Stephen Earp

Hi Mom, 2020

Thrown earthenware with Maiolica overglaze decoration

$350

Ship of Fools, 2020

Thrown earthenware with Maiolica overglaze decoration

$350

My Brother's Keeper, 2020

Thrown earthenware with Maiolica overglaze decoration

NFS





"The tragically exquisite art of staying connected in an age of plague. We only have ourselves for comfort and support. This plate was my third reaction to the pandemic."











"A medieval allegory describes a pilotless ship, whose passengers believe they are heading to paradise, plowing through a sea of denial. A remote “ship of state” heedlessly plows through a sea of victims. Willful ignorance abounds. Semper Sublimis (i.e., “Still Towering”). This was my second reaction to the pandemic."












"Xenophobic jingoism is thinly disguised as a pretense of concern. As national policy or as personal belief, what could possibly go wrong? This plate was a pre-pandemic glimpse toward dark times ahead."



"Symbolism and allegory define the Delftware tradition, offering a perfect vehicle for expressing my fear, anger, and resolve in a manner that allows the work to be appreciated right now or ten years from now."

Stephen Earp earned a BFA in Ceramics from the University of Iowa in 1986. He apprenticed to Richard Bresnahan at St. John's Pottery in Minnesota, then moved to Nicaragua, Central America, to work with Potters for Peace. After returning to the US, Earp was Master Potter at Old Sturbridge Village for several years before establishing Stephen Earp Redware in Shelburne Falls, MA. Stephen Earp’s work can be found on-line, and at museums, historical sites, and galleries across the country. Earp’s writings on pottery history and interpretation have been featured in several publications.