This is the first draft of the script for Catalyst. Upon finishing it we were rather shocked to see the total page count be at something as high as twenty-eight, I originally suspected it would struggle to reach the twenty to twenty-five page mark so there will obviously need to be some trimming and slimming that will come in due course with future drafts.

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Nia and I have shared the script with two teachers and two peers who have agreed to read through it and evaluate it. This is going to be beneficial so we can get an overall census on how the script, and therefore the final production will be received to an audience.

This is the second draft of Catalyst. Of course, it's a lot shorter and is only the argument scene between Calvin and Chester. It's been extended to about 11 pages which is obviously a lot longer than the original scene. Of course, when only doing one scene a lot more nuance and context needs to be added to both the characters. For example, I've implemented the fact that Chester's parents have died, Calvin has relapsed and Calvin's brother Kinglsey.

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It's definitely going to be a lot easier to film a ten-minute scene compared to the half-hour long film that the original script demanded. It will put less strain on Nia and me to create it as well as the fact that we can put more time and effort into making it something which is actually good as opposed to rushing it just to get it done.

This was the third script of Catalyst. I considered the notes Xavier gave us and decided to do a few rewrites. Nothing major, just a few cuts in dialogue. Now, this was actually meant to be the final draft however after my interview with Jules Becker I was partial to making a few last-minute adjustments the day before filming.

The changes I planned on making included changing the ending so that it would end how it starts. With Calvin.

As well as that Calvin would no longer walk in, choke on bread and get hymleiched by Chester but would now walk into a seemingly empty house only for Chester to walk in on her. This would add tension to the scene as Calvin went out of her way to avoid seeing Chester only for him to show up anyway.

This was the final draft that we decided to use for Catalyst. It has an alternative ending as well as some changes to dialogue and actions.

Overall while I do think it's the superior script to all of my previous drafts i'm sure that I will eventually find something I wish i changed about it. But at this very point in time, i'm rather happy with how it's come out. I think it's concise, to the point, descriptive but not overly wordy. I think it's a good script.

Chester's standard wardrobe is a mix & match of all different styles and aesthetics. It has some ties to early 90s America however often has aspects of Y2K and modern fashion. He mainly wears earthy, darker and muted tones such as navy greens, blacks and darker blues.

Generally, Chester wears a simple plain t-shirt, black denim jacket, dark blue jeans and either trainers or Doc Martens. He's got quite a variety in style and he doesn't typically stick to one outfit. He likes to mix it up, and try something new.

He would never be called a fashion icon or particularly experimental however it's always tasteful and presentable.

Calvin's standard wardrobe mainly follows darker tones, green tones which are complemented by the occasional dash of colour (usually a stolen item of Chesters).

She's typically wearing a long camouflage jacket, dark jeans, sneakers or boots and an oddly fitting t-shirt which she most likely stole from Chester.