Level One Skills and Resources
Level One Definition:
At this stage in our analysis, we explain the ways in which authorial choices achieve effects. When we look at authorial choices, we’re looking at the details that author’s have intentionally or unintentionally included in their work. Once we have identified these choices, we need to identify the effects that they have by asking if an author’s choice emphasises something, implies something or evokes something.
In order to do complete Level One Analysis correctly, we need to make sure that we:
Accurately identify authorial choices
This requires you to be specific about the choice that you’re talking about. You haven’t done this if you use vague comments like ‘this quote’. Instead be specific, using phrases like ‘this metaphor’ or ‘the polysyndeton.’Use appropriate effect language
You’ve done this correctly if you use the words ‘emphasise’, ‘imply’, ‘evoke’, or their synonyms.Explain how an author’s choice achieves an effect
That’s to say that you have justified your analysis by explicitly saying how a particular choice achieves a particular effect.Ensure that there’s a logical relationship between the authorial choice and effect that you’ve identified
This means that you’re being accurate with your analysis. For example, you wouldn’t say that the metaphor ‘he is a pig’ implies that the character is graceful and elegant.Analyse multiple authorial choices
Essentially, Level One Analysis is the foundation of your interpretation. You need to make sure that there are substantial details in the text to validate your ideas.
Analysing Choices
Analysing various authorial choices, particularly across a myriad of different text types, might be a little confusing at first. There are so many types of authorial choices, all which have very different effects. However, click the links to these resources to help you analyse them!
Analyzing Linguistic Choices - Cheat Sheet!
I have attempted to construct a "CHEAT SHEET" for various linguistic choices. Linguistic choices are, effectively, choices related to language and not visual choices. You might find these kinds of choices in written or oral works, such as novels, poetry, drama and plays, dialogue in films, articles, letters, etc.
This list is not exhaustive, and only includes a handful of techniques. Moreover, these tips or cheats are there are as guides and the methods for analyzing them are not always true or do not always work. However, they act as a great starting point for students of literature.
THIS CHEAT SHEET IS NOT AN EXHAUSTIVE LIST, NOR DOES IT PROVIDE EFFECTS OF WAYS THESE DEVICES MAY ACHIEVE MEANING. FOR MORE INFORMATION ON LINGUISTIC CHOICES WITH SPECIFIC METHODS FOR ANALYSIS, CLICK THE LINKS BELOW:
Analyzing Non-Linguistic Choices
What if you are sitting an exam and cannot remember specific quotes, or you simply wish to analyze a plot point or character action which does not require specific textual references to linguistic choices? Well, you can still analyze these choices as authorial choices with the same model. Essentially, you might paraphrase the plot point, action, or other non linguistic choice, and still approach it as having the effect of either implying something, emphasizing something, or evoking something. See the examples in the slides below.
Click on the images below to find instructional slides on how to specifically analyze authorial choices for various mediums