Unsee
      • The Sculptor is a Medium
      • For Certain Reasons
      • O's World
      • What is it Like to be Me?
      • Escolta Biennale
    • CV

DIRECTIONS


OKERA!
Siquijor Photo Club
Wakanda Art Gallery

Works


Kalibutan
Paths
Full Equipment of a Freelancer in 2020
relax :)
The Probability - neither yes nor no - > Gravity and Grace   > Where Do We Come From? What Are We? Where Are We Going?
> Story of Your Life  
Metabolism of the Wall  Trace the Wall Have a Day!

Cannot Unsee

The Sculptor is a Medium - Interpreting Guillermo Tolentino -
For Certain Reasons, the Works has not been Completed
O’ s World
What is it Like to be Me?
Escolta Biennale
Before 2011











Cannot Unsee


2017Mixed Media InstallationSize VariableLoad na Dito, Manila, Philippines

Cannot Unsee is an installation and a participatory work at Load na Dito coming out of research into two different types of tawas healers. Yagi arranged: images made by each healer's tawas sessions, photographs of the tawas sessions, document videos of the tawas sessions, stains on the sheets of paper, images of wrinkles on someone's skin, a bowl with eggs. These images are made by chance by healers and by Yagi. Images by healers were interpreted to some specific stories to consult. While the images made by Yagi seemed meaningful, they came about subconsciously during days of research.  Guests were served an egg which they chose (among different kinds) by lot.


Cannot Unsee2017Mixed Media InstallationLoad na DitoInstallation View
Cannot Unsee2017Mixed Media InstallationLoad na DitoInstallation View
Cannot Unsee2017Installation detail (a paper tawas)
Cannot Unsee2017Installation detail (tawas by charcoal, candle and a parchment paper)
Cannot Unsee2017Installation detail (a video of egg tawas)Single channel video 4:16
Cannot Unsee2017Installation detail 
Cannot Unsee2017Installation detail (checking the lines of pinkies)
Cannot Unsee2017Installation detail (eggs for guest: sulted eggs, balut (grayish one), boiled chiclen eggs, raw chieckn eggs)
Cannot Unsee2017A guest who got a balut (grayish one) by lot
Cannot Unsee2017Guests looking at the image on the paper through the light
Cannot Unsee2017WengSingle channel video 4:16
Cannot Unsee2017AllanSingle channel video 18:55
© 2019 KANADE YAGI
Google Sites
Report abuse
Google Sites
Report abuse