For this part of the project, I was grouped with Nadiyah and Kambell. Each of us began by individually brainstorming and sketching ideas for a social conflict to represent. In the end, our group decided to focus on my chosen topic: climate change. Using my original sketch as a foundation, we collaborated to plan how we would translate the concept onto our assigned section of the final Guernica-inspired mural. Following the stylistic approach of Picasso’s original Guernica, we used bold lines to divide our section and create abstract, emotionally charged imagery. Within our composition, we incorporated key contributors to climate change—such as factory emissions, oil drilling, and warfare—to reflect the widespread and destructive impact these forces have on the planet. Our goal was to raise awareness and provoke thought, just as Guernica did with the horrors of war.
Our job was to create a propaganda poster using characteristics of propaganda (pathos, misinformation, specific audience, repetition, and simplification of a complex issue) that were used during WWI and II and discussed in class. The poster should reflect a clear message and content so as to provide enough information to the reader.
For this project, each student was responsible for designing and illustrating a small image on each face of a tetrahedron, with each drawing representing a specific social or global issue of their choice. The goal was to visually communicate personal perspectives or concerns about the world through creative expression. After completing the artwork, we carefully assembled and glued the sides of the tetrahedron together, ensuring it could stand on its own as a three-dimensional structure. Once all students had completed their individual pieces, Ms. Wilson began constructing the final collective installation by combining each student’s tetrahedron into a larger, unified geometric form. This collaborative effort symbolized how individual voices and issues, when brought together, can create a powerful and meaningful whole.
For this project we began by researching Chemicals associated with different emotions that we matched with Guernica. We then chose a scene from the Guernica and created an art based on that part and also drew the Chemical Structures of the the chemicals I found to be associated with that Emotion. I chose fear and Pain, because the scene is of a man burning during the war.