Just like Crystal Spring, the artwork in Crystal Bridges endures - long after those who made it are gone from this earth. And after you have toured the galleries and gone home, it will still be here waiting for you or your children or their children to come back.
The Permanent Collection of Crystal Bridges Museum of American Art spans five centuries, featuring masterworks by artists from Colonial times through today. The collection on view in the Museum’s main galleries used to be arranged chronologically, providing guests with an overview of both the art and the history of America. Recently galleries that cover the oldest time period, have been rearranged into a mixture of old and new art.
I've been told that Crystal Bridges did this for the sake of diversity and inclusiveness but I feel they got it wrong. There are many wonderful works of art by people who are not "white men" which is what they wanted to get away from. They used pieces from other eras to incorporate women and black and other ethnic groups of men into the display.
If the curators had spent more time and effort, they could have found wonderful works of art by these groups of people that fit into the timeline of those galleries instead of making it a mishmash of time periods. Women and men that would have satisfied these requirements were doing great art but it just wasn't recognized back in the day. How terrific it would have been if Crystal Bridges had taken the time to find this art and finally give these artists the recognition they deserve. That art is out there. Why can't Crystal Bridges find it? I don't think they bothered to look. I try to overlook what they have done to the first few galleries and I hope you can too.
Temporary Exhibitions enhances the guest experience of the Museum by providing opportunities to enjoy traveling exhibitions from other institutions, or special presentations of artworks from our own and other museum collections, organized by Crystal Bridges.
In an effort to be "woke", Crystal Bridges has exhibited some art that is controversial to say the least. Lately, their efforts to be "inclusive" and "diverse" have been (in my opinion) over the top. There must be a way to be "woke" in a more kind and gentle way. I have the feeling they are trying to jam it down our throats and that is not a good thing. Nobody reacts in a positive way to that. Don't they realize in their desire to be "inclusive", they are "excluding" a big part of their audience? I think they just flat out don't care.
Having said all this, Crystal Bridges is still a wonderful place and well worth a visit. You can and will form your own opinion of the art I'm sure.
Crystal Bridges was designed by internationally renowned architect Moshe Safdie, who envisioned a building that would complement the surrounding Ozark landscape. Nestled into a natural ravine, the Museum integrates the element of water on the site through the creation of two spring-fed ponds that are spanned by two signature bridge structures and surrounded by a group of pavilions housing Museum galleries and studios.
The trails and grounds of Crystal Bridges are a must-see part of the Museum experience. More than 3.5 miles of trails wind through the Museum’s 120-acre site, providing guests with access to the beautiful Ozark landscape as well as the outdoor artworks
Crystal Bridges brought in a drone to shoot video of the Museum. The short sample of footage on Crystal Bridges' Blog shows how the drone captured images that mimic the sense of “WOW” visitors feel when they first first step to the railing at the front entrance and look down to see the hidden sweep of the Museum.
See the Drone's Video of Crystal Bridges - CLICK HERE
Crystal spring is the “living heart” of Crystal Bridges: it is one of the sources for the water that is so central to the Museum’s design. The spring water emerges from under a rocky overhang and courses down through rocks that have been carved into swoops and whorls by its passage for more than 100 years. Standing at Crystal Spring you get a sense of the timelessness of the place. And that feeling will inspire your experience of the artwork inside the Museum, as well.
Crystal Spring was flowing when the artworks in the Early Nineteenth-Century Gallery were being made. It was still flowing when Missouri regionalist Thomas Hart Benton made his paintings about the hard work of farming in the early twentieth century; and when Museum founder Alice Walton and her brothers roamed this land as children in the late 1950s. The spring has been here and witnessed all of this, a constant in the landscape.