Sabotage (1936)
A richly atmospheric London provides the backdrop for anarchist destruction. Dark humor, tense detail and a streamlined story are the bedrock for some thrilling sequences and a captivating Sylvia Sidney is the emotional, anguished heart that leads to murder.
Saboteur (1942)
Nimble wartime thriller sees innocent Robert Cummings pursued cross-country from California to Stature Of Liberty, roping in initially skeptical Priscilla Lane to uncover enemy plot. Told with open vistas and detailed with often eccentric characters, palpable tension is built through slyly designed and effective set pieces.
Sabrina (1954)
Astute blend of romance and comedy, told with playful literacy, plush visuals and endearing leads, as ignored chauffeur's daughter Audrey Hepburn returns sophisticated from Paris and confuses playboy William Holden and straitlaced Humphrey Bogart. Social fairytale embraces contrary character resolutions.
Sabrina (1995)
Solid production and lush John Williams score aid appealing cast spin leisurely paced romantic comedy, with ignored Julia Ormond returning sophisticated from Paris and confusing playboy Greg Kinnear and his business-focused brother Harrison Ford. Adaptation hues close to original film, though lacks visual and emotional snap and sweep.
Sachertorte (2022)
Charmingly realised and lightly played, chance Berlin afternoon with teasing Michaela Saba sends uncommitted Max Hubacher to Vienna on off-chance they'll meet again. Helped by generous café owner Maeve Metelkan, comfortable culture and love lessons enjoyably learnt.
Safari (1956)
Attractive locations and fluid staging attempts to compensate convoluted mix of expert hunter Victor Mature's personal revenge tale, cruel British millionaire's obsession with killing mythical lion and drifting Janet Leigh's journey to romantic freedom, all set against Mau Mau rebellion. Fitfully involving.
Sahara (1943)
Intense wartime adventure sees brusque tank commander Humphrey Bogart inadvertently pick up allied soldiers and make last stand against overwhelming German forces. Terrific package of pointed dialog, gritty performances and snappy pace results in punchy action and rousing climax.
The Sailor Who Fell From Grace With The Sea (1976)
With its rigid formalism and attractive visuals, obscure story of Oedipal confusion is deliberately disquieting and confronting. Charismatic Kris Kristofferson is sailor who enters life of needy widow Sarah Miles. Brutally uncompromising.
#Salaidda (#alive) (2020)
After insular Yoo Ah-in wakes to face a zombie apocalypse, he struggles with isolation until contact is made with gutsy Park Shin-hye in opposite apartment block. Humane leads, unnerving atmosphere and witty survival action provide reflection on modern society and satisfying, inclusive resolution.
Le Salaire de la peur (The Wages Of Fear) (1953)
Parched, desperate Central American village provides background for four losers to seek financial salvation by driving trucks packed with insecure explosives across untamed land. Expertly tuned, sweaty suspense cranked up to bitter end.
Le Salaire de la Peur (The Wages Of Fear) (2024)
Robust production delivers technically composed visuals and performers are ruggedly physical, yet process of transporting volatile explosives across threatening terrain to save desolate village from oil well disaster lacks promised suspense and action. A pale imitation.
The Salamander (1981)
Proficiently made conspiracy thriller sees intense Franco Nero investigating a series of murders that reveal corruption and a plot to overthrow the Italian government. Typically overstuffed, name driven Lew Grade production offers few surprises or tension, though Jerry Goldsmith's score is strong.
Salt (2010)
Buoyed by a relentless score and continuous action set pieces, an impassively athletic Angelie Jolie is constantly on the run to prove her innocence and prevent global catastrophe. Plot logic is quickly jettisoned, visuals and tight rhythms dominate, an exciting and dynamic ride.
Saltburn (2023)
Crunchy visuals add edgy gloss as needy Barry Keoghan's obsession for casually entitled Jacob Elordi results in invitation to absurdly dysfunctional family for summer with unfiltered Rosamund Pike, Richard E Grant and Carey Mulligan. Forced provocations finally unravel vacuous narrative development with diminished dramatic and satiric impact.
Salvador (1984)
Compelling confusion of moods sends erratic photojournalist James Woods and unstable DJ Jim Belushi to turbulent El Salvador where US support fuels brutal oppression. Jittery immediacy spins ragged personal horrors and political rage with corrosive set pieces ripped from conflict.
Samaritan (2022)
Intriguing setup and background sees superhero, presumed killed by evil brother 25 years ago, identified alive by teenage fan when city is newly threatened. Reluctant Sylvester Stallone provides solid center, yet bland third act runs out of steam and telegraphs twists.
Sand Trap (1997)
Though story twists provide potential for a memorably amoral villain, execution never really delivers as sadistic wife Elizabeth Morehead plans husband's death, but finds the desert turns murder into revenge. Mostly predictable and without a distinctive style.
Sandome no Satsujin (The Third Murder) (2017)
Framed within a court trial procedural, assured lawyer Masaharu Fukuyama peels away the truth of blunt client Kōji Yakusho's murderous actions to reveal a thoughtful take on morality and human emotion. Gripping in detail and human motive.
Sarajin Bam (The Vanished) (2018)
Immaculately made, fluid visuals heighten mystery as body disappears from morgue on a stormy night and guilty husband grows increasingly frayed. Eccentric detective Kim Sang-kyung leads cat and mouse maneuvers as schematic narrative surprises unfold.
SAS: Red Notice (2021)
Solid production initially maintains fluid action as unflinching private military group takes command of London-Paris channel train until passenger and elite soldier Sam Heughan fights back. Murky mayhem ensues, story and character spinning out amid confounding, reactionary developments.
Såsom i en spegel (Through A Glass Darkly) (1961)
Luminous images burn through the confusion and gnawing sadness of family disintegration under the strain of a descent into madness. Harriet Andersson is a searing presence, painfully aware of what she will lose, even as she waits for the door to open.
The Satan Bug (1965)
Gleaming widescreen production values partly compensate for glacial and convoluted storytelling, with occasional visuals mirroring the dread of a manmade, killer virus. Jerry Goldsmith provides a snarling, propulsive score.
Saturday Night (2024)
Enjoyably chaotic behind the scenes energy as Gabriel LaBelle's creative self-confidence battles network reluctance and rebelliously unreliable collection of young comedians to get first live show on air. Generous Rachel Sennott, involving 70s atmosphere and comic tension rather than convincing comedy.
The Savage Bees (1976) / The Incredible Melting Man (1977)
Forever tied together as a UK double-bill release, two films with titles that explain exactly what you get. Minor efforts with little suspense or narrative comprehension though plenty of gratuitous buzzing and melting.
Save Me (1993)
Crudely hewn characters jump through baffling motivational hoops to provide un-erotic thrills and gunplay. The actual start point for stressed Harry Hamlin's obsessive relationship with damaged Lysette Anthony piques interest. Final reel devolves into nonsense.
Scandal Sheet (1952)
Brisk, acidic noir with sleazy tabloid editor Broderick Crawford chasing readers with trashy news, before finding own past catching up. Generous Donna Reed provides principles, cynical John Derek finally grows a conscience. Efficiently made and grittily absorbing.
Scarlet Street (1945)
At times meandering melodrama that gradually draws the audience into the lead characters' amoral lives and finally leads to murder and execution as Edward G Robinson is driven to madness. Twisted Dan Duryea and manipulative Joan Bennett are viciously appealing.
Scoop (2024)
Solid account of events leading to infamous BBC interview with Rufus Sewell's confused Prince Andrew offers opportunity for sympathetic roles yet adds little to illuminate social or political context. Royal and broadcasting intrigue provides brisk amusement without real drama.
Score! (2017)
Introduction to history and art of film composition features admirable array of industry interviews even if the view is more narrowly modern Hollywood and rapid pace never allows thoughts to fully develop. Well produced documentary remains engaging, if not rousing.
Scream (1996)
Bloody thrills invigorate deconstruction and celebration of horror conventions as gravel voiced Ghostface’s killing spree centers on vulnerable Neve Campbell, whose mother was murdered the year before. Accent on humor pitched against tightly controlled pace and staging.
Scream (2022)
Play on original film series twists through meta references as haunted Melissa Barrera is pulled back to home town when attacks and killings echo events of twenty-five years ago. Amid self-referential indulgence, returning characters and sparks of humor partly atone for lack of tension.
Screamers (1995)
Solidly realized Philip K Dick adaptation about the remnants of war on a distant planet where deadly AI threatens both sides. A bleak visual palette provides a grimness to the action amid the themes of identity and humanity. Even if there are few surprises, the film remains involving.
The Sea Hawk (1940)
Energetically pitched drama and excitingly staged action wrapped in lush production sees rebellious Errol Flynn plunder Spanish boats, escape capture as galley slave, and uncover plot in queen Flora Robson's court. Transcendent Erich Wolfgang Korngold score powers wartime spirit within embracing entertainment.
Sea Of Love (1989)
Gritty, sexy, smartly written and realized New York romantic thriller with as much emphasis on hunt for lonely hearts killer as study of damaged, hungry souls in search of intimacy. Unstable Al Pacino, prickly Ellen Barkin and genial John Goodman add vibrant edge.
Seance On A Wet Afternoon (1964)
Low key, carefully controlled thriller with effective performances from damaged Kim Stanley and distressed Richard Attenborough who kidnap a child to prove their medium abilities. An ominous atmosphere pervades a story of loss and strained needs.
Seasons (2023)
Unsurprising comic setup sees closest of friends determine to find romantic partners for each other, until controlling Lovi Poe realizes she feels more for grounded Carlo Aquino. Amid windmill whispers, drifting character beats gradually emerge with darker, involved tones to provoke more bittersweet emotion.
Secondhand Lions (1992)
Appealingly sentimental and lightly dramatic as errant Kyra Sedgwick leaves insecure Haley Joel Osment with eccentric uncles Michael Caine and Robert Duvall for the summer. Warm family and coming-of-age humor, flavored by colorful tall tales, succumbs to awkward ending.
Secret Beyond The Door (1947)
Little makes sense, yet Fritz Lang's visual sense, the atmospheric lighting and the striking design make this fever dream oddly compelling. Joan Bennett is the new bride stripping away the Freudian secrets to potentially homicidal Michael Redgrave.
The Secret Of Convict Lake (1951)
Escaped convicts find themselves in a rural town run by women, with Glenn Ford out for revenge and Gene Tierney and Ethel Barrymore repelling the male threat. Crisply photographed and designed, engaging melodrama that keeps the storytelling lean.
El secreto de sus ojos (The Secret In Their Eyes) (2009)
Finely judged blend of the personal and political, Argentine history in 70s and 90s reflected through unsolved murder case and unresolved relationship between court investigators Ricardo Darin and Soledad Villamil. Polished technique, raw emotions.
See Girl Run (2012)
Consumed with sense of regret, effective drama of relationships and lost opportunities sees uneasy Robin Tunney return to coastal home town, questioning marriage to staid Josh Hamilton and what could have been with still pining, high school boyfriend Adam Scott. Minor, uncompromised view on lost souls maintains poignant tone.
See How They Run (2022)
Strong cast playfully blur fact and fiction as theatre performances of perennial mystery The Mousetrap are interrupted by real murder investigated by cynical inspector Sam Rockwell and eager constable Saoirse Ronan. Despite snappy Daniel Pemberton score, flat rhythms and unfulfilled potential.
Seems Like Old Times (1980)
Generally appealing, light humor occasionally sustaining prolonged comedy, as unconvincing setup sees casual writer Chevy Chase accused of bank robbery and seeking ex-wife and optimistic public defender Goldie Hawn's help even as her anxious husband Charles Grodin plans to become Los Angeles DA. Plain style exposes strained pace.
Le semeur (The Sower) (2017)
Framed with elegiac beauty, the women of a 19th century village must band to create their own society when all males are taken by the French emperor and the younger vow to share any man who might appear. Bracing and original view of socio sexual politics with sweeping emotion.
Seminole (1953)
Commanding, persuasive Anthony Quinn as Indian leader and childhood friend of returning cavalry officer Rock Hudson, and distinctive, atmospheric Florida swamp settings provide color for solid action and engrossing if unsurprisingly contrived narrative and characters.
Sen to Chihiro no Kamikakushi (Spirited Away (2001)
Beguiling confusion of classical wonderment and fever dream mysticism sees a young girl discover magic and danger in a small rural town full of spirits. Unhurried, visually arresting style luxuriates in gentle rewards of nature without quite piercing emotional resonance.
Send Help (2026)
Enjoyably twisted survival drama driven by eager analyst Rachel McAdams turning table on entitled boss Dylan O'Brien when plane crash strands them on desert island. Sparked with dark humor and intense violence, narrative retains surprise and character shifts with disarming style.
Sensation (1994)
Lurid, slickly told thriller with typical 90s nudity and wholly preposterous plot as susceptible Kari Wuhrer experiences visions of a murdered student and is infatuated with suspicious professor Eric Roberts. Plenty of lazy red herrings and messy sequences involving paint.
Sentinelle (2021)
Heavy on mood, low on grit, traumatized soldier Olga Kurylenko returns home to find family reunion ripped apart by violent abuse to spirited sister Marilyn Lima and need for revenge. Minimal dialogue and efficient technique feed austere thrills, before flat conclusion.
September 5 (2024)
True life account of terrorist tragedy at 1972 Munich Olympics seen through eyes of ABC TV sports unit, with dilemma of pursuit for exclusive and ethics of live hostage crisis. Tension established with edgy craft, yet themes never quite coalesce with character tension.
Seraphim Falls (2007)
An initially lean pursuit western turns from gritty, harsh realism to ponderously metaphysical with diminishing results. Obsessive Liam Neeson chases down weary trapper Pierce Brosnan across transforming natural landscapes captured with feeling and texture.
Serenity (2005)
Knowledge of the original TV series 'Firefly' adds empathy for the characters, but the narrative and secrets of Summer Glau's River Tam work as a standalone sci-fi Western adventure with sharp dialog and energetic action. Tone darker, humor still punctuates the drama.
Serenity (2019)
What seems to be a neo-noir with Anne Hathaway's femme fatale persuading Matthew McConaughey obsessive island fisherman to murder her husband, spins into such a head-scratching melodrama mid-way through that the entire narrative disintegrates. Stupefyingly misguided and cold.
Set It Up (2018)
Despite fanciful setup, energy and charm of overworked assistants Zoey Deutch and Glen Powell keep comic and romantic touch humming as they try to manipulate respective bosses Lucy Liu and Taye Diggs into relationship. Assured, predictable narrative emains engaging.
Seungriho (Space Sweepers) (2021)
Expansive effects and fluidly staged action spice unremarkable narrative that sees scrappy crew of outsiders inadvertently rescue young android who holds key to future. Once rhythm is established, appealing, diverse characters provide solid humor and emotional connection.
Seupeulrit (Split) (2015)
While agitated Lee Jung-Hyun sets up high stakes contests to pay off debt-ridden bowling alley, washed-up ex-pro Yoo Ji-Tae finds chance for redemption in potential of autistic David Lee. Intriguing detail, visual polish, and involving characters despite end contrivances.
Seuwingkizeu (Swing Kids) (2018)
Immensely and intensely enjoyable, dynamically paced musical sees diverse tap-dancing troupe in Korean prison camp provoke tragic change. Wild tonal diversions, yet visceral energy carries emotion, and sharply choreographed characters provide depth.
The Seventh Veil (1945)
Seductively shot with a pervading sense of gothic romance, a wickedly enjoyable tale as repressed Anne Todd cracks under the glare of brooding James Mason. Though it falters during the third act, hugely satisfying melodramatic nonsense, expertly orchestrated.
Shadow Dancer (2012)
Atmospherically plotted, echoes of violence reverberate for unrepentant, protective Andrea Riseborough captured after failed London bomb attempt and turned against IRA by intense MI5 officer Clive Owen. Bitter, tightly wound characters pick way through tense and provocative twists.
Shadow Force (2025)
Once among elite group of government assassins, appealing Omar Sy and energetic Kerry Washington escaped to start family, until cover is blown, and vengeful Mark Strong hunts them. Despite expansive locations, bland violence, confused tone and murky images conspire to undermine involvement.
Shadow In The Cloud (2020)
A combative Chloë Grace Moretz is forced to battle sexism, Japanese fighters and gremlins on board a WW2 bomber above the Pacific. Building from intimate claustrophobia, a frenetic mashup that propels is heroine and audience on a cracking, bumpy ride.
The Shallows (2016)
Elevated B-movie features resourceful Blake Lively stranded in secluded Mexican cove while angry great white shark circles. Though technical virtuosity can prove distracting, bracing technique also hammers sufficient thrills and athletic lead delivers beyond sketchy character.
Shampoo (1975)
Acute satire on late 1960s sexual politics and Los Angeles social vacuum features sharp cast and bright comedy as popular hairdresser Warren Beatty is irresistible to series of women including Goldie Hawn, Lee Grant and lost love Julie Christie. Tragic character resolve provides dramatic heft.
The Shanghai Gesture (1941)
Faced with corruptive, enveloping atmosphere, compulsive Gene Tierney is drawn into Ona Munson's decadent web, narrative drive largely set aside until melodramatic final manipulation and twists. Enticing design and mischievous characters, yet staging and tone only fitfully convince.
Shattered (1991)
Polished, noir-soaked thriller, hinging on a third act surprise either shocking or ridiculous depending on your involvement. Tom Berenger is the amnesiac trying to uncover the truth about his car accident and wife Greta Scaachi. Bob Hoskins is the detective pet shop owner. Sharp, beguiling Alan Silvestri score.
Shaun Of The Dead (2004)
Fostering atmosphere at once playfully loose while technically structured, London zombie apocalypse forces slacker friends Simon Pegg and Nick Frost into last ditch defence at local pub with wit, stupidity and genre affection. Energetic staging and performances overcome any miscues.
Shazam! (2019)
At its best when it plays with the character origins and the relationship between Zachary Levi's adult Shazam and superhero fan Jack Dylan Fraser. Faced with a super villain, it tends to lack a spark. Colorful design and VFX add considerably to the humor and affectionate tone.
Shazam! Fury Of The Gods (2023)
Despite over-stuffed narrative and over-extended VFX confrontations, personality of kids transformed into superhero gang retains goofy innocence and manages moments of emotional family resonance. Energetic Zachary Levi maintains humor and charm even as mechanics of battling revived Helen Mirren loses steam.
She Rides Shotgun (2025)
Rigorously realized visuals and confidently staged action builds persuasive relationship between young Ana Sophia Heger and her jumpy, estranged ex-con father Taron Egerton, on the run when they're caught between violent gang and corrupt sheriff. Narrative convinces with character drawn tension.
She Said (2022)
Unaffected detailing of New York Times reporters Carey Mulligan and Zoe Kazan’s grit determination in exposing details and coverup of Weinstein scandal. Appropriately somber and technically precise depiction of important social story, yet misses cinematic tension and evolving characters.
She Wore A Yellow Ribbon (1949)
Permeated with sense of changing times, retiring captain John Wayne's soulful presence and elegiac visuals elevate traditional cavalry tale beyond fierce action and comic sentimentality. Supported by boisterous Victor McLaglen and spiky Joanne Dru, lightness of touch pierces violence forged in American expansion.
She's Funny That Way (2014)
An engaging, scatty Imogen Poots is the new Broadway star as an equally scattershot narrative weaves backstage stories of an appealing cast with a mostly potent succession of jokes. At times too self-aware and without focus, the genial tone is winning.
Shenandoah (1967)
Solidly produced, sentimentally constructed Civil War drama, with typically commanding James Stewart as Virginian farmer in futile attempt to maintain family's neutrality. Engaging support cast pulls through tragedy and action though sedate pace tends to underwhelm.
Shinkansen Daibakuha (Bullet Train Explosion) (2025)
Sleek design and controlled pace elevate dynamic thriller as high speed train is warned not to slow below 100 km/h or bombs will rip carriages apart. With last passengers led by sturdy conductor Tsuyoshi Kusanagi, relatively sober approach anchors increasingly outlandish action.
Shiva Baby (2020)
Smartly detailed humor and uneasy character tension courses through drifting Rachel Sennott's attendance at funeral gathering with parents as poised ex-girlfriend Molly Gordon and present affair Danny Defarri, along with wife Dianna Agron, arrive. Brief run time keeps staging brisk.
Shockproof (1949)
Crisply detailed and tormented descent for parole officer Cornel Wilde as he falls for and becomes fugitive with recently released Patricia Knight. Solid characters and story dynamics, cleanly designed visuals, though ending is soft dodge on bleaker resolve.
Short Term 12 (2013)
Seared with tragic honesty, damaged counsellors cope with equally hurt kids in teen care facility, as open Brie Larson reflects personal issues with troubled Kaitlyn Dever. Jolts of humor amid pain, narrative threads too neatly wrapped, yet cast remains vital.
A Shot In The Dark (1964)
Soft on murder mystery plot, focus remains on Peter Sellers' incompetent inspector, besotted with knowing maid Elke Sommer as he tries to prove her innocence and infuriates his increasingly unhinged commissioner Herbert Lom. Exaggerated character traits highlight laughs and abundant physical silliness.
Shotgun Wedding (2022)
Comedy action confusion has enough energy to keep bubbling through Philippines wedding of Jennifer Lopez and Josh Duhamel violently interrupted by ransom demanding pirates. Broad targets see concentration on visuals and physicality, darker character concerns left unexplored.
Shut In (2017)
Naomi Watts is always persuasive and the tense atmosphere is nicely established, yet the structure is fatally schematic and twists telegraphed, as a child psychologist finds herself trapped in a winter storm. Low-key thrills never build and provide only modest intrigue.
Sibyl (2019)
Fragmented style plays on psychotherapist and hopeful novelist Virginie Efira's own damage and addictions with vivid sense of dark comedy. Once on Mediterranean film set of client and actress Adèle Exarchopoulos, more straightforward contortions falter, though conclusion proves resonant.
Sicario (2015)
Dark, cynical and bloody, the clinical, searing imagery matches the cool, detached tone and suppressed violence that will infect and consume. Emily Blunt provides a glimpse of humanity amid brutal border fights, Benicio del Toro a jaundiced assassin out for revenge.
Sideways (2004)
Wry humor mixes with humane drama as teacher and perennially failed novelist Paul Giamatti takes road trip through California wine country with friend and frayed TV actor Thomas Haden Church. Suffused with regret and bruised lives, hopeful Virginia Madsen inspires another chance.
The Silence (2019)
Inadvertently released from deep underground caves, vicious bird-like creatures root out humans by sound, forcing deaf teen Kiernan Shipka and family to flee from city. Initial sequences build interest, undone by flat exposition and blunt thematic insertion of religious cult.
Silent Fall (1994)
Lapses in logic and plausibility would be less serious if tone weren't so earnest, pulp revelations that need more propulsive narrative energy. Intriguing cast lost in smooth production values as reluctant therapist Richard Dreyfuss uncovers secrets behind autistic child's witness to murder.
The Silent Partner (1978)
Nimble thriller with a mean streak as unadventurous bank officer Elliott Gould impulsively takes advantage of sociopathic bank robber Christopher Plummer, resulting in sadistic cat and mouse games. Unfussy style allows for vicious twists even as logic unravels.
The Silver Fleet (1943)
Story and characters distilled to compelling production, shipbuilder Ralph Richardson treated as traitor working on German U-boats, but actually is Dutch legend undermining enemy efforts. Crisp pacing, effective visuals and Allan Gray score combine for potent conclusion.
Silver Linings Playbook (2012)
Spirited performances and intelligent film-making embolden the drama and laughs as Jennifer Lewis and Bradley Cooper's damaged souls find a sense of resolution. Snappy and ragged, languid and propulsive, a romantic comedy in the best sense with a rousing finale.
Silverado (1985)
Tonally and narratively disjointed, a frustrating, amiable western adventure with a fine cast that mixes all the genre ingredients without focusing on the basics or allowing for the mythic. Bruce Broughton delivers a rousing score; individual set pieces and visuals are winning.
A Simple Favor (2018)
Enjoyably mean and twisting with a sleazy suburban touch as eager vlogger Anna Kendrick looks to solve disappearance of elusive friend Blake Lively. Polished production sees noirish secrets and impulses revealed with dark humor, accented by playful Theodore Shapiro score.
A Simple Plan (1998)
Bleak, frozen setting is matched by cold, unnerving character unraveling as uneasy brothers Bill Paxton and Bill Bob Thornton find cash fortune in crashed plane and attempt to maintain secret amid increasing suspicion and inevitable violence. Finely crafted storytelling delivers thematically strong tension and broken irony.
Since You Went Away (1944)
Fashioned with leisurely sense of detail and artfully evocative visuals, rousing portrait of home life during World War II sees Claudette Colbert coping with daughters Jennifer Jones and Shirley Temple as well as crusty lodger Monty Woolley, while husband is lost abroad. Amid love, loss and hope, expansive storytelling overflows with kind humor and heartfelt emotion.
Sing Street (2015)
Generous coming-of-age tale pitches smart balance of lived-in detail and optimistic creativity, as teen Ferdia Walsh-Peelo finds release from family breakup and society dead-ends by establishing band to impress aspiring model Lucy Boynton. Bright songs and humour point to pleasing resolve.
Singapore (1947)
Solidly established romantic mystery returns gruff Fred MacMurray to titular island for smuggled pearls before discovering that presumed lost fiancée Ava Gardner survived war but is amnesiac and married. Setting is wasted as standard dramatics play out with threatening locals and cynical authorities.
Singin' In The Rain (1952)
The years never diminish the energy, skill and pure joy that bursts from every image. A sublime combination of song, dance and comedy as Gene Kelly, Debbie Reynolds and Donald O'Connor cope with the advent of the talkies. MGM production values shine.
Singkeuhol (Sinkhole) (2021)
Commentary of social aspiration turns survival disaster as straitlaced Kim Sung-kyun sees family apartment literally disappear during a storm, trapped beneath ground with opportunist Cha Seung-won and work colleagues. Maintains comic tone while characters are pleasingly developed.
Sinners (2025)
Delivered with bravura visuals and fluid staging, Michael B Jordan's war vets / criminal twin brothers return to 1930s Mississippi to establish community juke joint only to face vampiric prejudice. Wild thematic leaps falter coherence, yet experience remains compelling and allows standout musical set piece.
Sisters (1972)
Blunt themes of voyeurism and identity shift from satiric opening to bloody killing as edgy reporter Jennifer Salt claims to have witnessed murder in distracted Margot Kidder's apartment. Playful narrative misdirects and controlled visuals align with Bernard Herrmann's unnerving score.
Sisu (2022)
Exuberantly violent war action sees cruel, retreating German forces in 1944 Norway make mistake of conflict with indomitable commando turned gold prospector Jorma Tommila. Vibrant visuals and stripped motivation provide visceral punch; mythic and dramatic resonance less persuasive.
Sitting Pretty (1948)
Generous and breezy domestic comedy with despairing Maureen O'Hara and Robert Young mistakenly hiring imperious Clifton Webb as live-in babysitter to three unruly sons. Light on plot until revelations of newcomer's intentions to reveal small town secrets, a series of solid comic situations.
Siworae (Il Mare) (2000)
Elegant visuals and deliberate pace create suitably romantic atmosphere without quite achieving final romantic pull, as Jun Ji-hyun and Lee Jung-jae live in same home two years apart yet communicate through time slipping mail box. Diffused narrative strands prove more potent in isolation.
The Six Triple Eight (2024)
Carried by storytelling conviction and committed performances, unfussy, anonymous staging progresses struggles of only US black female battalion to serve in World War II Europe. Overcoming prejudice and racism, symbolic and emotional resonance of mail delivery proves potent combination.
Det sjunde inseglet (The Seventh Seal) (1957)
Compelling, sometimes bleak, more often poetic, a surprisingly literal search for God as a knight returns from the futility of the Crusades to face the wasteland of a horrific plague. Humour and violence contrast with a need for humanity before the final chess move.
Sketch Artist (1992)
Sleek visuals permeate grungy tale of coincidence as eyewitness Drew Barrymore's description of wanted killer resembles paranoid police sketch artist Jeff Fahey's girlfriend Sean Young. Though twists are predictable, detail and atmosphere remain involving.
Sketch Artist II Hands That See (1994)
Jeff Fahey's sleazy intensity as a police sketch artist collides with blind rape victim Courtney Cox who identifies through touch. Bland style subdues more interesting narrative elements and never builds needed energy for courtroom finale.
Skyggen i mit øje (The Bombardment) (2021)
Crisply shot and designed, a dark, emotional tragedy rooted in the accidental bombing of Danish school. Technically skilled, strongly performed, dry sequence of events and suffering keeps a distance that tends to prevent greater involvement.
Skyscraper (2018)
Chiseled security consultant Dwayne Johnson leaps into burning tower to save wife Neve Campbell and children as well as defeat snarling criminal Roland Møller and brutal gang. Robustly produced, defiantly unsurprising, elaborate action simmers at enjoyably diverting pace.
De Slag Om De Schelde (The Forgotten Battle) (2020)
Strong visuals and impressive production underpin persuasive narrative that entwines resistance fighter Susan Radder, Brit pilot Jamie Flatters and Axis soldier Gijs Blom. Intense warfare builds from consequences of loss and compassion.
Slap Shot (1977)
Bleak realities of a failing industrial town finds release when local, losing hockey team turns to unrepentant violence (and even stripping). Riotously funny, brutally made and shot through with hard realism beyond the thrill. A terrific Paul Newman personifies the film.
Sleep, My Love (1948)
Controlled storytelling with atmospheric set pieces and sufficient twists despite unsurprising resolution, as inquisitive Robert Cummings discovers insecure Claudette Colbert is being sent mad by suave but cruel Don Ameche. Solid production and performances.
Sleeping Car To Trieste (1948)
Remake of Rome Express that substitutes agents for art thieves and includes a robbery prologue before boarding the Orient Express. Otherwise, narrative beats remain familiar with a light tone, appealing performers and a breezy, tight construction.
Sleeping With Other People (2015)
The quirky, damaged supporting characters in typical romcoms become the central duo in a snappy, raunchy comedy, as Alison Brie and Jason Sudeikis attempt to preserve a relationship by avoiding sex. Even when jokes fall flat, modern observations ring true.
Sleepless In Seattle (1993)
Irresistibly contrived structure leans on affection for lost souls Meg Ryan and Tom Hanks, separated by a continent but drawn together by love's destiny. As much a celebration of engrained romantic concepts as endearingly light comedy that secures undeniable emotional pull.
The Sleepover (2020)
Amiably uncomplicated plotting sees rebellious Sadie Stanley uncover staid mother Marin Åkerman's past as expert thief and ropes in younger brother and friends to rescue her from blackmailing criminals. Action and mystery broad and silly, sold with breezy, anonymous ease.
Sliver (1993)
Dreamy visuals and rich design fail to disguise empty-headed narrative twists and absurd characters as repressed book editor Sharon Stone moves into exclusive Manhattan apartment building consumed by sex and murder. Technological and voyeuristic themes land with a confused thud.
The Small Back Room (1949)
Expressionistic visuals penetrate the mental guilt of self-destructive scientist David Farrar, invalided from conflict to work on enemy weapons during World War II. Intensity climaxes with tense bomb disposal; solid cast highlighted by acute emotion of Kathleen Byron.
Smash-Up The Story Of A Woman (1947)
Overwrought morality tale focuses on successful singer Susan Hayward promoting husband Lee Bowman before marriage & career stagnation sees her descend into alcoholism. Strong self-destructive lead turn though character development never gains depth.
Smile (2022)
After witnessing graphic suicide, therapist Sosie Bacon's life unravels with disturbing visions and revelations of past trauma. Though derivative, an unsettling atmosphere is created by rigorously controlled imagery and precise staging, punctuated by effectively bracing shocks.
Smultronstället (Wild Strawberries) (1957)
Anchored by Victor Sjöström's soulful, affecting performance, a physical and spiritual journey that sometimes feels forced in addressing themes, but is shot through with humour, compassion and a poetic spirit. Ingrid Thulin is moving, the ending redemptive.
A Snapshot Of Forever (2022)
Escaping romantic disappointment for small town roots and photographic work at family vineyard, reluctant Natalie Dreyfuss is drawn to conflicted movie star Anthony Konechny during wedding week. Unpersuasive narrative structure not aided by lethargic pace and staging.
Snow White (2025)
Enlivened by vibrantly arranged song score and soulful Rachel Zegler's energy as titular princess, mostly traditional adaptation has unpersuasive evil queen Gal Gadot threatening kingdom with enveloping darkness. Spirited humor with bandit Andrew Burnap amid confused dramatic beats.
Snow White And The Seven Dwarfs (1937)
Bright pace and unaffected approach to perennial story sees kingdom's most beautiful princess find refuge with slapstick mine workers only to fall victim to evil queen's poisoned apple. Narrative thinness and disposable prince compensated by enchanting song-score and captivating visual detail.
Snowpiercer (2013)
After climate engineering provokes global arctic apocalypse, remnants of humanity are socially separated on always moving train, until Chris Evans leads revolution of abused from rear carriages. Bold design and violent action create darkly humorous momentum fused, satisfying both thematically and dramatically.
The Snows Of Kilimanjaro (1952)
Expansively produced, sumptuously photographed, Gregory Peck's Hemingway stand-in remembers his loves and adventures on his sickbed. Bernard Herrmann's typically intuitive score, so full of yearning and loss, provides the emotion that the fragmentary narrative never captures.
So Long At The Fair (1950)
Sumptuous design and photography lend an enticing atmosphere as vibrant Jean Simmons' visit to the 1896 Paris Exhibition becomes a nightmare when her brother disappears. More a low-key mystery, enhanced by elegant background detail and spirited score.
So Proudly We Hail! (1943)
Practical Claudette Colbert, spirited Paulette Goddard and vengeful Veronica Lake are among nurses deployed to wartime Pacific after Pear Harbor. Trading in patriotic sacrifice, story and technical skills powerfully reveal dark defeats and bloody suffering, proving resonant and affecting.
So Well Remembered (1947)
Gripping portrait of struggling industrial town in northern England underpins emotional melodrama of activist John Mills' relationship with callous mill owner's daughter Martha Scott. Strongest when accent is on socio-economic issues. Evocatively conceived.
S.O.B. (1981)
Black comedy that doesn't flinch from acid Hollywood satire, even as it finds warmth with its characters and plenty of physical and verbal laughs with producer Richard Mulligan transforming a flop into a soft-core musical. Julie Andrews sheds her image, Robert Preston is a delight.
La sociedad de la nieve (Society Of The Snow) (2023)
True story of survivors from plane crash in the Andes is told with expansive clarity and humanistic purpose, characters pushed to physical and emotional extremes. Impressive visuals don't quite sustain length, though end remains resonant.
Soldier Of Fortune (1955)
Solid production benefits from expansive Hong Kong visuals and engaging leads, as resolute Susan Hayward arrives to find missing photographer husband, getting cynical Clark Gable involved in rescuing him from China. Unfortunately, edgy geopolitics and seedy local conflict unravel with romantic melodrama.
Some Like It Hot (1959)
Witnesses to a mob hit in prohibition Chicago, pliable bass player Jack Lemmon and manipulative sax performer Tony Curtis escape to sunny Florida as part of all girl band - and find love with uncertain singer Marilyn Monroe and carefree millionaire Joe E Brown. Deftly conceived and performed, always fresh and funny.
Somebody I Used To Know (2023)
Less a deconstruction, more a fuzzy reframing of romantic comedy situations and themes as consumed Alison Brie returns to her hometown and meets with old boyfriend Jay Ellis, just a few days before his wedding. Muted laughs and faltering emotions with appealing cast.
Someone Great (2019)
After bust up with longtime boyfriend and on eve on leaving New York for new job, Gina Rodriguez teams up with best friends Brittany Snow and DeWanda Wise for one last wild city night. Standard comic and dramatic story beats resolve with winning celebration of friendship.
Someone To Look Over Me (1987)
Designed with stylish, filtered visuals, promoted blue-collar detective Tom Berenger enters gilded world of Mimi Rogers after she witnesses mob killing. Superficial thrills without piercing emotions of heated affair and family life with Lorraine Bracco.
Something From Tiffany's (2022)
Minor romantic comedy sees mix up of gifts throw skittish Zoey Deutch and practical Kendrick Sampson into predictable emotional turmoil. Entirely predictable combination of better productions, anonymously amenable characters drift through New York. Glossily enjoyable.
Something Money Can't Buy (1952)
Gender politics post WW2 and emerging independence of women is used as a comic setup. Unfortunately, there's a lack of humour and energy as Patricia Roc established an employment agency while Anthony Steel goes to find himself as a mobile caterer.
Something Wild (1986)
Stiff Jeff Daniels is whisked from dry routine by uninhibited Melanie Griffith. Initial breezy, sexy, quirky tone and characters are wickedly deceptive, especially when ex-boyfriend Ray Liotta barrels onto screen. Brutal violence, sharp laughs, bracingly fresh.
Sometimes They Come Back (1991)
Unfussy, effectively straightforward Stephen King adaptation sends edgy teacher Tim Matheson to his hometown and confronts childhood horror of brother's death, as the killers return from the grave. Tangible sense of unease even if thrills are minor.
Somewhere In Queens (2023)
Small-scale slice of life maintains family intimacy for both dramatic and comedic effect as modest Ray Romano sees chance for withdrawn son to achieve college scholarship and break from local frustrations. Solidly framed relationships even if resolution feels unconvincing.
Somewhere In The Night (1946)
Amnesiac John Hodiak returns from war and is drawn into noir memories as well as real life intrigue of murder and stolen Nazi money. Nancy Guild provides tart support, Richard Conte is suitably suspicious, solidly told narrative keeps dark momentum.
Somewhere In Time (1980)
Rising playwright Christopher Reeve fulfills his destiny and wills himself into the past to romance celebrated actress Jane Seymour despite controlling Christopher Plummer. Attractively mounted and cast, a sincere and finally affecting love story with everlasting John Barry score.
Sommaren med Monika (Summer With Monika) (1953)
Vital, captivating tale of summer romance unable to cope once the dream fades. Earthy, seductive Harriet Andersson stares into our conscious as much as the gleaming visuals reveal the intensity of joy and anger that swirls through love and lust.
Sommarlek (Summer Interlude) (1951)
Ingmar Bergman's quietly absorbing tale of love and loss features a fragile Maj-Britt Nilsson dealing with tragedy after a giddy summer romance. Exquisitely lit and framed, it provides equal thought and emotion and concludes with a satisfying openness.
Sommersby (1993)
Expansive, expressive Danny Elfman score drives aching romanticism and mystery of determined Richard Gere's return from Civil War and whether he's Jodie Foster's lost husband or an imposter. Immaculate production, though final narrative texture lacks lasting effect.
Son Of Fury (1942)
Rousingly made, fleet-footed historical tale of revenge and South Seas harmony, with luxurious production values as gorgeous as its cast. Amid the spectacle and lush visuals, there's even time for a discussion of inequality while a witty Dudley Digges is an Act 3 scene-stealer.
Son Of Paleface (1952)
Riotous sequel ropes in Federal Agent Roy Rogers and Trigger to join mayhem caused by fumbling Bob Hope heading West to claim inheritance and getting mixed up with bandit and saloon singer Jane Russell. Piles on verbal and physical gags with anarchic energy.
Sons And Lovers (1960)
Evocatively photographed by Freddie Francis, images reach for more of the tension between art, family bonds and romance in coal-mining village than tentative adaptation. Wendy Hiller and Trevor Howard provide gritty marital intensity, while Mary Ure and Heather Sears reveal poignant loss.
Sophie And The Rising Sun (2016)
Keenly told, a captivating, bittersweet, meandering narrative of racial tension and female strength as reclusive Julianne Nicholson falls for Takashi Yamaguchi in prejudiced 1941 South Carolina. Strong performances capture quietly effective tone.
Soshite Chichi ni Naru (Like Father, Like Son) (2013)
Acute emotions stirred by revelation that 6-year-old sons were swapped at birth forces parents from different social status to question parental dreams and love. Tender naturalism imbues melodrama with heartful feeling. Poignant end holds hope.
Soul Survivors (2001)
With its heroine lost between the living and the hereafter, the narrative and tone feel similarly confused about whether it's a love story, mystical thriller or religious horror. Style and pacing are similarly ragged and ambition uninspired, despite the personable cast.
Sound Of Freedom (2023)
Slick, anonymously produced thriller layers glossy sheen to uncomfortable subject of child sex trafficking as committed Jim Caviezel resigns US agency to bust gangs and save stolen girl in Colombian jungle. Efficiently involving, dramatically awkward package.
The Sound Of Music (1965)
Gorgeous song-score and expansive visuals fuel Julie Andrews' optimistic integrity as rebellious novice nun turned governess to repressed Christopher Plummer's children. Europe of verge of war adds to sentimental and spiritual narrative punch. Consummate musical storytelling.
Source Code (2011)
Keeping a sure momentum, storytellers find compelling balance between personal confusion of army captain Jake Gyllenhaal, stuck in repeating time loop to discover bomber on train, and kinetic ticking-clock thriller. Enjoyably tangled and satisfyingly resolved, with solid support from Vera Farmiga and Michelle Monaghan.
Sous la Seine (Under Paris) (2024)
Pulpy narrative sees same shark that decimated intense marine biologist Bérénice Bejo's team in the Pacific, return to haunt her and wreak havoc in Paris. Blunt ecological themes allied to bloody, energetically paced action as events led to equally preposterous finale.
The Space Between Us (2017)
Initially intriguing setup of a boy born to the lead astronaut of a space flight to Mars gets unstuck with earthbound contrivances when the teen searches for his father and love. The actors are unable to convince. The strong score provides some cohesion.
Space Cadet (2024)
Rapidly disintegrating concept never quite embraces absurd potential, as exuberant party girl Emma Roberts realizes sacrificed dream of joining NASA astronaut program. Lacking needed comic tension and momentum, characters fizzle amid awkward staging and plain visuals.
Spadek (Inheritance) (2024)
Gathered for will of mischievous inventor and gameshow host, estranged family members must solve puzzles to locate invaluable patents while also finding they're all potential murder suspects. Evocative design provides polish to sporadic laughs and underwhelming mystery.
Spartacus (1960)
Told on suitably expansive scale, sometimes ragged story of slave uprising alternates between Kirk Douglas' righteous crusade and Charles Laughton's cunning Roman politics. Formidable cast and bracing Alex North score capture gripping drama and romance, with Jean Simmons providing final, searing emotion.
Spectre (2015)
Controlled imagery and intense staging elevates atmospherics of opening stages until typical plot machinations creak as vengeful Daniel Craig uncovers government spyware infiltrated by devilish Christoph Waltz. Technical polish can't prevent lack of tangible emotion and tension.
Speed (1994)
Jettisoning logic and story demands, the concept of a bomb on a speeding bus allows for action sequences that deliver thrills and comedy with a purity that never tires. The magnetic Sandra Bullock provides humanity and individuality amid the stunts and explosions.
Speed 2 Cruise Control (1997)
Production values are vivid and climactic set pieces deliver on promised spectacle, yet convoluted storytelling drains thrills and even quirky Sandra Bullock struggles to register character jeopardy. Jason Patric runs around amid Willem Dafoe's sabotage.
Spellbound (1945)
Preposterously plotted and wholly unbelievable, the narrative threads seem as elusive as the dream Ingrid Bergman must decipher in order to clear Gregory Peck's amnesiac of murder. Miklós Rózsa's gorgeous score is alternately as lush and overwrought as the film.
Sphinx (1981)
Production makes full use of expansive Egyptian locations, yet handles convoluted thriller narrative with staid seriousness rather than mystery or genre energy. Confused archaeologist Lesley-Anne Down falls for mysterious Frank Langella in pursuit of lost treasures.
The Spider And The Fly (1949)
Always intriguing, often tense, a character-driven piece in which a romantic triangle underpins the manoeuvres between Paris police chief and an artful thief. Atmospherically lit and designed, the World War I setting provides a rich background and unexpected narrative twists.
Spider-Man (2002)
Fresh, buoyant comic book origin story reaches for balance between personal and fantastic as withdrawn Tobey Maguire is bitten and transforms to urban superhero while dealing with family guilt, pressure of responsibility and feelings for Kirsten Dunst. Winning flair carries tonal mix.
Spider-Man 2 (2004)
Enriching character elements from first film, conflicted Tobey Maguire faces estrangement from exasperated Kirsten Dunst and existential loss of powers even as enraged Alfred Molina wreaks city havoc. Dynamic action woven through love story with intoxicating results.
Spider-Man Far From Home (2019)
Breezy continuation of tone and good-natured spirit with more expansive use of European tourist spots. Structure remains retread rather than revealing, though Zendaya's MJ adds texture, while songs and score spark energy to mirror the comedy. Little actual threat subdues real tension.
Spider-Man Homecoming (2017)
Light touch coasts on the energy of eager Spidey Tom Holland and appealing cast, highlighting the comic, while individual action set pieces provide variable impact. Michael Giacchino's snappy, sparkling score helps immeasurably. Enjoyably unremarkable.
Spider-Man No Way Home (2021)
While maintaining humorous essence of previous films in series, final act involvement of Tobey Maguire and Andrew Garfield alongside Tom Holland provides spark while end features surprising emotional heft away from persistent effects. Finely honed.
Spies Like Us (1985)
Lightly humorous Cold War riff trades on appeal of leads as inept Dan Aykroyd and Chevy Chase are unknowing CIA decoys sent to Soviet Asia before accidental involvement in preventing nuclear war and forging détente. Sprightly Elmer Bernstein score and some eccentric casting, yet staging is bland.
Spionen (The Spy) (2019)
Cleanly delivered wartime espionage with captivating, textured Ingrid Bolsø Berdal as true-life, famou actress who infiltrates Nazi command as double agent for Swedish intelligence. Emphasis remains on character and sacrifice, with absorbing detail and lush design.
The Spiral Staircase (1946)
Gilded period design, Gothic melodrama and noirish visual style fuel the tension of a fiendishly packaged thriller. As sympathetic female characters Dorothy McGuire, Ethel Barrymore and Rhonda Fleming face a serial killer, sound and music spur pacing and scares.
The Spirit Of St. Louis (1957)
Alluringly rendered visuals and powerful Franz Waxman score complement typically endearing James Stewart as a whimsical, determined Lindbergh on first solo Atlantic flight. Never quite achieves needed tension and climactic triumph despite persuasive detail.
Split Decisions (1988)
Boxing melodrama echoes better stories. Solidly delivered fights and predictable family confrontations, including gangster threats and killing, keep narrative ticking while gritty Gene Hackman anchors ensemble cast. Lacks energy to provide emotional connection.
Split Image (1982)
After college-bound, athletic Michael O'Keefe is consumed by persuasive Karen Allen and charismatic cult leader Peter Fonda, materialistic parents Brian Dennehy and Elizabeth Ashley hire intense James Woods to kidnap and deprogram son. Solid cast enliven plainly told and thematically uneven melodrama.
Split Second (1992)
Though story makes little sense, the sci-fi horror mashup is energetic B movie nonsense, with a dominant Rutger Hauer and various Brits going off the rails. Budget limits dystopian pretensions as a creature stomps through flooded London tearing out hearts.
The Spy In Black (1939)
Powell & Pressburger's first collaboration is a typically offbeat thriller that embraces the view of the German spy aiming to destroy the British fleet in remote Scotland. Conrad Veidt and Valerie Hobson provide depth and emotion in a brisk, minor effort.
The Spy Who Came In From The Cold (1965)
Crafted with bleak sense of cold war menace and final, acute tragedy, tension is built through oblique dialogue to hint at deadly personal and government agendas. Fine cast, with reluctant agent Richard Burton on last mission and reaching for salvation with idealistic librarian Claire Bloom.
The Spy Who Loved Me (1977)
Crafty mix of fluid action, knowing humour and bouts of violence, told on expansive international locations and epically conceived sets. Confident Roger Moore and tenacious Barbara Bach team to prevent crazed Curt Jürgens from nuking the world for underwater utopia.
St. Vincent (2014)
Confidently good-natured comedy drama which efficiently structures pay-offs of redemption and realization as suffering Bill Murray agrees to babysit stressed new neighbor Melissa McCarthy's son. Calculated sentimentality checked by earthy performers, including Naomi Watts' lost and pregnant hooker.
Stagecoach (1939)
Charismatic, revenge-minded John Wayne joins disparaged Claire Trevor and diverse travelers on hostile trail, all with urgent motives to risk Apache territory. Despite some clunky exposition, evocative visuals and spirited action combine with fine cast for exciting, and dramatically charged adventure.
Stalag 17 (1953)
Enclosed tale of American POWs revolves on obsession with escape and hunt for barracks mole, with immediate suspect the hustling William Holden. Straddling broad laughs, German caricatures, cynical humor and tense drama, skillful cast and filmmakers maintain precarious balance.
Star Dust (1940)
Light comedy drama sends Hollywood scout Roland Young out to sign young hopefuls to screen tests, including determined Linda Darnell, destined for love and stardom despite designing studio exec Donald Meek. Agreeably yet anonymously told with a few effective scenes.
A Star Is Born (1937)
Gorgeously produced, archly staged, innocent Janet Gaynor finds fame in Hollywood after fading Frederic March helps her become star. Doomed love story includes amusing industry bitterness even as sentimental strength of reaching for dreams manipulates emotion.
A Star Is Born (1976)
Indulgent and undisciplined as a narrative, Barbara Streisand and Kris Kristofferson still make a charismatic couple, as the rising talent eclipses the disillusioned star. The concerts and music scene maintain a gritty appeal and the soundtrack is full of hits.
Star Wars The Rise Of Skywalker (2019)
The production values, technical expertise and expansive visual effects are without fault. Yet there remains an anemic atmosphere and a narrative going through the motions, an opportunity lost. At least it provides John Williams with a glorious finale.
Starfish (2018)
Realized with startling visuals and a dream-like mood, the intensely emotional Virginia Gardner deals with grief at the loss of her friend while surviving an alien invasion of earth. Jettisoning narrative, the sensory approach is fueled by a gorgeous, energized score.
Stargate (1994)
Nutty sci-fi action sees genially impulsive professor James Spader decipher secret of huge ancient ring as space portal through which stoic colonel Kurt Russell travels to desert planet. Generously expansive and enjoyably unsubtle, rebellion and romance with able support from David Arnold's sweeping score.
Starlet (2012)
Bathed in tanned hues and sparkled sunlight, a friendship emanates out of guilt between drifting, 20s Dree Hemingway and reclusive, 80s Besedka Johnson. The women's relationship is as natural as it is moving, informed by the need for closeness. A genuine gem.
Starman (1984)
Tenderly judged storytelling keeps characters and narrative journey effectively simple, as still grieving Karen Allen is visited by alien Jeff Bridges who takes on her late husband's form. Sleek visuals spur chase by authorities, while potent leads develop unusually poignant sci-fi love story.
The Stars Look Down (1940)
Skillful, persuasive blend of poetic drama and social politics. As the conflict of coal mine workers and owners inevitably results in disaster, the story is personal rather than didactic, with powerful sequences and Michael Redgrave's driven performance.
State Fair (1945)
Slight narrative strands link lightly attractive characters whose time at the annual Iowa gathering of the title spans the trivial and romantic. Colorful design and effortless staging combine with enduring Rodgers and Hammerstein songs for energetic entertainment.
State Secret (1950)
Innocent doctor Douglas Fairbanks Jnr. and reluctant showgirl Glynis Johns are on the run across the European state of Vosnia, chased down by a cynically efficient Jack Hawkins. Breezy thriller with solid use of locations and a sense of humour. A diverting entertainment.
Steirerblut (The Forest Killer) (2013)
Small town secrets and political corruption confront edgy detective Miriam Stein as she returns home to investigate journalist's murder and face her own family's past. Moderately engaging and told with diligent polish, without style or narrative surprise to set pulse racing,
Still Of The Night (1982)
Narrative and visuals precisely honed to conjure cold Hitchcockian stylings without own distinctive identity and suspense as psychiatrist Roy Scheider deciphers murdered client's dreams to find if Meryl Streep is a killer. Intriguing rather than compelling.
The Sting (1973)
Deceptively glossed with 30s period design, twisting narrative is as slyly enjoyable as devious plans of Paul Newman and Robert Redford to scam crime boss Robert Shaw. Allied to Scott Joplin rags, populist storytelling with intelligence and richly defined characters.
Stir Of Echoes (1999)
There's texture and a grounded atmosphere to the blue collar Chicago neighborhood where ghosts are physical as well as literal. Past secrets are gradually dug up by a mournful, psychic Kevin Bacon, a story always involving if not quite delivering on potential.
Stöld (Stolen) (2024)
Plain, uncompromising visual aesthetic establishes harsh conditions for indigenous Sámi people and traditions of reindeer herding under threat from hostile locals and industry. Unfortunately, drama of Elin Kristina Oskal's retaliation remains anemic and narrative development unconvincing.
The Storied Life Of A.J. Fikry (2022)
Sincere intention for emotional, inspiring drama follows misanthropic Kunal Nayyar, rebooting his life when he adopts child left in his bookshop. Solid cast, yet attempt to cover so much character and thematic material ends up disjointed and lacking.
Stowaway (2021)
Told with restrained style and clean visuals, confines of travel to Mars intensify when unconscious engineer discovered aboard means fourth traveler with only enough oxygen for three. Morality and sacrifice prove more compelling than ratcheting tension as situation inevitably worsens.
La Strada (1954)
Spun with textured threads of humanity by Giulietta Masina, Anthony Quinn and Richard Basehart, a revealing journey of poetry, comedy and despair that lingers through gritty, burnished visuals. Small scale circus background allows physical performances to shine with soul.
The Strange Affair Of Uncle Harry (1945)
Darkly humorous, noir-tinged drama sees staid, small town George Sanders bewitched by sophisticated Ella Raines, until possessive sister Geraldine Fitzgerald undermines romance. Unhealthy relationships and murder punctured by limp resolution.
The Strange Love Of Martha Ivers (1946)
Past guilt hangs heavy on DA Kirk Douglas, feelings cynically suppressed by wealthy Barbara Stanwyck until drifting Van Heflin arrives back in town. Crisply told with dark twists accentuated by ex-con Lizabeth Scott's own need to break free.
Strange Invaders (1983)
Affectionately detailed and structured 50s alien invasion paranoia, as curious Paul LeMat and cynical Nancy Allen uncover invasion of a remote Midwest town and government conspiracy. Solid cast and visuals, uneasy balance between stiff satire and bland thrills.
The Strange Woman (1946)
Noir-drenched period melodrama, as irresistible Hedy Lamarr tears her way through Maine society, broken emotions and bodies in her wake. Expressive visuals amp the over-heated narrative, Louis Hayward and George Sanders flailing behind dynamic, modern lead.
A Stranger In Town (1943)
Weary Supreme Court Judge Frank Morgan intends to vacation but finds himself at the center of small town politics and corruption. Richard Carlson is the idealistic lawyer, Jean Peters the jaundiced city assistant. Breezy, good-natured comedy and romance.
Strangers On A Train (1951)
Gorgeously twisted narrative builds thrills with playful precision, as mischievously psychotic Robert Walker instigates crisscross to swap murders with tennis playboy Farley Granger. Dark wit infuses finely tuned visuals, progressed with snarling pace and sharp dialogue.
Straw (2025)
Blunt melodrama piles on stress for impoverished, single mother until abuse erupts in violence and accidental bank robbery that rapidly spirals out of control. Solid cast is led by Taraji P. Henson's intense focus and emotional howl, yet social concern and thriller plotting never quite coalesce and late twist confuses.
Striptease (1996)
Unfocused plot developments and tonal shifts create strange dichotomy between earnest stripper Demi Moore's efforts to get child back and satiric parade of corrupt lowlifes and Burt Reynold's political caricature pursuing her. Fitfully amusing, yet blandly unsexy and sapped of energy.
Strul (Trouble) (2024)
Agreeable if uneven comic spin keeps action tempo brisk, aided considerably by energetic charm of mild Filip Berg, electronics salesman who inadvertently escapes prison to unravel police corruption and prove his innocence of murder. Genial cop Amy Deasismont contributes to silliness.
Stuber (2019)
Placing bruising cop Dave Bautista on trail of killer in anxious Kumail Nanjiani's Uber provides predictably humorous sparks and enjoyably daft running gags. Yet storytelling never quite builds comic or action momentum and shoehorns emotional contrivance rather than enjoying the ride.
Styx (2018)
As meticulous in detail as Susanne Woolf's solo sail from Gibraltar to the Galápagos, rigid technique collides with ethical dilemma when she comes across refugees lost at sea. Told with increasing tension and humanity, a magnetic lead performance soars when a desperate boy swims for safety.
Submergence (2018)
Straining for importance and meaning amid artful romance between assured scientist Alicia Vikander and gritty agent James McAvoy, dramatic tension never takes hold. As they face death, polished visuals and persuasive Fernando Velázquez score provide a seductive sheen.
The Sugarland Express (1974)
For most part, a lively, good-natured road movie as persuasive Goldie Hawn springs reluctant William Atherton from open prison to prevent baby son's adoption. Robust visuals spur momentum, Ben Johnson provides humane authority, end tonal shift unpersuasive.
Suite Française (2014)
Sturdy cast and production values provide a surface sheen to stuttering storytelling and characters as insecure Michelle Williams finds emotion with conflicted Matthias Schoenaerts during German occupation of rural French town. Engaging moments yet lacks real fire.
Summer Of 69 (2025)
Engagingly awkward Sam Morelos decides to seduce fellow high school senior by learning sexual confidence from stripper Chloe Fineman, who needs the money to save club. Innocently raunchy, predictability and choppy staging doesn't stifle general appeal and winning conclusion.
Summerland (2020)
Gemma Arterton gives an affecting, soulful performance as the initially reclusive and irritable writer who gradually opens up when an evacuee from the Blitz is sent for her care and past secrets and future dreams collide. Immaculately made and quietly moving.
Summertime (1955)
Infused with bittersweet wonder for Venice's spirit, luminous visuals match vulnerable Katherine Hepburn's American tourist, succumbing to beguiling atmosphere and romance with married Rossano Brazzi. Wry comedy and aching romance, sublimely crafted and affecting.
The Sun Also Rises (1957)
As much as lush production values and sweeping European locations provide a hopeful background to title's new generation, bitterness and loss suffuse the drama of drifting Americans post WW1. Solid cast compensates for inert pacing and pervading sense of weighty suffering.
Sundown (1941)
Mysterious local leader Gene Tierney proves an alluring presence for British officers Bruce Cabot and George Sanders as well as support to defeat an aggressive tribe while war clouds descend on East Africa. Intrigue and production remains rather flat despite cast efforts.
Sungnan Byeonhosa (The Advocate A Missing Body) (2015)
Snappy pacing and sufficient twists see arrogantly successful lawyer Lee Sun-kyun defend murder suspect, only to find corrupt links back to powerful pharmaceutical company. Legal associate Im Won-hee provides comic touch and prosecutor Kim Go-eun sparks conflict amid nimbly handled action.
Sunshine Cleaning (2008)
Insecure Amy Adams and wayward Emily Blunt are sisters who find financial hope in business of cleaning up violent crime scenes while also coping with family and relationship dysfunction. Thoughtful, captivating leads and wry, comic touch compensate for underwhelming drama.
Sunshine On Leith (2013)
Though The Proclaimers' songs often feel shoehorned into a basic structure and characters that never develop beyond narrative stereotypes, there's a charm and energy that's winning, especially the exuberant finale. Colourful style matches engaging performances.
Super 8 (2011)
Affectionate callback to 80s teen adventures fused with sci-fi conspiracy and monster action has tentative Joel Courtney, natural Elle Fanning and oddball friends making amateur zombie movie when epic train crash unleashes horror on provincial town. Crafted with infectious style, thrills pierced with emotional conviction.
Supercell (2023)
Slick visuals pile on atmosphere, staging storm chasing set pieces with suitably grounded intensity, even if narrative of impulsive teen reliving father's famous storm-chasing legacy remains unpersuasively thin. Supporting cast bolster interest along with Corey Wallace's bold, thematic score.
Superman (2025)
Breezy comic strip adventure disposes with origin story in order to pitch David Corenswet's idealistic hero against Nicholas Hoult's corrupt Lex Luthor while developing relationship with Rachel Brosnahan's pragmatic Lois Lane. Despite typical, bludgeoning conclusive destruction, heart and humor always winningly center stage.
Supernova (2000)
Dark sci-fi sheen and pacy action maintain momentum even as ambition of elevated themes collide with B-movie exposition. Wary Angela Bassett and confident James Spader are among space ship crew endangered by rescued Peter Facinelli and alien matter. Little suspense or originality.
Surrender (1987)
Struggling artist Sally Field and successful novelist Michael Caine meet when roped naked together by thieves at art gallery. Effortlessly appealing leads make observant romantic comedy breezily enjoyable, until plot contrivances and abrupt character shifts spin story off the rails.
The Suspect (1944)
Quietly involving, noirish drama with Charles Laughton driven to murder when he enjoys the company of innocent Ella Raines and is threatened by aggrieved wife Rosalind Ivan. Paced with evocative menace and dark humor, suspense and morality are finely balanced.
Suspect (1987)
Legal thriller keeps plot mechanics tight as weary public defender Cher comes to believe in homeless, deaf Liam Neeson's innocence of murder, while smooth DC lobbyist Dennis Quaid helps uncover judicial corruption. Polished characters and courtroom drama, despite unlikely twists.
Suspicion (1941)
Uncertain thriller places tender Joan Fontaine in the hands of rakish and perhaps murderous Cary Grant. Genial atmosphere and languid pacing subdue sense of gnawing tension, though end section builds up a head of unease. Final revelations can't help but feel a letdown.
Suzume no Tojimari (Suzume) (2022)
Vibrantly realized visuals and persuasively played characters as titular teen stumbles across supernatural threat that propels her on chase across Japan with talking stool and insolent cat. Spurred by elevating score, uneven structure entwines ambitious concerns with personal coming-of-age.
Swamp Water (1941)
Atmospheric Georgia setting provides suitably oppressive background for small town prejudice, greed and violence to play out as eager Dana Andrews befriends accused murderer Walter Brennan and aids his abused daughter Anne Baxter. Involving rather than dramatically effective.
Swashbuckler (1976)
Exuberantly good-natured pirate adventure sees lumbering scarlet buccaneer Robert Shaw confounding venal Peter Boyle and colonial Bahamas authorities. Gutsy Genevieve Bujold provides a suitable foil amid colorful locations and design even if visuals and plot fail to capture needed romantic sweep.
Sweet Liberty (1986)
Soft-centered satire of movie making features appealing cast, yet diffuses storytelling with undeveloped characters and blurry conclusion. Rakish Michael Caine and consumed Michelle Pfeiffer provide sharp relief, and genial comic situations spark enjoyable momentum.
Sweetwater (2013)
Styled visuals initially maintain interest in disparate strands that eventually coalesce with gutsy ex-prostitute January Jones seeking revenge on unhinged prophet Jason Isaacs. Self-conscious staging, eccentric sheriff Ed Harris, and bursts of violence flounder amid unfocused storytelling.
The Swimmers (2022)
While true-life events remain undeniably effective, collision of desperate refugee drama with inspirational sports underdog triumph never really meshes. Nathalie Issa and Manal Issa deliver authentic intimacy as sisters enduring hardship and exploitation to escape Syria for Germany, before determination to compete in 2016 Olympics.
Swimming Pool (2002)
Escaping to her publisher's French retreat to rediscover creative inspiration, staid crime novelist Charlotte Rampling is disturbed by appearance of his breezy daughter Ludivine Sagnier. Controlled atmosphere and playful score springboard deliciously sensual and artful mystery.
Swing Into Romance (2023)
Visiting bucolic, small-town home, practical Danica McKellar needs to return to dancing roots to enter competition and save family store as well as learn to trust widower David Haydn-Jones. Bland visuals and flatly staged drama unrelieved by weary dance and predictability.
Swiped (2025)
Entrepreneurial underdog story framed as female empowerment with intuitive Lily James hounded by male chauvinism as co-founder of Tinder dating app before re-discovering moral compass with Bumble. Standard package provides surface humor while skirting more interesting, darker potential.
Switchback (1997)
Initially intriguing character and story strands see obsessed FBI agent Dennis Quaid track serial killer to small town where sheriff R. Lee Ermey seeks reelection, while dropout Jared Leto hitchhikes with over-friendly Danny Glover. As body count increases, action suspense mechanics lose resonant detail.
Switching Channels (1988)
Enjoyably trivial updating of The Front Page via His Girl Friday, as seasoned reporter Kathleen Turner spars with manipulative boss Burt Reynolds at a cable news channel. A good number of gags deliver, pace is kept brisk, without making a lasting impression.
Sylvie's Love (2020)
Swooningly romantic, an unfiltered view of enduring love between independent Tessa Thompson and jazz saxophonist Nnamdi Asomugha set to achingly melodic period soundtrack. Tonally inconsistent and sometimes awkwardly staged, yet messy nature elevates emotions.