AUGUST 2021

In this edition . . .

        CULTURE/ SOCIETY: Lessons from the Coronavirus, Part 2

        THE AGE OF THE EARTH: Why Genesis 1 and Psalm 90:4 Are Bad Bedfellows  

        BROWNCOAT BAY: Why a Browncoat Would Like Studio 60

        CULTURE/ SOCIETY: Speaking My Truth to Truth

        THE ABORTION DEBATE: Is An Unborn Baby Human?

        MAGNIFICENT MOZART: Overture, Don Giovanni, K. 527

        ROMANS: Jettisoning Boasting, Romans 3:27-31

Welcome to the August 2021 edition of The Eclectic Kasper. This is a Flashback edition; the articles in this edition are some of our favorites from the last few years, and we think that you will like them, too.

If you are a newer reader, the variety of articles and topics will give you a sense of the style of this web journal. Each article is introduced with a few editorial comments about why we have chosen it for this month.

As always, we love your feedback, even if you come at some of these issues with a different perspective or an opposing view. Send your critiques and compliments on any of our articles to feedback@eclectickasper.com.

Also, you can post your thoughts and responses on our The Eclectic Kasper Facebook page.

Thanks for reading and stay eclectic!

CULTURE/ SOCIETY: Lessons from the Coronavirus, Part 2

    This article is originally from the May 2020 edition of The Eclectic Kasper, with minor modifications. Some of this is a bit tongue-in-cheek, but it is interesting to see a year later what we were thinking while still in the first few months of the pandemic, and how relevant some of these observations still are.

    In the April 2020 edition of The Eclectic Kasper we looked at a variety of lessons we can glean as we continue to go through the effects of the Coronavirus. Here in Part 2, we’ll consider a few more random lessons we have learned during this global pandemic.

    Church means face-to-face. We are experiencing a fascinating once-in-a-century ecclesiastical experiment to help us understand what church is and what it isn’t. Many have expressed to me that they were afraid that regular church-goers may just continue to stay home and watch church online.

    Well, that’s fine, but that’s not church.

    Church is not me being fed a message by a video-pastor; it is gathering together with other believers, sharing resources, encouraging others, praying, and breaking bread together, both through the formal practice of the Lord’s Table and also just being together and building into each other’s lives. The New Testament rarely portrays church as anything less than the gathering of believers together, for prayer, apostolic teaching, and mutual service and edification (Acts 2:42-47; 4:32; 20:7; 1 Cor 14:12, 26; 16:1-2; Eph 4:11-12; Heb 10:23-25). Me sitting on the couch with my wife and dog watching John Piper or John MacArthur is not church! We used this in an extreme circumstance to replace our Sunday morning experience while on Coronavirus lock-down, but that is not a legitimate substitute for church.

    Church is not solely about the communication of Biblical and theological information. That is a non-negotiable aspect of church, one that too many churches have unfortunately negotiated out of their services. But church is also about meeting face-to-face, helping, laughing, admonishing, and hugging. Acts 2:44 notes that “all those who had believed were together and had all things in common.” Maybe these wrong mentalities that we have about church, even before the virus outbreak, are why the Lord is not adding to our numbers daily (Acts 2:47). It is OK if we don’t gather together temporarily during a pandemic, however, it is not right for any believer to not gather with other believers on an ongoing basis. You deprive other redeemed believers of your presence, of your encouragement, and of your gifts when you attend Pajama Baptist Church every Sunday morning.

    And speaking of face-to-face . . .

    I can’t believe how often I touch my face! When this all started, people talked about hand-washing, social distancing, and not touching your face too much. I thought these precautionary measures would be easy.

    But then I realized how much I touch my face! I thoughtfully touch my cheek or thoughtlessly scratch my nose. I rub my eyes, put my hand on my forehead, or contemplatively stroke my beard; this act makes me look smart, but appearances can be deceiving!

    It’s not a great face, but it’s all I have, and I find not touching it to be very difficult. If touching my face and getting the Coronavirus are linked, then I’m sure to get it!

    OK, on to more serious things we’ve learned during the Coronavirus.

    Religious faith-healers are frauds. If someone legitimately has the gift of healing as they claim, shouldn’t they be traveling through hospitals and curing those who have this virus?

    During His earthly ministry, our Lord Jesus Christ went into towns infested with disease and demon-possession and healed many people (Matt 4:23, 24; 8:16; 9:35; 12:15; 14:14; 15:30; 19:2; 21:14); several of these verses indicate that He healed them “all” (4:24; 8:16; 12:15). He did this regularly at many times and in many places, as these verses just from the Gospel of Matthew demonstrate. While healing was not as important to Jesus as teaching was, He utilized healing nonetheless to demonstrate His power and the legitimacy of what He taught. He had faith and power to heal and He never worried about catching anything from those He was helping. His disciples also engaged in legitimate healing ministries both before and after the resurrection (Matt 10:1; Mark 6:13; Acts 3:6; 5:16; 8:7; 28:9).

    Where are the faith healers and the prosperity proponents now? Where are those who claim that miraculous gifts and healings are still available to the church today? Wouldn’t a global pandemic be the perfect time to use these miraculous gifts and abilities to demonstrate the legitimacy of the Gospel of Christ and the unique power of His church during this time? If you were a faith healer, wouldn’t this be an ideal moment to aet least make a name for yourself? Where are Kenneth Copeland, Ernest Angley, Benny Hinn, or any of the hundreds of pastors who claim to have the ability to heal? Have you heard one story of a health-and-wealth healer touring a Covid-19 ward and curing victims of this virus?

    The only reason why you haven’t seen these kinds of stories is because faith healers are frauds; there are no other logical or legitimate explanations. They should be embarrassed to ever show their faces again in public, unless they repent of their multiple deceptions. They are frauds, plain and simple, and this pandemic has proved it.

    Late night comedians are really not that funny. Of course, we already knew this about Jimmy Kimmel and Samantha Bee. But we at least chuckled politely at the others, as we were caught up in the spectacle and led along by the canned laughter (inserted when there was a lack of genuine laughter from the live audience). We endured the sketches and jokes and gags because they brought a bit of levity to our humdrum lives.

    But watching these guys work from their home has removed the theatrical veil of legitimacy, and demonstrated that they are not funny at all. Some of them seem lost without an audience during their monologues and interviews. Watching Conan O’Brian or Jimmy Fallon riff with some celebrity is no more interesting or humorous than most conversations I have with friends and family. The virtual versions of Saturday Night Live have been atrocious and virtually unwatchable! And with all the money that these people have, why does what they produce look as amateur as anything that I could produce!?

    Without the stage, the graphics, the band, the audiences, and the pomp, we’ve found out that late-night shows and late-night comedians are not much better than YouTube novices.

    So, what are some lessons that you have learned during the Coronavirus crisis? We invite you to send in your own thoughts about what you’ve learned during this time, either personally, politically, or spiritually. Send your lessons from the Coronavirus to feedback@eclectickasper.com.

THE AGE OF THE EARTH: Why Genesis 1 and Psalm 90:4 Are Bad Bedfellows

    This article is originally from the September 2020 edition of The Eclectic Kasper, with minor modifications. This is one of my favorite articles from this series about the age of the earth and this is yet another exegetical defense of the young earth view.

    We have written several articles about why we take Genesis 1 literally, and you can see those articles in our “Eclectic Archive” here.

    Many Christians believe that the opening chapters of Genesis are metaphorical or poetic. Many believers adhere to theistic evolution or affirm with modern secular science that the earth is millions of years old.

    But the more we dive into the opening chapters of Scripture, the more we believe that they are intended to be taken as literal and historical. Many believers still affirm that all things were created by God in six 24-hour days, despite how increasingly naïve some people believe that view to be. He created all things with the appearance of age so that He could have immediate interaction with His creatures, and we don’t believe that this makes God deceptive in any way (see our article about this called “Science, God and Deceit” from the May 2020 edition).

    Some who believe that the days in Genesis 1 really represent eons or ages appeal to verses like Psalm 90:4. This verse notes that God perceives or understands time differently than we do: “For a thousand years in Your sight are like yesterday when it passes by, or as a watch in the night.” They then leap to 2 Peter 3:8, which seems to be borrowing this concept about time from Psalm 90:4. Since Psalm 90:4 and 2 Peter 3:8 discuss time and days, why shouldn’t we use Psalm 90:4 to interpret Genesis 1?

    This kind of “leap” from Genesis 1 to Psalm 90:4 and 2 Peter 3:8 may make someone feel like they have an iron-clad argument that the world is actually millions of years old. However, they are also “leaping” over several important keys for proper interpretation of the Bible.    Context is extremely important in the interpretation of any verse or passage. When looking at a verse, one must consider where that verse is situated in the chapter, in the book of the Bible that it is in, and in the area of Scripture (such as early narrative literature, minor prophets, or epistles). One must consider the genre of the book that it is in (such as poetry, prophecy, or story) and the point that is being made in the original context where the verse is found.

    For instance, Psalm 90:4 is in a poetic passage and in a book of poetry. Of course, not all poetry is figurative, but there certainly tends to be more figurative and metaphorical language in poetic sections than in narrative sections. The passage of a millennium is compared in this verse to a night watch, and it is likened to a flood, sleep, and new grass in v. 5. These are similes and comparisons in the immediate context; they are not intended to suggest that the word “day” in other parts of Scripture should not be taken as actual 24-hour periods.

    The book of Psalms is a book that employs metaphors and similes frequently. In these cases, it is not trying to portray scientific accuracy. However, Genesis 1-3, and really the entire book of Genesis, is history. It still uses metaphors occasionally, just like we all do in normal life and speech. However, it is narrating actual history, using days, weeks and years in literal ways. We dealt with the literary genre of these early chapters of Genesis in our article, “Is Genesis 1-3 Poetry or History?” from the September 2018 edition. However, it is worth revisiting the question: If Genesis 1 is poetry and symbolic but Genesis 7-8 about Noah or Genesis 12 about Abraham are literal, then when does Genesis stop being figurative and become literal and historic?

    Some don’t think that Genesis 1-3 is poetry, but that it describes the literal creation of all things. Their only caveat is that the “days” are figurative, representing ages or eons, rather than actual days. Obviously, we disagree with their assessment of the word “days.”

    But this points to an odd interpretive inconsistency: why take the references to time (“day,” “evening,” and “morning”) figuratively, but take everything else literally? They want to take day figuratively, but they don’t take “sun” figuratively; they believe that Genesis 1 refers to the creation of our literal sun. Is “water” figurative, too? Does it stand for the Holy Spirit? Or the flowing blessings of God? Or are the references to “water” referring literally to water even though references to “day” are not about literal 24-hour days? We take everything else literally in Genesis 1, that God made a literal sun, literal stars, literal animals, and eventually made literal people, and yet the multiple time markers, like “day,” “evening,” and “morning” are somehow figurative. This doesn’t seem like consistent interpretative methodology.

    Also, we need to consider that Psalm 90:4 and 2 Peter 3:8 portray how God perceives time, not how He communicates it. It is not necessarily that time moves faster or slower for God or for us, but that we as finite creatures perceive time differently than He does. For an eternal God, centuries and millennia are perceived as brief relative to the way temporally-locked creatures like us understand the passage of time. And, while this may be an interesting theological discussion, that doesn’t mean that these verses should be used to argue that the “days” in Genesis 1 are eons or ages rather than 24-hour days.

    Since we’re on the subject, I will add that Psalm 90:4 and Revelation 20:1-7 are bad bedfellows, too. Revelation 20 also mentions the term one thousand years pointing to the millennial reign of Christ after the Great tribulation and before the eternal state. Some point to 2 Peter 3:8 since it also refers to end time events, and suggests that the thousand years in Revelation 20 should be taken figuratively. However, Revelation 20 is portraying a literal future condition in a genre that takes numbers pretty seriously (like detailing the 140,000 in Rev 7:4-8, or the listing of seven churches in Rev 2-3, seven seals in Rev 5, seven trumpets in Rev 8-9, and seven bowls in Rev 16). Also, the term “thousand” is repeated in six consecutive verses in Revelation 20:2-7, signaling that this was not a throw-away metaphor, but that the author intended for us to take this time-span literally.

    Psalm 90:4 and similar verses like 2 Peter 3:8 present fascinating theological truths, but should not be used to impose an interpretation on a different genre, such as historical narrative in Genesis 1-3.

BROWNCOAT BAY: Why a Browncoat Would Like Studio 60

    This article is originally from the March 2021 edition of The Eclectic Kasper, with minor modifications. This article brings together two of our favorite shows and discusses some fascinating and fun overlap between the two of them.

    In the January 2021 edition of The Eclectic Kasper, we started a series called “Show Within A Show” and we featured one of my favorite shows, Studio 60 on the Sunset Strip.

    Our regular readers know how much we love Joss Whedon’s Firefly. As it turns out, there are some interesting similarities between these otherwise very different shows. If you like Firefly, I think that you will like Studio 60. But that works the other way, too; if you like S60, you will like Firefly.

    So why would a Browncoat like Studio 60? There are several reasons:

    Writing style. These two shows are very different in their premises: Studio 60 is about the inner workings of a sketch comedy show in Hollywood, and Firefly is a space western set 500 years in the future. However, the presentations of these premises are very similar. Both Firefly and S60, are crisply written, and the main characters deliver great one-liners. Both shows feature unusually talented casts who can toggle between drama and comedy quickly, and who preserve that balance in a compelling and realistic way. Both have a similar kind of snarky and authentic writing; no matter how bad and desperate the situation gets, you’re never far from a good joke or an aptly-placed pun. While there are few space ships or fist-fights in Studio 60, there is a sustained intensity and there is witty, substantive and fast-paced dialog that a Firefly fan would love.

    Use of Chinese. For some specific plot reasons, Studio 60 has several episodes where Chinese is used frequently. Firefly, of course, cleverly sprinkles in some Chinese phrases, mainly in proving some of the most color expletives; the cleverest but cleanest one that I can relate in this web journal translates to something like “to have the explosive diarrhea of an elephant,” from the episode “Our Mrs. Reynolds.” The Signal podcast did a regular segment called “How to speak Chinese” by focusing on the helpful and colorful Chinese used in Firefly. We could probably do an entire season of “How to speak Chinese” just based on a few episodes of Studio 60. Of course, most of the Chinese in S60 is normal conversation, and one of the cast acts as a translator, so, sorry, there is not nearly as much creative swearing.

    Casting overlaps: While none of the main casts between these two shows overlap, there are some interesting casting overlaps, nonetheless. Two fleeting characters in the ‘Verse have significant roles in Studio 60. Interestingly enough, these two characters bookend the Firefly/ Serenity franchise; the first plays a fairly significant role in in the Firefly pilot, and he plays a secondary role in Studio 60. The second casting overlap has a very small part in Serenity the movie, but she is one of the main cast, one of two primary females, in Studio 60 (we’re referring to characters played by Sarah Paulson and  Carlos Jacott). It is really fun to see each of these people play different kinds of roles in the two different shows. But that’s not all: this last time watching through Studio 60, we caught another casting tie-in; the bossy doctor on the Firefly episode “Ariel” pops up as a reporter in the S60 episode “K&R, Part 2.” One wonders if we will find more casting overlaps between these two shows as we continue to watch them.

    Only one season: Alas, like Firefly, Studio 60 was cancelled prematurely. While Firefly only received about a half of a season, Studio 60 received a full season of 22 episodes, but those were moved around on the schedule and the show was actually put on hiatus for about two months, as well. At the end of those 22 episodes, a Browncoat will feel a very familiar heartache of having come to love a show that was cut down in its prime.

    Topic: Studio 60 is about producing a sketch comedy show called Studio 60; while that premise is very different from Firefly, the very fact that S60 talks about producing a show will, I believe, resonate with many Browncoats. Many of us relish not merely the Firefly franchise as a whole but also the production value of what we see on the screen. Some of you, like me, have not just watched Lord of the Rings through several times, but you have also watched the behind-the-scenes bonus material, as well. A show like Firefly makes us interested in shows; and Studio 60 brings together the concepts of a great show, and a show-within-a-show. Similarly, I have found that there is a disproportionately high amount of Browncoat fans (vis-à-vis fans of other franchises) who are engaged in fan fic and creating some kind of fan production; Browncoats: Redemption, Bellflower, Mosquito are only the tip of the iceberg relative to the creative output of Browncoats. Therefore, I suspect that many Firefly fans will enjoy the behind-the-scenes drama in S60.

    As I conceded in that review article in January, Studio 60 was not a flawless show. Some of the characters were not as strong as they could have been, and the show veered from its premise more than it should have. Firefly, on the other hand, is a near-perfect show; it is well cast, well written, has clever plots and it flies true relative to its premise.

    Studio 60 may not have the same kind of universal appeal that Firefly does, but I can guarantee that it has something for most of us. If you are a Browncoat, you will like the crisp dialog, the great chemistry between the characters, and the authentic feel that the show creates. Both shows portray diverse people who come together in different ways; despite their differences, they form a family, and they find that they can produce something greater together than they ever could have as individuals.

CULTURE/ SOCIETY: Speaking My Truth to Truth

    This article is originally from the January 2020 edition of The Eclectic Kasper, with minor modifications. We’re challenging the notion that everyone has their own truth, and trying to champion the thing that we used to just refer to as “truth.” Let us know how you think that we did in that attempt.

    The conclusion to this last season of Survivor featured several instances of people discussing what they referred to as “my truth.” There had been some “metoo” moments in the last episodes, and some of the woman were given a chance to give their perspective on the problems. But again, it was framed as being “my truth” or “her truth,” an odd phrase that has disturbingly entered our vernacular.

    This was an interesting juxtaposition for me because the very next Sunday after I watched the Survivor finale, our church was in a passage in Revelation where Jesus is called the “faithful and true Witness” (Rev 3:14). Elsewhere, Jesus says that He is “the way, the truth, and the life” (John 14:6).

    Can these various forms of “truth” co-exist? Or are we using the same word to refer to completely different phenomena?

    Truth has had a tough career over the last few decades. Centuries ago, many in Western civilization adhered to the Christian worldview, or a body of truth and explanations for origin, meaning, and destiny. Of course, not everyone did so, and not all who claimed to be Christians held to the exact same ideas. Nevertheless, the basic premises of Christianity were held by many. But not only that, there was a more widespread acceptance that truth came from God, and it was our task as people to align ourselves with His truth.

    This worldview began to be increasingly undermined, to both good and bad effect. The veracity of Christian truth was assaulted in the eighteenth century by many Enlightenment thinkers. It continued to be damaged in the nineteenth century by the rise of German higher criticism, Darwinism, and aberrant religious groups, especially in America. Throughout the twentieth century, the Christian worldview continued to be challenged by atheism, evolutionism, and by the worldviews of many other religions, like Islam, Hinduism, Buddhism, and Mormonism.

    Despite this, nobody has their own truth. Truth exists independently of people. I understand that this is a topic that has been debated for millennium; we have watched Western civilization ping-pong back and forth from Platonism to Aristotelianism, and between objectivity and subjectivity. But let me just streamline that conversation and reassure you that truth does exist, and it exists whether or not I affirm it, believe it, or know it.

    Truth is very much like gravity; you don’t have to believe it, or accept it, or like it, but it operates anyway. In fact, it operates completely independently of your knowledge of it or your feelings about it. Gravity doesn’t affect different people in unique ways. It affects all people in mathematically and scientifically predictably ways.    Similarly, there is no “my truth,” or a set of facts and truths that pertain uniquely to me or my tribe. There is no “your truth”; there is just “truth,” and then there is your ability to align with it whether you like it or not.

    Again, this is not so much a problem with concepts, but a problem with terms. Truth is something that is objective, and independent of my opinion of it. What we now call “my truth” or “your truth” is what we formerly referred to as my perspective or your opinion. And in order for communication to improve, we need to acknowledge the difference between these: If you have something to say, then just call it your opinion, or your perspective. It may or not be true and accurate to reality. It may derive from what you want to be true, or what you suspect to be accurate. But you saying it does not make it true. Have the courage to acknowledge that you may be wrong rather than falsely labeling something “my truth” in a vain attempt to legitimize it.

    Another problem is that personalizing truth cheapens truth. “My truth” means that I only acknowledge truth that I like or facts that support my views. This is an epistemologically irresponsible way to discuss topics and debate issues, and it is a selfish and hypocritical way to live.

    Expanding this principle from an individual to a group or a community doesn’t help. Every race and ethnicity and religion can’t have its own truth. These “truths” and facts will collide and demonstrate that one is false while the other is true, or that both are false. They can’t both be contradictory and also both be true. Ethnicities and genders and other demographically-oriented groups may have their unique take on life, but they don’t have some exclusive access to their own truth.

    Also, if we personalize it, and call it “my truth,” we then get to pick which “truths” we like. People were very interested in Christine Blasey Ford’s truth, but not Brett Kavanaugh’s truth, even though, in the end, his truth turned out to be more accurate than her truth.

    Also, truth is not based on feelings, speculations, or impressions. It is based on fact, and if someone doesn’t have facts that can be clearly articulated, then the rest of us have the right to question the legitimacy of that individual’s alignment with truth.

     As we are bombarded with statistics and assertions and opinions during this election year, make sure you avoid the trap of assuming that truth is subjective. If you believe something is true and you believe it by faith, then just know that it may be hard to factually convince someone that your faith is true. If you have an opinion, then state your opinion, but don’t confuse the issue or insult reality by calling it “your truth.” Be content to know what you know, but have a hunger for pursuing truth that is based on facts and not just on the talking points of a social group or political party.

    So, what do you think? Has this “my truth” and “your truth” terminology helped in discourse or has it served to marginalize truth? What are your thoughts, questions and responses? Send them in to feedback@eclectickasper.com. We will publish good feedback anynomously in a future edition. 

THE ABORTION DEBATE: Is An Unborn Baby Human?

    This article is originally from the July 2018 edition of The Eclectic Kasper. This article, written by junior contributor Luke Kasper, provides solid arguments for the full humanity of a baby in the womb, a critical component of an anti-abortion view.

        by Luke Kasper

    I suspect that most The Eclectic Kasper readers are against abortion. But the reason for this article is not to ‘convert’ you to anti-abortionism. Rather, I am trying to equip Christians so that they can have a better defense of their perspective on this issue.

    Let’s start with the fundamentals. If you are in a discussion with someone who is pro-abortion, you should start by getting to the heart of the issue. People think that it is very complicated and that there are many different variables; but they are wrong. There is only one question that will decide who is right about the issue: Is the unborn baby human or not? The answer to that question will decide the whole debate.

    If the fetus is not human, or is not a person, then it is acceptable to kill them. It is fine to let abortion clinics exist. It is acceptable to let our taxes go toward helping people pay for abortions. Fundamentally, if a fetus is not human then killing one is logically not murder. Murder of humans is, obviously, against the law and more importantly against God-given laws.

    But if fetuses are human, then it is undoubtedly wrong to kill them. It is wrong to let abortion clinics exist. It is wrong to let our taxes go toward helping people pay for abortions. And abortion is obviously murder if the fetus is a human.

    In that one question lies the whole argument. Therefore, the goal of a pro-lifer must be to show that an unborn person is human. Once you do that, then you have “won” the debate. And there is no other valid issue that your opponent could use to to show you otherwise. So, how do we demonstrate that the unborn is fully human?     There are four differences between an unborn and a newborn, and they can be remembered using the acronym SLED: Size, Level of development, Environment, and Degree of dependency (credit for this concept goes to author Scott Klusendorf). I will briefly show you how none of these have any effect on whether the unborn baby is human or not.

    Size: Does size make the unborn not human? No. Is an overweight person more human than a smaller person? No. Is a six-foot-tall person more human than a toddler? No. When has size ever determined whether someone is human or not? Never. Size doesn’t affect whether an unborn baby is human or not. So a tiny baby at twelve-weeks-old in a womb is still a human.

    Level of development: Is someone who is not as smart as others less human than a person who has six PhDs? No! They might not be as smart but they are no less human. Or, if there is someone who has Alzheimer’s or some form of dementia, are they less human? Not in a million years! Our intelligence or level of development has never, should never, and will never determine whether someone is human or not.

    Environment: This is an easy one. Does the location of someone change how “human” they are? Would someone be less human if they moved from America to Asia? Or to Africa? Or to the moon? No. A simple change of location doesn’t make something that was not human, human. Therefore, a baby inside the womb or outside the womb is just as “human.”

    Degree of dependency: Does the fact that a baby in the womb needs its mother to be able to eat, breath, and grow change whether it is human or not? Or, if someone is in an accident and they need a respirator to remain alive, does that make them less human? No. Newborns still need their mothers; they would die without care from their mothers. Are newborns not human because they are dependent on other people? Emphatically no!

    So the four main differences between an unborn and a newborn do not impact whether she or he is human or not.    Most pro-abortionists believe that a fetus becomes human when it has a heartbeat, when it develops organs, when it can feel pain, when it can think, or even when it is born; but all these are ridiculous. Is whether it is right or wrong to kill the baby going to be determined by whether it has a pulse that we can detect? What if there is a heartbeat but we just can’t detect it? That just doesn’t work.

    Because on one hand, you have a newly conceived baby that is (according to pro-abortionists) not human, and it is fine to kill it. On the other hand, you have a one-year-old human baby that would be wrong to kill. At what point is it human? If you killed it just right before that point it would be legal, but if you killed it even just one minute after that point, it would be wrong.

    This is what we believe that the unborn are: The unborn are less developed humans who don’t yet have the capability to do all the things that more developed, more experienced humans can. Abortion is incredibly inhumane (as you already know) because you are killing a human at its weakest point. The fetus isn’t smart, it isn’t strong, it can’t defend itself. Aren’t we supposed to look out for the weak and the people who can’t fend for themselves?

    We will continue to provide arguments against abortion that you can use when you discuss this issue. But for now, keep in mind that pro-abortionists have no basis to consider a fetus as anything less than fully human. Therefore, to terminate its life for any reason is nothing less than murder.

    So what do you think about this line of argumentation regarding pre-born individuals? Are they fully human or not? Send your kind comments and critiques to feedback@eclectickasper.com and we’ll repost good feedback anonymously in a subsequent edition.

MAGNIFICENT MOZART: Overture, Don Giovanni, K. 527

    This article is also originally from the July 2018 edition of The Eclectic Kasper, with minor modifications. This is the first of a series about Mozart pieces (you can see some of the other articles in this series in our Eclectic Archive), and this is one of my favorite opera overtures.

    I initially considered doing a series on a variety of composers and reviewing some of their more important contributions to the musical firmament, such as Tchaikovsky’s 1812 Overture or Bach’s Toccata and Fugue in D minor.

    But I realized that this would just be a façade for explaining and describing the music by my all-time favorite composer, Wolfgang Amadeus Mozart (1756-1791). And rather than spending time describing composers that I only marginally enjoy anyway, I decided just to focus on works by Mozart, and to highlight many of his great pieces and some lesser-known ones as well. 

    Thus, this series will highlight Mozart’s works, provide a bit of background on the piece, and encourage and equip you to listen to these works with a more discerning ear. Hopefully, this will help you to appreciate these works, and appreciate how magnificent Mozart’s music is. Occasionally we will mention other composers or highlight their works, but my intention is to focus on Mozart.

    One of my first classical albums was a tape (yes, a tape!) of Mozart overtures, and one of my favorites of these is the overture to Don Giovanni.

    Don Giovanni is the nineteenth of Mozart’s twenty-three operas, and it premiered on October 29, 1787 in Venice. The full title of the opera is Il dissoluto punito, ossia il Don Giovanni, which literally means, The Degenerate Individual Punished, namely Don Giovanni. While the title kind of gives away the ending, the point of an opera is less about the plot and more about the presentation. The Italian libretto is by Lorenzo Da Ponte, with whom Mozart also collaborated for Marriage of Figaro and Così fan tutte. Don Giovanni is ranked tenth on the list of operas most frequently performed according to the website Operabase. Mozart’s ability to balance playfulness and profundity certainly contribute to its enduring appeal.

    The ominous cord that introduces this overture establishes the tone for this grim opera. Many of these cords in the first part of the overture are complex and contorted. They shifting between major and minor cords, representing shifts in the opera between comic and dramatic elements. Many cords in the overture are not even pure cords, but rather, they utilize a seventh or a diminished fifth; it is as thought the cords themselves are trying to be “pure” but not quite getting there. This is perhaps a nod toward the titular character who seems to have everything going for him, and yet, will eventually be consumed by his imperfections and moral flaws.

    The very first two cords consist of a D minor in the first two measures, dropping down to an A Major in the next two measures. There is an ominous silence of three reluctant beats between the end of one and the beginning of another, as though one is awaiting a menacing but inevitable fate. Mozart does something else very clever in these first few measures: in the first two measures, the lower instruments play a D to reflect the D minor cord. Most musicians would drop those lower instruments down to an A for the A Major cord in measures three and four; but Mozart drops these instruments down a mere half-step to a C#, creating an eerie tension evoked by what almost sounds like a C# minor cord with a sustained sixth, a cord that will be utilized in the sixteenth measure also. 

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    The D minor returns in the fifth measure, but it contorts into a D minor diminished fifth with a sustained sixth (referred to as a diminished seventh cord, or Ddim7), a haunting cord that consists of playing every third half-step on the scale. A brief reprieve is provided in the next measure as an A Major cord takes over. But this, too, descends into an A minor diminished fifth with a sustained sixth (Adim7). These sublime and tortured patterns, often utilizing the splendor of the brass instruments, continue in one form or another throughout the first part of the overture. 

    A low undertone of sixteenth notes by the second violins begins in measure thirteen; it is dark without being creepy; it bespeaks a firm and righteous indignation, a holy, terror to which one would not want to subject himself. Much of this first part of the overture is resurrected toward the end of the opera, in Act 2, scene 5, where a supernatural statue of the Commendatore, whom Don Giovanni had killed in Act 1, scene 1, returns from the grave to confront his murderer. Don Giovanni remains unrepentant and continues to defy the Commendatore, and is eventually surrounded by demons and dragged down to hell, to the regret of nobody. Indomitable justice finally captures its prey.

    The second part of the overture, beginning about two minutes into the piece, takes a decidedly more playful turn. This transition, is sharp, but not awkward, and a welcome break after the near-maddening intensity of the first part of the overture. If that first part portends Don Giovanni’s dark fate, this next part evokes the title character’s casual conquests. He is confident and he exhibits a triumph over life, and notably, over women. His immoral and womanizing ways are epitomized by the aria in Act 1, scene 2, “Madamina, il catalogo è questo,” a country-by-country catalog  sung by Don Giovanni’s servant Leporello of his master’s multiple conquests.

    The rest of the overture reflects this confident lightheartedness, and we are now very much in Mozart’s wheelhouse. The composer takes us on an escapade of lively melodies, racing scales, and a brilliant use of strings, woodwinds and percussion. Yet, the occasional pulsing lower notes and minor cords suggest an ominous feeling even as the light woodwinds carry the melody.

    One stands amazed at the quality and depth of this overture and of the rest of the opera that follows. But there’s a historical note that make Mozart’s magnificence that much more apparent. It is widely believed that the overture for Don Giovanni, was not completed until October 28, the night before the premier of the opera. In fact, it is probably more accurate that he finished the score for the overture in the early hours of the morning on the day of the premier, just in time for copyists to provide pages of the score to the members of the orchestra. And if this sequence is accurate, the musicians had to sight-read the overture on the night of the premier, though, helpfully, they would have been familiar with much of the overture because it shows up in other parts of the opera.

    In summary, the overture to Don Giovanni demonstrates Mozart’s brilliant ability to create tones both ominous and playful and weave them into one sublime, musical tapestry.

ROMANS: Jettisoning Boasting, Romans 3:27-31

    This article is originally from the February 2019 edition of The Eclectic Kasper. This is one of many articles in our ongoing verse-by-verse commentary through the Apostle Paul’s magisterial epistle to the Romans, and you can see the other articles in this series in our Eclectic Archive.

    One of the greatest obstacles to today’s spread of Christianity is the arrogance of Christians. Even though our message is about how we are sinners saved by grace, nonetheless we perhaps forget that our status as “children of God” was given to us, not earned by us. Grace is powerful and potent, but sometimes it goes to our head.

    I believe that Christianity would be far more successful and would be perceived as far more valid if more believers were more humble.

    Romans 3 contains a beautiful discussion about how fallen sinners can be justified and declared righteous before a holy God by placing our faith in the sacrificial death and literal resurrection of Christ. Paul makes clear that even after that, we need to have the humility to avoid boasting and embrace the implications of grace for our life.

    In Romans 3:27, Paul asks where there is any place for boasting or bragging about our spirituality or our religious efforts. Well, if it is by grace through faith, then there is none! Grace excludes boasting. The issue of boasting was apparently problematic enough in the Roman church that Paul mentions it in 2:17, 23, here in 3:27 and also in 4:2, and it is used more positively in 5:2, 3 and 11 and 15:17. One wonders if boasting and confidence was just so central to Roman culture and to Rome itself, that a wrong mindset about boasting or what to boast about had crept into the Roman church. Paul makes this connection between salvation and not boasting elsewhere (1 Cor 1:29; 5:6; 2 Cor 1:12; Eph 2:9; See also Jas 4:16). As a result of the reception of salvation, the ability of a believer to boast is “excluded.”

    Here the word “law” is probably more a reference to a principle rather than to the formal Mosaic Law. The Apostle is not establishing a separate law here, though there are references in the NT to the law of Christ (1 Cor 9:21; Gal 6:2; see also Rom 8:2; Jas 2:12). We are not saved by the law of Moses, but only by the rule that we could never earn our salvation, but can only receive it through faith.

    There is always a temptation to boast. Even when I have done absolutely nothing to contribute to a single win in any professional sport, I still boast about my team, a group of people I am only loosely associated with and only by virtue of geography. How much less could we boast when we receive salvation that we could not earn, and when we are delivered from God’s wrath that we fully deserve, but could never turn away on our own.

    Paul reasserts a point in 3:28 that is central to Romans. The word logizomai, from where we get the word “logic,” means “to count” or “to consider.” Nineteen of the forty occurrences of this word in the NT are in Romans, including 11 occurrences in Romans 4. Apparently many early believers still considered that the Law and that human works had some effect on salvation. Paul refutes this and “maintains” and “affirms” that justification is by faith and not law.

    The word dikaioö means, “to put into a right relationship” or “to declare and treat as righteous.” The verb is already somewhat passive in connotation, meaning that someone is placed into a right relationship with someone else. This idea is verified by the fact that the verb is passive: people are being justified by God. And, in a statement of Pauline theology, he continues that this justification is appropriated “by faith,” and “without works of the Law.”

    In v. 29, Paul again undermines the notion that God is only of the Jews or only wants a relationship with the Jews. He is the Creator of both Jews and Gentiles, and therefore, it is right for Gentiles to be integrated into the family of God. This can be done without the Gentiles first becoming Jews in order to be children of God. God’s concern for the Gentiles is not unique to the NT; God has always wanted to extend His grace and truth throughout the world, since the Abrahamic covenant in Genesis 12. But the point again is that neither Jews nor Gentiles have the right to boast about their salvation because for both, salvation is a gift that is received entirely by faith.

    The concept that God is over both Jews and Gentiles from v. 29 is continued in v. 30. This verse affirms that there is one God. Part of His oversight and sovereignty is the fact that He – and by implication, He alone – provides justification. The fact that there is one God who oversees all justification means that there is only one way to be justified. There are not many paths to the same God, or many modes of approach to God; that would make God unfair and inconsistent.

    As Paul discussed in Romans 2, justification does not depend on human works, such as performing the law, nor on whether or not one is circumcised. God justifies both the circumcised and the uncircumcised through faith. “Paul is not saying that all the circumcised are justified, but that all the circumcised who are justified are justified in this way” (Leon Morris, Romans, 188).

    Finally, in v. 31, Paul answers a logical question that may arise in the reader’s mind at this point. The Mosaic Law provided an all-encompassing identity for the Jewish race, and an encouragement for them to walk humbly in compliance with God’s expectations. If the Law was not necessary for salvation, and indeed, it never had been, and if Gentiles can now freely be justified in the same manner that the Jew is justified, what then is the value of the Law? Do the apostles abolish the Law, render it null and useless, and leave it behind?

    Paul’s emphatic response to this sentiment is “May it never be!” This phrase is a strong negation that is used fifteen times in the NT, fourteen times by Paul (Luke 20:16 is the only non-Pauline instance) and ten times in Romans alone. Paul emphatically rejects the notion that the Law is no longer valid, important, or foundational for our faith. Of course, the NT is clear that the rituals, ceremonies, and dietary regulations are no longer binding for Jewish or Gentile Christians (see Acts 10 and 15 and Galatians). Paul’s emphatic negation of the idea that the Law is no longer important should perhaps be heeded by modern evangelicalism, which tends to ignore the first five books of the Bible with the exception of Genesis 1-3 and some isolated stories about Moses.

    The law is not nullified, but rather, “we uphold” the law through faith. The verb here is histemi and it is probably better to take the NIV “uphold” rather than the curious NASB rendering “establish.” Faith does not nullify Mosaic law or any other law or standard; as Paul will argue later, the opposite of law is not faith but lawlessness. The only way to truly understand absolute morality, to appreciate transcendent and universal laws, and to obey divine expectations is through faith. But we then understand God’s holiness and high expectations through the Law, even though there are specific parts or regulations no longer binding upon NT believers. When we are living out our faith in truth, kindness and compassion, we are not voiding the law, but accomplishing it (Gal 5:18, 23).

    Christianity is a faith of humility, not arrogance. Christ humbled Himself to a profound extent in His suffering and death so that we could be justified (Phil 2:1-11). Those who have experienced and truly understand that salvation is by grace through faith in Christ will carry that humility with them as they share the faith with unbelievers and encourage believers. 

Commentary on Romans

 

See the other articles in our ongoing verse-by-verse commentary on Romans here in our “Eclectic Archive.”