Space is the empty or open area between, around, above, below, or within objects.
•Shapes and forms are made by the space around and within them. Space is often called three-dimensional (3D) or two- dimensional (2D)
2-dimensional (2D)- means that an object or shape has length and width.
3-dimensional (3d)- means that an object or form has length, width and depth.
Space can be positive or negative. It includes the background, foreground and middle ground
•Positive Space - the shapes or forms of interest
•Negative Space - the empty space between the shapes or forms
Both positive and negative space can play important roles in the overall success of a work of art. By understanding the difference between the two, you will:
•Become better at designing unified compositions.
•Be more successful in visually communicating your story.
•Gain important clues about the meaning of an art piece.
These two pictures are the same but their positive and negative spaces are reversed
in the first image what did you see first? The vase or the faces?
What about the second image? Did you see the the black vase first or the white faces first?
What were the positive and negative shapes in each picture?
There are two types of space that exist within art — positive space and negative space. Positive space is the actual objects or shapes within an artwork and negative space is the space around and between those objects. A good way to demonstrate positive and negative space is by utilizing Rubin’s vase. (Refer to illustration.) As you can see the vase occupies what would be referred to as positive space and the space surrounding the vase is negative space. Notice how the negative space is forming silhouettes of two faces in profile.
What do you see in this picture?
Did you see the Asian ladies first? or did you see the columns first?
The perception of space thus can be subjective; to some, a person's perception of the positive space can be another person's perception of the negative. Thus, a person's analysis of a work of art will vary from person to person based on their own unique interpretation of what constitutes a positive and what constitutes a negative.
Positive space is the area or part of the composition that an object or subject occupies. It is usually the main focus of the painting, such as a vase of flowers, fruit, or candle in a still life, a person’s face in a portrait, or an animal in a wild life painting, or a building, trees and hills in a landscape. When used skillfully, positive space will add interest by enhancing and balancing the negative space in a composition.
Negative space is that empty or open space that surrounds an object. It helps to define the object, gives it some breathing room to prevent the painting from being too crowded and has a huge impact on how the art piece is perceived.
An interesting thing about negative space is it can be used to prompt viewers to seek out subtle hidden images within the negative space causing your design to get more attention and to be remembered while other less interesting works aren’t.
•It can add interest and is an excellent way to draw attention to your works of art. A good balance between great negative space and intrigue will cause the viewer to desire more time looking at your work of art.
•It can draw the viewer in giving them a sense of inclusion because they discovered a subtle hidden message or image in the composition. Even though it may be a simple composition, great negative space reveals there is more to the piece than first meets the eye making it a more rewarding experience for the viewer.
•It gives the eye a “place to rest,” thereby adding to the subtle appeal of the composition. The equal amounts of both negative and positive is considered by many to be good design.
You can choose how you want to use negative and positive space to balance a composition. Will your focus be on the subject matter or the landscape it is in? Think about what you want to portray in your artwork. What kind of mood do you want to convey? How can your use of positive and negative space get your point across?
Balance of positive and negative space
This picture has a balance in which the foreground image (the black areas) and the background (the white areas) both share the visual load of the image
Excessive negative space
In this image, the area in white is overpowering the area in black
The focus is less on the tree and the land and more on the sky
Excessive Positive Space
The posive space in this picture is much more appealing than the background image.
The focus of this image is the tree itself and not the landscape or background beyond it.
Positive and negative space can be used effectively in advertising for its eye catching potential.
The figures and the continent of Africa stand out because they have great contrast.
Images such as these create a sense of inclusion in the viewer as people feel like they have discovered something in the work. The viewers experience interest as they interact with the work visually
Positive and negative space can be used to convey opposite ideas or forces together.
cat and mouse
black bean and white bear
Positive and negative space work in creating a memorable work of art because the human brain tends to want to fill in missing information.
positive and negative space can be used to create interest
Can be used to create a sense of mystery
Positive and negative space is used to express a message or ideal
How will you use positive and negative space in your work?
positive and negative space in a painting
•Here are 6 ways to creating the illusion of space within your work of art:
1. Linear Perspective
Linear Perspective - By using either 1 point perspective, 2 point perspective, or 3 point perspective, an artist can create the illusion of space. Linear perspective is a drawing method that uses lines to draw objects in space.
example of 1 point perspective
2. Overlapping
Overlapping - When one object is positioned in front of another object, part of the object behind it may be blocked from view. This is called overlapping
3. Size
Size - Objects that are closer to a viewer appear larger than objects that are further off in the distance
4. Placement
Placement on the Surface - Generally, objects that are positioned lower on the picture plane will appear closer than objects that are positioned higher on the picture plane.
6. Shading
Shading - Light and Shadow create the illusion of form and space.
The picture plane is the surface of a painting or drawing. The 3 areas of the picture plane are the foreground, middleground and background.
Spatial Planes:
Foreground -appears closest to the viewer
Background- is perceived furthest from the viewer.
Middleground -located between both the foreground and background.
Linear Perspective- Linear perspective is a drawing method that uses lines to draw objects in space
The first known paintings done in linear perspective were created in 1425 by Filippo Brunelleschi (1377 – 1446)
•Brunelleschi noticed that when he painted the lines of several Florentine buildings in a mirror, they converged at one point along the horizon line.
Before Brunelleschi
What is wrong with this picture?
After Brunelleschi
How is this better?
One point perspective is a drawing method that shows how things appear to get smaller as they get further away, converging towards a single 'vanishing point' on the horizon line. It is a way of drawing objects upon a flat piece of paper (or other drawing surface) so that they look three-dimensional and realistic.
Vanishing Point- A vanishing point is the location where lines converge
Horizon line- Imaginary line where the sky and Earth seem to meet. The horizon line is also called the "Eye-Level line"
Converging lines (orthogonal lines)- Parallel lines which seem to meet at one point
The vanishing point can run from the left, right, or right down the middle.
Two point perspective- shows objects as viewed from a corner. This form of perspective uses two vanishing points
Atmospheric perspective- or aerial perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance
As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any details within the object also decreases
As things get farther away, they look blurrier, smaller, lighter in value, and cooler in appearance (bluish)