Original Compositions / English Translations of Art Songs & Arias / Program Notes
The Spinster of Chelsea Embankment (from Cabaret Songs, Vol.3)
Two songs from Ladies of Their Nights and Days (I Left You in Florence - The Queen Elizabeth Blues)
The versatile New York pianist and composer Richard Pearson Thomas (b. 1957) is at home in both the musical theater and the concert hall. In addition to accompanying recitals with singers at major U.S. and international venues, he composes for films and the stage, including the Off-Off-Broadway shows Parallel Lines (2005) and Ladies in a Maze (1996). The Montana native is a graduate of the Eastman School of Music and the University of Southern California, was on faculty at Yale, and currently is on the faculty at Teachers College/Columbia University. He has composed more than 80 operas with students in New York City public schools as composer-in-residence of the Gold Opera Project, Young Audiences/New York.
Writing the words as well as the music, Mr. Thomas began issuing collections of his Cabaret Songs in 1995. Published in 2006, The Spinster of Chelsea Embankment comes from Volume 3, and has been described as depicting “a figure apparently on intimate terms with more than a century-and-a-quarter's worth of literary luminaries, like Virginia Woolf (1882-1941), Oscar Wilde (1854-1900) and Charles Dickens (1812-1870).”
Composed between 1980 and 1988 and also with texts by the composer, Ladies of Their Nights and Days is a cycle of 11 songs, subtitled “a musical tour for mezzo-soprano.” In the context of the whole cycle Windsor: The Queen Elizabeth Blues is the first song, and I Left You in Florence is the last, but each song is strong enough to be performed independently. About his cycle the composer says, “[it] is designed for a singing actress with great musical and dramatic skills. Each song is a different character in a different European setting,” and he adds, “The piano accompaniments are orchestral and challenging, but a lot of fun for an accomplished pianist."